Robert Radford Vídeos
cantante de ópera británico
Conmemoraciones 2024 (Nacimiento: Robert Radford)
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Robert Radford Edith Furmedge Dragon Brunswick
From Wagners Ring Cycle "The Rhinegold". The desent to Nibelheim: & The Capture of Alberich. Scene 3. Vocalist Robert Radford and Edith Furmedge, Conductor Albert Coats. In Nibelheim, Alberich has enslaved the rest of the Nibelung dwarves with the power of the ring. He has forced his brother Mime, the most skillful smith, to create a magic helmet, the Tarnhelm. Alberich demonstrates the Tarnhelm's power by making himself invisible, the better to torment his subjects. (The Tarnhelm can also change the wearer's shape, and teleport him long distances.) Wotan and Loge arrive and happen upon Mime, who tells them about Alberich's forging of the ring and the misery of the Nibelungs under his rule. Alberich returns, driving his slaves to pile up a huge mound of gold. When they have finished, he dismisses them and turns his attention to the two visitors. He boasts to them about his plans to use his gold to conquer the world. Loge asks how he can protect himself against a thief while he sleeps. Alberich says the Tarnhelm would hide him, by allowing him to turn invisible or change his form. Loge says he doesn't believe it and requests a demonstration. Alberich complies, turning into a giant snake (or dragon, depending on the translation). Loge acts suitably impressed and then he asks if he can also reduce his size, which would be very useful for hiding. Alberich transforms himself into a toad. The two gods quickly seize him, tie him up, and drag him up to the mountain top. Played on a Brunswick 60 Panatrope Phonograph. Sequence was recorded by the early acoustic method of the performers singing or playing into a large horn which directed the sound waves to a reproducer similar to what is used to play it back in reverse, though a horn. No electrical input involved. Pretty Amazing.
Géraldine Chauvet Chauvet Daniel Catán Radford Jesús López Cobos Cobos Daniels Plácido Domingo Gallardo Arnold Schoenberg Ortner Theater Wien Wiener Symphoniker Arnold Schoenberg Chor 2010
IL POSTINO Oper in drei Akten (2010) Musik von Daniel Catán Basierend auf der Novelle von Antonio Skármeta und dem Film von Michael Radford Musikalische Leitung: Jesús López-Cobos Inszenierung: Ron Daniels Mit Plácido Domingo, Géraldine Chauvet, Cristina Gallardo-Domás, Israel Lozano, u. a. Wiener Symphoniker Arnold Schoenberg Chor (Ltg. Erwin Ortner) Premiere: 9. Dezember 2010
Chopin Radford Joseph Christoph Kessler Camille Pleyel Pleyel Valldemossa 1835 1838 1839
Some bits were a bit hesitant but oh well. Chopin's preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839 and dedicated to Joseph Christoph Kessler, a composer of piano studies during Chopin's time. Ten years earlier, Kessler had dedicated his own set of 24 Preludes, Op. 31, to Chopin. Although the term prelude is generally used to describe an introductory piece, Chopin's stand as self-contained units, each conveying a specific idea or emotion. The Op. 28 preludes were commissioned by the piano-maker and publisher Camille Pleyel for 2,000 francs.Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and her children to escape the damp Paris weather.
Sullivan Perceval Allen Thornton Radford
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