Johann Friedrich Schroeter Vídeos
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Johann Samuel Schroeter Schroeter 1772
Johann Samuel Schroeter - Harpsichord and Violin Sonata in C major, opus 4 no. 1 - 2nd mov Rondo Grazioso - Sheet music Source: Manuscript parts, n.d. (ca. 1772)
Johann Samuel Schröter Schröter
Schröter was born in Guben to Johann Friedrich Schröter (1724–1811), an oboist for Augustus III of Poland, the Elector of Saxony, and his wife Marie Regine Hefter (died 1766); the family were brought up as musicians, with Corona Schröter being his elder sister. After 1763 they were in Leipzig and taught by Johann Adam Hiller. In 1771 and 1772 they were in London, where Johann Samuel Schröter remained. Initially organist at the Royal German Chapel, Schröter became a protege of Johann Christian Bach. With connections to court, he became a celebrated pianist. In 1782, after Bach's death, he became music-master to the Queen. He fell ill by 1786 and died in 1788. Mozart thought very highly of his concertos, recommending them to his father and sister in his letters and even wrote cadenzas to some of them. I believe this is the first recording of this piece.
Corelli Mozart Haydn Luigi Boccherini Kozeluch Andrea Bernasconi Johann Baptist Vanhal Tommaso Traetta Giuseppe Sarti Leonardo Leo Antonio Salieri Carl Heinrich Graun Anna Bon Franz Ignaz Beck Bach Johann Adolf Hasse Vicente Martín Soler Soler Francesco Benucci Brazil José Maurício Nunes Garcia Nunes Marcos Portugal Guilherme Lobo Weiss 1794 1832 2014 2015 2017 2018
Here are some manifestations of a formula that eighteenth-century composers used to produce a vast amount of music. In conventional harmonic terms we can describe it as I - IV - I (or more rarely i - iv - i) over a tonic pedal. In the context of Robert Gjerdingen's schema theory we can describe it as a treble line tracing the scale degrees 5 - 6 - 5 over a tonic pedal. I named this schema after Daniel Heartz, my professor at the University of California, Berkeley, in acknowledgment of his recognition of it as a characteristic and expressively potent element of the galant style. For more information see my article "The Heartz: A Galant Schema from Corelli to Mozart," in Music Theory Spectrum 37 (2014): (http•••) A pre-publication version of the article is available at (http•••) This compilation includes music by Mozart, Haydn, Luigi Boccherini, Leopold Kozeluch, Andrea Bernasconi, Johann Baptist Vanhal, Tommaso Traetta, Giuseppe Sarti, Leonardo Leo, Antonio Salieri, Carl Heinrich Graun, Anna Bon, Franz Ignaz Beck, J. C. Bach, Johann Adolf Hasse, and Vicente Martín y Soler Other examples of the Heartz include. . . Druschetzky, Symphony in C: (http•••) Mozart, Don Giovanni, "Dalla sua pace" (http•••) and "Per queste tue manine" (http•••) Honauer, Keyboard Sonata in G, I: (http•••) Hummel, Concertino in G, I: (http•••) Fils, Missa Solemnis in C: (http•••) Bononcini, overture to Camilla: (http•••) Winter, Symphonie concertante: (http•••) Mozart, "Rivolgete a lui lo sguardo": (http•••) Paisiello, "Non dubitar o Figaro": (http•••) Schroeter, Piano Concerto Op. 3 No. 1, I: (http•••) Bortiansky, "Cara deh torna in pace": (http•••) Salieri, "All'idea de' tuoi perigli": (http•••) Mozart, C minor Mass, Laudamus te: (http•••) Fils, Symphony in G minor, I: (http•••) Bernasconi, Stabat Mater, "Eia mater, fons amoris": (http•••) Graun, Te Deum, "Te gloriosus apostolorum chorus": (http•••) J. C. Bach, Sonata in G, Op. 17 No. 4: (http•••) Mozart, Kyrie in D minor, K. 341: (http•••) Honauer, Sonata for keyboard and violin in C, I: (http•••) Cimarosa, Concerto for two flutes, slow movement: (http•••) Eybler, Clarinet Concerto: (http•••) Haydn, Symphony No. 63, Allegro (m. 29): (http•••) Mozart, Oboe Quartet, Rondo: (http•••) Fils, Symphony in E flat, I: (http•••) J. C. Bach, overture to Artaserse: (http•••) Martines, Dixit Dominus, "Tecum principium": (http•••) Michael Haydn, Symphony No. 7 in E major, III: (http•••) Joseph Riepel provides some plain examples of the Heartz in his Baßschlüssel (1786): (http•••) The Heartz was among the many galant schemata imported to the New World and used by composers in Mexico, Brazil, and elsewhere. For some early nineteenth-century Brazilian examples, see Mítia Ganade D'Acol, "Decoro musical e esquemas galantes: um estudo de caso das seções de canto solo das Missas de Requiem de José Maurício Nunes Garcia e Marcos Portugal," Universidade de São Paulo, 2015, online at (http•••) and Guilherme Aleixo da Silva Monteiro, "Análise das schematae galantes nos seis responsórios fúnebres de João de Deus de Castro Lobo (1794–1832)," Universidade do Estado do Amazonas, 2017, online at (http•••) Michael Weiss gave a paper entitled "Phrase Structure and Formal Function in Galant Schemata: The 'Heartz' in Nineteenth-Century Themes" at the joint meeting of the Society for Music Theory and the American Musicological Society in San Antonio in November 2018. For many examples of the Heartz in the music of Hasse, see: (http•••) .
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): S...