Ivor Novello Vídeos
actor, dramaturgo, compositor, escritor, guionista, compositor de canciones, actor de teatro, actor de cine, cantante, director de cine, libretista
- teatro musical, opereta, music hall
- Reino Unido
Última actualización
2024-04-27
Actualizar
Monteverdi Sophie Junker Sherezade Panthaki Rubino Novello Scherzi Musicali 1607 2019 2020
Damigella tutta bella, from Monteverdi's Scherzi Musicali (Venice, 1607). Live, ultra high definition video from our "Concerto delle donne" concert, October, 2019. Sophie Junker & Sherezade Panthaki, sopranos Elizabeth Blumenstock and Alana Youssefian baroque violins Elisabeth Reed, viola da gamba Hanneke van Proosdij, harpsichord David Tayler, archlute Damigella tutta bella versa versa quel bel vino, fa che cada la rugiada distillata di rubino. Ho nel seno rio veneno che vi sparse Amor profondo ma gittarlo e lasciarlo vo’ sommerso in questo fondo. Damigella tutta bella di quel vin tu non mi satii fa che cada la rugiada distillata da topatii. Nova fiamma più m’infiamma arde il cor foco novello se mia vita non s’aita ah ch’io vengo un Mongibello! Ma più fresca ogn’ hor cresca dentro me sì fatta arsura consumarmi e disfarmi per tal modo ho per ventura. —Gabriello Chiabrera Pretty woman, Pour, pour that beautiful wine, make the dew distilled of rubies fall In my heart there is a river of poison that comes from deep love; but I wish to throw it out and leave it submersed in the depths Pretty woman, you cannot satisfy me with wine let fall the drops of dew from the distilled topaz. New flames engulf me and my heart is consumed with a new fire; if you do not help me I will become another Mongibello (volcano). The cooler it becomes, The more I burn constantly It is my fate to be consumed and destroyed in this way. Copyright 2020 Voices of Music
Llandaff Cathedral Hugh Blair Novello 1995
Provided to YouTube by The Orchard Enterprises Magnificat in B minor · Llandaff Cathedral Choir / Smith · Hugh Blair Magnificat & Nunc Dimittis Vol. 8 ℗ 1995 Priory Records Released on: 1995-07-07 Music Publisher: Novello Auto-generated by YouTube.
Llandaff Cathedral Hugh Blair Novello 1995
Provided to YouTube by The Orchard Enterprises Nunc Dimittis in B minor · Llandaff Cathedral Choir / Smith · Hugh Blair Magnificat & Nunc Dimittis Vol. 8 ℗ 1995 Priory Records Released on: 1995-07-07 Music Publisher: Novello Auto-generated by YouTube.
York Bowen Holmes Ewell Somerset Novello Elisabeth Lutyens Chopin Severe Liszt Josef Holbrooke Ralph Vaughan Williams 1948 1949 1951 1952
This video is about York Bowen Fantasia in G minor York Bowen: Fantasia in G minor for Organ Op.136 The organ works of York Bowen are few and far between. Apart from the present piece I know that there is a Melody in G minor and a transcription of the Somerset Suite (a desideratum for me in its orchestral incarnation). The Fantasia was composed in 1949 and was duly published by Novello in 1952. It is quite clear to even the casual listener that this work would have been regarded as being somewhat retro when given its first performance at All Souls Langham Place in June 1951. It was a part of an impressive organ recital delivered by Arnold Richardson, the borough organist of Wolverhampton. It was the fourth in a series of recitals for the Festival of Britain celebrations. Bowen’s Fantasia was played back to back with Elisabeth Lutyens’s 1948 Suite. The Times reviewer felt that although these two works are “only separated in date by a year, [the two works] are poles apart in spirit, the one proving as fleshy in its romanticism as the other was like bare (but not dry) bones in its austerity”. The Times Monday, June 18, 1951 p.2. The Musical Times critic considered that “Arnold Richardson gallantly tackled a programme containing three first performances.” He considered that Bowen’s Fantasia in G minor “proved [to be] a rich and satisfying work…it is perhaps a little too right-handed for the organ (though did not Wagner make the same complaint of Chopin's piano writing?), but it is a specimen that one would like to have in print”. The Musical Times October 1951, p.460 A year or so later, when the score was published, the Musical Times noted: “When a well-known piano professor and composer embarks upon a full-length Fantasia for organ he should be assured of an attentive hearing". He wrote that “it came in a programme where its full-blooded romanticism made a pleasing contrast to the neo-baroque of Arnell and the tortured trickle of Elisabeth Lutyens. It has indeed a faintly dated air, less from its style than from its thought, though much of the writing is frankly chordal and tends to sound dull on the organ. The subject-matter is not strong, and there is far too much of it, so that the work as a whole seems diffuse. The Musical Times October 1952 p. 453. Apparently York Bowen responded to this review by saying "How disgusting! Not because they don't like my piece but because they can take that Lutyens thing seriously! It is just dreadful to find this and I refuse to take any notice of ordinary newspaper critics -and no wonder! “ I don’t think my organ piece is ‘romantic’ at all…it is quite severe in parts! Silly asses!” Listening to this work more than half a century later, it is certainly possible to see both points of view. There is definitely much about this music that is ‘romantic’ and certainly even the briefest of glances at the score show that it is perhaps more ‘pianistic’ than specifically devised for the organ. Certainly Bowen makes considerable use of octaves in the right hand, arpeggios and chromatic scale figurations. But it does work. And there are many passages where the added- note harmony and slippery tonality give lie to any suggestion that this is souped-up Chopin or Liszt. For the record, the other works in Arnold Richardson's impressive programme were Richard Arnell’s Second Sonata, Josef Holbrooke’s ‘outsize’ Bayreuthian G minor Prelude and Ralph Vaughan Williams ‘gentle ‘Rhosymedre’ Prelude.
o
- cronología: Compositores (Europa). Cantantes líricos (Europa).
- Índices (por orden alfabético): N...