Jan Pogány Vídeos
compositor, director de orquesta, violonchelista
- violonchelo
- música clásica
- Polonia
Última actualización
2024-05-13
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Erkel Varga Jekl László Pitti Rezsnyák Pogány Daróczi Bazsinka Zsuzsanna Lendvai Máv Szimfonikus Zenekar 1885 2010 2012
Képmozaik a 2010- es komáromi, Erkel születésének 200. évfordulója tiszteletére 1885 után Magyarországon először újra előadásra kerülő opera főpróbájáról. A hangfelvétel a 2012-es budapesti előadásból való. Kis kiegészítés: Idézet Varga István, a Monostori erőd ügyvezető igazgatója sajtótájékoztatójából 2010 június 26.: "...Július 10-én pedig egy igazi világpremiernek is otthont adnak az erőd ódon falai. Az Erkel év tiszteletére bemutatják az István király című operát, igen parádés szereposztásban." A szereposztás: István, a magyarok királya: Jekl László Gizella királynő: Pitti Katalin Imre herceg: Kiss B. Atilla Péter, a velencei herceg fia: Rezsnyák Róbert Vazul, Árpád-házi herceg, pogány vezér: Sárkány Kázmér Sebős, Buda fia, pogány harcos: Daróczi Tamás Crescimira, a horvát fejedelem lánya: Bazsinka Zsuzsanna Jóva, Gizella udvarhölgye: Sánta Jolán Zolna, Jóva leánya: Puja Andrea Barang, sámán: Szüle Tamás Gellért, bencés püspök: Valter Ferenc Huszt: Kecskés Sándor Pázmány: Fátrai János Vencelin: Pintér Dömötör MÁV Szimfonikus Zenekar (igazgató: Lendvai György) István király operakórus Rendező munkatársa: Walter Bálint Szaktanácsadó: Kassai István Látvány: Kis Gábor Norbert, Sápi Hedvig Világítás, színpadtechnika: Omega Sound & Light (igazgató: Frenreisz Károly) Karigazgató: Somogyváry Ákos Karmester: Csányi Valéria Rendező: Frigyesi András Hallgassunk István királyt! Erkel-opera Komáromban Mátrai Diána Eszter írása 2010 07.28. (http•••)
Mácsai László Éva Viktória Pogány Polgár Takács 1908 2008
Az Örkény Színház és a Müpa a költészet napja alkalmából közös közvetítéssel jelentkezik április 11-én este 7 órakor: újra látható a Nyugat 2008–1908 című előadás 2008. február 14-i felvétele. Az Örkény Színház produkciója, a Nyugat első lapszámának 100. évfordulóján idézte meg az "arkangyalok összeesküvését", az író- és költőnagyságok műveit, gondolatait, és a szenvedélyt, amiből a legendás folyóirat összeállt. Rendező: Mácsai Pál Szereplők: Bíró Kriszta, Csuja Imre, Debreczeny Csaba, Dömötör András, Für Anikó, Gálffi László, Kerekes Éva, Kerekes Viktória, Mácsai Pál, Máthé Zsolt, Pogány Judit, Polgár Csaba, Széles László, Takács Nóra Diána, Végvári Tamás
Verdi's „ Libiamo, ne' lieti calici" from "La Traviata" as an encore. Verdi / „ Libiamo, ne' lieti calici" aus "La Traviata" als Zugabe. Sing: Midori Ahmed mezzo-soprano, ( Violetta ) Leo Garda tenor, (Alfredo) Orchestra Camerata-Wrocław, Also on stage: Ballettsolists: Aleksandra Wybraniec and Adam Huczka, Choreographie: Waldemar Staszewski, Jan Pogany conductor. Poland / Wroclaw /Aula Leopoldina www.agentur-presto.com
Budapest String Quartet Beethoven Quartet Kodály Berlin Philharmonic Cincinnati Symphony Orchestra New York Philharmonic Orchestra Beethoven Hauser Jenő Hubay David Popper Szigeti Sándor Végh Roth Fritz Reiner Arturo Toscanini Concertgebouw Orchestra 1880 1886 1893 1917 1920 1921 1922 1925 1927 1929 1930 1931 1932 1936 1938 1940 1955 1958 1967 1975 1978
Recorded in 1929. Personnel listed in photo is correct for this recording. Allegretto vivace e sempre scherzando Found at satyr78lp.blogspot.com, a great site with many wonderful downloads available. Thanks to Rolf for his many fine, hard to find transfers. The Budapest String Quartet was a string quartet in existence from 1917 to 1967. It originally consisted of three Hungarians and a Dutchman; at the end, the quartet consisted of four Russians. A number of recordings were made for HMV/Victor through 1938; from 1940 through 1967 it recorded for Columbia Records. Additionally, several of the Quartet's live performances were recorded, at the Library of Congress and other venues. 1st Violin: Emil Hauser +••.••(...)from 1917 to 1932) 2nd Violin: Imre Pogany +••.••(...)from 1920 to 1927) Viola: István Ipolyi +••.••(...)from 1917 to 1936) Cello: Harry Son (1880- ca.1940) (from 1917 to 1930) The Budapest String Quartet was formed in 1917 by four friends, all members of opera orchestras that had ceased playing owing to World War I The members were all protégés of Jenő Hubay (violin), a Hungarian pupil of Joseph Joachim and David Popper (cello), a Bohemian. Hubay and Popper had helped to make Budapest a major centre for musical education, attracting famous students such as Josef Szigeti. Hubay and Popper had supported Sándor Végh and Feri Roth in the formation of quartets, and were themselves part of an earlier Budapest Quartet, the new quartet being named partly in honour of that. The debut recital of the new Budapest String Quartet (in Hungarian: Budapesti Vónosnégyes), took place in December 1917 in Kolozsvár, then in Hungary, now called Cluj-Napoca, in present-day Romania. The quartet was established with quite forward-looking rules: 1. All disputes, musical or business, were to be resolved by a vote. In case of a tie—no change. 2. Players were not allowed to take engagements outside the quartet. 3. Players were paid equally—no preference was given for the leader (first violin). 4. No wives or girlfriends were permitted at rehearsals or discussions. No previous quartet had attempted to live entirely on the proceeds from its concerts. This was a brave decision for the time. The original members were Emil Hauser, aged 24, from Budapest; Alfred Indig, from Hungary; István Ipolyi, aged 31, from Újvidék in Hungary; and Harry Son from Rotterdam, Holland. In 1920 Indig resigned in the hope of advancement; he was replaced by Imre Pogany. Pogany came from Budapest and had studied under Hubay and Kodály. After resigning, Indig became a soloist with the Concertgebouw Orchestra of Amsterdam. In 1931 he became Concertmaster of the Berlin Philharmonic. When the Nazis came to power, Indig fled to Paris where he led a quartet for a while. Nothing more is known about him. In 1921 or 1922, owing to unrest in Budapest, the quartet moved to Berlin. There they developed a large repertoire. The quartet received mixed reviews, however. In 1925 they played in London and signed a recording contract with His Master's Voice, making recordings at Abbey Road Studios. In May 1927, without telling the others, Pogany traveled to Cincinnati to see his friend Fritz Reiner about a job in the symphony orchestra there. He was offered Principal Second Violin but refused it. The other members of the quartet were furious because if he had left, they would have found it very difficult to find and rehearse a replacement player in time for the new season. In the ensuing row Pogany resigned. He emigrated to America and joined the Cincinnati Symphony Orchestra and also taught at the local Conservatory of Music. In 1929 he joined the New York Philharmonic Orchestra under Arturo Toscanini as principal second violin. He remained there until his retirement in 1958.
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): P...