Ferdinand von Plettenberg Vídeos
cantante de ópera alemán
- tenor
- Alemania
- cantante de ópera
Última actualización
2024-05-21
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Franz Schubert Höger Kwiatkowski Jabłoński Steffens Plettenberg Resch Vogel Panny Grabowski 1813 1817 1820 1824 1825 1828 1830 1831 1832 1834 1836 1837 1838 1839 1840 1842 1844 1845 1846 1847 1852 1858 1859 1870
Muzyka: Franz Schubert - German Dance No. 1 in C-Major D. 960 - III. Scherzo: Allegro vivace con delicatezza (wyk. Paul Pitman) Obraz na tytule: Rudolf_Alfred_Höger_Hausmusik 0:14 Jan Kanty Maszkowski Autoportret, ok.1820 0:19 Ferdinand Georg Waldmuller Portret młodej dziewczyny 0:25 Karl Begas Starszy Portret Karola Edwarda Raczyńskiego,1836 0:30 Rafał Hadziewicz Portret Antoniny z Czyszkowskich Gepner +••.••(...)) żony malarza,1828; 0:35 Teofil Kwiatkowski Portret pana de Ravesy, 1847 Teofil Kwiatkowski Portret pani de Ravesy, 1847 0:41 Aleksander Kokular Portret Julii Kleczkowskiej, 1844 0:55 Jan Chrucki Portret Mikołaja Malinowskiego,1847 1:03 Franciszek Jan Pfanhauser Portret Julii z Czabanów Wiemanowej, ok. 1830 1:24 Marcin Zaleski Autoportret, ok.1840 1:31 Marcin Jabłoński Portret Melanii Sobańskiej, 1832 1:44 Jan Chrucki Portret Ksawerego Bębnowskiego, teścia artysty, kapitana wojsk kościuszkowskich, 1845, 1:48 Nieokreślony artysta Portret starszej kobiety w czepku, ok 1830 1:57 Bonawentura Dąbrowski Portret Pawła Pellizzaro, właściciela sklepu rycin w Warszawie, 1838, 2:07 Carl Heinrich Steffens Portret starszej kobiety, 1842 2:23 Ferdinand Georg Waldmuller Adopcja, 1847, 2:27 August Ludwig Most Mały pocztylion, 1838 20:40 Juliusz Kossak Portret syna generała Hauke (Portret Ponińskiego na koniu), 1859 2:51 Friedrich Wilhelm Maul Gustav Karl von Plettenberg, jako dziecko,1838/1839 3:04 Karol Schweikart Portret dziecka, 1824 3:10 Johann Nejebse Portret trzech dziewcząt, 1839 3:21 Bernhard Peter von Rausch Portret dwóch dziewcząt w ogrodzie, 1830 olej, płótno; 156 x 104 Muzeum Narodowe we Wrocławiu; 3:35 Ernst Resch Portret dzieci, 1839, 3:39 Carl Vogel von Vogelstein Portret chłopca, (Młody Heidfeld), 1831 3:50 Ferdinand Georg Waldmuller Portret braci Markowskych, 1832 4:04 Karol Wolański Portret Józefy i Marii Wolańskich, ok. 1837 4:11 August Ludwig Most Widok Berlina z dachu Altes Muzeum,1830 4:21 Fryderyk Skarbek Widok Warszawy z dachu domu Towarzystwa Przyjaciół Nauk, 1825, 4:27 Michael Carl Gregorovius Kronprinz Friedrich Wilhelm w Gdańsku, 1830 4:41 Chrystian Breslauer Natolin, 1852 4:48 Marcin Zaleski Widok Pałacu w Łazienkach latem,1836-1838 4:59 Wincenty Kasprzycki Wystawa Sztuk Pięknych w Warszawie w 1828 roku, 5:13 Wincenty Kasprzycki Widok Pałacu w Wilanowie od strony parku,przed 1834 5:50 Marcin Zaleski Powrót Oddziałów Wojska Polskiego z Wierzbna, 1831 5:53 Aleksander Gryglewski Wnętrze kościoła Panny Marii w Krakowie, 1858 6:01 Carl Morgenstern Widok Moguncji nad Renem, 1846 6:08 Jan Nepomucen Głowacki Widok wyjścia z Doliny Kościeliskiej, 1840 6:16 Andrzej Grabowski Ruiny zamku w Sobieniu, 1859 6:24 Marcin Zaleski Ratusz w Wilnie, ok. 1846 6:30 Ludwig Eduard Lutke Widok Szczecina pomiędzy kościołem św. Jana i Mostem Długim, 1839 6:36 Ludwig Eduard Lutke Widok Szczecina z Łasztowni na zamek i kościół św. Jakuba, 1836 6:44 Georg Friedrich Kersting Hafciarka, 1817
Haendel Mayr Plettenberg Wagner Albertina Franziskanerkirche 2010
G.F.Händel, Dettinger Te Deum Teile 8-9-10-11-12-13 Barockorchester J.J.Fux, Cappella Albertina Wien, A.J. Mayr (A), F.v. Plettenberg (T), J. Wagner (B), Johannes Ebenbauer (Dirigent) Wiener Franziskanerkirche - 2010-01-02 - LIVE
Peter Anders Max Lorenz Richard Strauss Chancellor Reich Hoffmann Verdi Plettenberg Beethoven Berlin State Opera Vienna State Opera Covent Garden Hamburg State Opera 1908 1932 1933 1938 1940 1948 1950 1952 1954
Another week of encores! Dead Tenors’ Society is showcasing a collection of previously featured vocalists in recordings never before heard on this channel. Peter Anders +••.••(...)) was a versatile German tenor who excelled in opera, operetta and Lieder. Born Emil Anders in Essen to a civil servant and his wife, he exhibited musical talent at an early age. The family moved to Berlin following the First World War and the future tenor took a keen interest in local operatic productions. By the time he was in his late teens, Anders had decided that he wanted to pursue a career as an opera singer. At age 20 he began studies with Ernst Grenzenbach (mentor to famed Heldentenor Max Lorenz) and eventually moved on to the opera program of the Berlin Academy of Music. He also studied with contralto Lula Mysz-Gmeiner, whose daughter eventually became his wife. Anders was engaged as a character tenor by the Heidelberg Municipal Theater, where he made his debut in 1932. Among his early roles during his first season were Pedrillo in Die Entführung aus dem Serail and Jacquino in Fidelio. The year 1933 found Anders in Darmstadt for the first time, where he spent two seasons. This was followed by contracts in Cologne and Hannover. By this time, Anders had graduated to leading roles, singing such parts as Belmonte in Die Entführung aus dem Serail, Tamino in Die Zauberflöte and Lionel in Martha. In 1938, the tenor was invited to the Munich State Opera, where he sang in the world premiere of Richard Strauss’ opera Friedenstag. German Chancellor Adolf Hitler, who was in the audience, denounced the work’s anti-war sentiment. Anders, however, became a favorite of Hitler and the Nazis. This coveted status as a preferred artist of the Third Reich carried with it many advantages which the tenor exploited. Unfortunately, this status would adversely affect his reputation after the war’s end. Anders was invited to the Berlin State Opera in 1940, where he remained until 1948. He also appeared as a guest artist at the Vienna State Opera, La Monnaie in Brussels, London’s Covent Garden, the San Carlo in Naples and the Glyndebourne Festival. Anders amassed a repertoire of over 30 roles in such operas and operettas as La Traviata, Rigoletto, La Bohème, Tosca, The Bartered Bride, Les Contes d’Hoffmann, Der Zigeunerbaron and Das Land des Lächelns. He was also a popular star on radio and his recordings were best sellers. After leaving Berlin, Anders accepted a contract with the Hamburg State Opera. Here, he began exploring more and more dramatic repertoire, such as Radames in Aïda, Don Alvaro in La Forza del Destino, Florestan in Fidelio, Canio in Pagliacci, Siegmund in Die Walküre and the title roles in Lohengrin and Tannhäuser. Although many felt that Anders assumption of such heavy roles adversely affected the beauty and flexibility of his tone, his interpretation of title role in Verdi’s Otello, which he essayed in 1950, was met with great acclaim. On September 4, 1954, Anders finished an engagement in Plettenberg and immediately set out for Hamburg. During a brief stop in Hannover, friends encouraged him to spend the night and get some much needed rest. Although still quite exhausted from the performance, the tenor insisted on driving the final leg of the four-hour trip himself. Just south of Hamburg in the early morning hours of September 5, Anders lost control of his Mercedes while passing another vehicle, flipped over and crashed into a telephone pole. Although his passenger was relatively unhurt, Anders was grievously injured and was taken to the local trauma hospital. After lingering for five days, Peter Anders succumbed to his injuries on September 10. He was only 46 years old. Peter Anders was bestowed with an uncommonly beautiful lirico-spinto voice and a wonderfully expressive musical instinct. Sadly, he is not as well remembered as he should be due to his untimely death. In addition, Anders never appeared in the U.S., possibly due to his wartime association with the Nazi Party. Politics aside, Peter Anders was a compelling vocal artist who deserves to have a lasting musical legacy. Peter Anders made hundreds of recordings, mainly for Telefunken, from the mid-1930s until the time of his death. Here, Anders sings "Gott! Welch Dunkel hier" from Beethoven's Fidelio. This recording was made for the Electrola label in Berlin on March 27, 1952.
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): P...