Max von Oberleithner Vídeos
compositor, director de orquesta
Conmemoraciones 2025 (Muerte: Max von Oberleithner)
- Imperio austrohúngaro
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Ruth Welting Daniel Barenboim Joseph Anton Bruckner Cota Richard Heuberger Maio Wilhelm Gericke Schubert Franz Liszt Richard Strauss Félix Mendelssohn Ritter Oberleithner Pelo Sob Filarmónica Viena Musikverein 1892 1980
DISCO REGULARMENTE TRANSMITIDO NA ANTENA 2 DA RDP! Esta gravação data de 1980 e pertence à Banda 1 da Face B do disco LP de 33 R.P.M. Nº 2 editado pela “Deutsche Grammophon” com a matriz “2707 116” e o nome “Anton Bruckner – Symphonie No. 7”, disco onde a soprano Ruth Welting, o Coro Sinfónico e a Orquestra Sinfónica de Chicago, sob a regência de Daniel Barenboim, interpretam a “Sinfonia Nº 7 em Mi Maior”, o “Helgoland para Coro Masculino e Orquestra Sinfónica” e este “Salmo Nº 150 para Soprano, Coro Misto e Orquestra Sinfónica”, ambos de Joseph Anton Bruckner. Catalogado com a cota “WAB 38”, este “Salmo Nº 150” foi o resultado da encomenda de Richard Heuberger a Bruckner, para a composição dum hino festivo para a abertura da Exposição Internacional de Música e Teatro, em 7 de Maio de 1892, mas infelizmente, Bruckner não conseguiu entregar a peça a tempo, para o propósito de Heuberger. No entanto, o trabalho estreou no Musikverein de Viena, em 13 de Novembro de 1892, com o Clube dos Cantores de Viena, a Orquestra Filarmónica de Viena, e a solista soprano Henriette Standthartner, sob o comando de Wilhelm Gericke, onde se apresentou também uma abertura de Schubert e o “Concerto para Piano e Orquestra Nº 1 em Mi Bemol Maior” de Franz Liszt, seguido pela “Canção da Tempestade dos Andarilhos” de Richard Strauss, e “Loreley” de Félix Mendelssohn. O manuscrito foi dedicado a Wilhelm Ritter von Härtel, está armazenado no arquivo da Biblioteca Nacional de Áustria, e foi lançado pela primeira vez em novembro de 1892, com outra dedicação a Max von Oberleithner, de Doblinger, além de uma pontuação de redução de vocais e piano de Cyrill Hynais. Trata-se da obra-prima de Bruckner na matéria da Música Sacra e da Música Vocal Sinfónica, aqui muito bem interpretada pela soprano Ruth Welting, pelo Coro e pela Orquestra Sinfónica de Chicago, dirigidos pelo mestre Daniel Barenboim. Espero que gostem.
Bruckner Schalk Oberleithner Wagner 1884 1887 1890 1892 2013
作品の表題 Symphony No.8 in C minor 作品の別名 作曲者 Bruckner, Anton 作品番号等 WAB 108 楽章数/曲数 4 作曲の時期 1.Version 1884-1887, 2. Version 1887-1890 初版の年 1892 (edited by Schalk and Oberleithner) 献呈 Franz Josef I., Kaiser von Osterreich 時代様式 Romantic 楽器編成 Orchestra 3 Flutes (3rd also Piccolo), 3 Oboes, 3 Clarinets in B♭, 3 Bassoons (3rd also Contrabassoon) 4 Horns in F, 2 Tenor Wagner Tubas in B♭ (also Horns 5, 6), 2 Bass Wagner Tubas in F (also Horns 7, 8), 3 Trumpets in F, 3 Trombones (A,T,B), Tuba Timpani, Cymbals, Triangle, 3 Harps, Strings 参考文献 (http•••) / Sound Unit: Roland SoundCanvas SC-8850 Sequence Soft: Recomposer for Win95 R3 WAV Recorder: Roland R-09HR Rec. Date: 2013-01-17 / URL: (http•••) Please subscribe here (http•••)
Anton Bruckner Bernard Haitink Hans Richter Hermann Levi Schalk Haslinger Schlesinger Oberleithner Concertgebouw Orchestra Royal Concertgebouw Orchestra 1824 1884 1885 1887 1888 1889 1890 1892 1896
Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length.Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Please support my channel: (http•••) Symphony No. 8 in C minor, WAB 108 1890 Version Dedicated to Franz Josef I., Kaiser von Österreich I. Allegro moderato (0:00) II. Scherzo. Allegro moderato; Trio. Langsam (14:07) III. Adagio. Feierlich langsam, doch nicht schleppend (27:46) IV. Finale. Feierlich, nicht schnell (53:09) Royal Concertgebouw Orchestra conducted by Bernard Haitink Symphony No. 8 in C minor is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 in Vienna. It is dedicated to the Emperor Franz Joseph I of Austria. This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself. Bruckner began work on the Eighth Symphony in July 1884. Working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory, the composer had all four movements completed in draft form by August 1885. The orchestration of the work took Bruckner until April 1887 to complete: during this stage of composition the order of the inner movements was reversed, leaving the scherzo second and the Adagio as the third movement. In September 1887 Bruckner had the score copied and sent to conductor Hermann Levi. Levi was one of Bruckner's closest collaborators, having given a performance of the Seventh Symphony in Munich that was "the greatest triumph Bruckner had yet experienced". He had also arranged for Bruckner's career to be supported in other ways, including financial assistance from the nobility, and an honorary doctorate from the University of Vienna. However the conductor wrote back to Bruckner that: I find it impossible to perform the Eighth in its current form. I just can't make it my own! As much as the themes are magnificent and direct, their working-out seems to me dubious; indeed, I consider the orchestration quite impossible... Don't lose your courage, take another look at your work, talk it over with your friends, with Schalk, maybe a reworking can achieve something. By January 1888 Bruckner had come to agree with Levi that the symphony would benefit from further work. He began work on the revision in March 1889 and completed the new version of the symphony in March 1890. Once the revision was completed, the composer wrote to Emperor Franz Josef I for permission to dedicate the symphony to him. The emperor accepted Bruckner's request and also offered to help pay for the work's publication.] Bruckner had some trouble finding a publisher for the work, but in late 1890 the Haslinger-Schlesinger-Lienau company agreed to undertake publication. Bruckner's associates Josef Schalk and Max von Oberleithner assisted with the publication process: Schalk prepared the musical text to be sent to the printer while Oberleithner corrected the proofs and also provided financial support. The symphony was eventually published in March 1892. It was the only one of Bruckner's symphonies to be published before its first performance.
Anton Bruckner Daniel Barenboim Richard Heuberger Wilhelm Gericke Schubert Liszt Richard Strauss Mendelssohn Ritter Oberleithner Chicago Symphony Orchestra Wiener Singverein 1824 1892 1896
Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Psalm 150, WAB 38 (1892) Chicago Symphony Orchestra & Chorus conducted by Daniel Barenboim Richard Heuberger asked Bruckner for a festive hymn to celebrate the opening of the exposition Internationale Ausstellung für Musik und Theatherwesen on 7 May 1892, but Bruckner did not deliver the piece in time for Heuberger's purpose. The work was premiered in the Musikvereinsaal of Vienna on 13 November 1892, with the Wiener Singverein and the soprano soloist Henriette Standthartner under the baton of Wilhelm Gericke. The concert also included a Schubert overture and Liszt's Piano Concerto in E-flat major, followed by Richard Strauss' Wanderers Sturmlied and Mendelssohn's Loreley. The manuscript, which was dedicated to Wilhelm Ritter von Härtel, is stored in the archive of the Österreichische Nationalbibliothek. It was first issued in November 1892 with another dedication to Max von Oberleithner, by Doblinger, as well as a vocal and piano reduction score by Cyrill Hynais. Unlike the other psalm settings composed some 40 years earlier, for which he used a German-language Bible approved by the Catholic Church, Bruckner used this time the German-language Martin Luther Bible for the text.
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