Martial Singher Vídeos
cantante de ópera estadounidense
Conmemoraciones 2024 (Nacimiento: Martial Singher)
- barítono
- Francia
- cantante de ópera, profesor de música, actor
Última actualización
2024-05-13
Actualizar
Rudolf Serkin Johannes Brahms Vogel Lind Schlosser Shepherd Franz Schubert Martial Singher Leon Fleisher Benita Valente Valente Connor
Brahms: Liebeslieder Walzer, Op. 52 Composed By – Johannes Brahms A1 Rede, Madchen, Allzu, Liebes (Tell Me, Most Beloved Maiden) A2 Am Gesteine Rauscht Die Flut (Waves Break High Upon The Rock) A3 O Die Frauen (Ah, The Women) A4 Wie Des Abends Schone Rote (Like The Evening's Glowing Crimson) A5 Die Grune Hopfenranke (The Green Ivy) A6 Ein Kleiner, Hubscher Vogel (A Pretty Little Birdling Once) A7 Wohl Schon Bewandt War Es (All Was Well With Me Before) A8 Wenn So Lind Dein Auge Mir (When You Glanced So Tenderly) A9 Am Donaustrande (On The Banks Of The Danube) A10 O Wie Sanft Die Quelle (On How Gentle The Murmuring Stream) A11 Nein, Es Ist Nicht Auszukommen (No, It's More Than Flesh Can Bear) A12 Schlosser Aug, Und Mache Schlosser (Locksmith Up And Make Me Padlocks) B1 Vogelein Durchrauscht Die Luft (Birds Are Winging Through The Air) B2 Sieh, Wi Ist Die Welle Klar (See How Brightly Gleams The Wave) B3 Nachtigall, Sie Singt So Schon (Nightengail, You Sing So Sweetly) B4 Ein Dunkeler Schact Is Liebe (Love Is A Pit Of Darkness) B5 Nicht Wandel, Mein Licht (Light of My Life, Do Not Depart) B6 Es Bebet Das Gestrauche (The Branches Rustle Gently) B7 The Shepherd On The Rock, Op. 129 Composed By – Franz Schubert Alto Vocals – Marlena Kleinman Bass Vocals – Martial Singher Piano – Leon Fleisher, Rudolf Serkin Soprano Vocals – Benita Valente Tenor Vocals – Wayne Connor
Martial Singher Ravel Charles Munch Berlioz Suzanne Danco James King Donald Gramm Jeannine Altmeyer Benita Valente Valente John Reardon Louis Quilico Quilico Jean François Lapointe Judith Blegen Thomas Moser Moser Thomas Hampson Rodney Gilfry New York City Opera Metropolitan Opera Boston Symphony Orchestra 1904 1934 1954 1990
Martial Singher - Don Quichotte à Dulcinée - Chanson Romanesque - Ravel - Gramophone DA 4865 enregistré en 1934 Martial Singher (August 14, 1904 - March 9, 1990) was a French baritone opera singer born in Oloron-Sainte-Marie, Pyrénées-Atlantiques. Initially singing only as a hobby, he was encouraged by then French education minister Édouard Herriot to pursue singing professionally. He would go on to perform in the Opéra National de Paris, New York City Opera and Metropolitan Opera. He recorded an acclaimed Méphistophelès under Charles Munch in the RCA recording of Berlioz's La Damnation de Faust (February 1954) with the Boston Symphony Orchestra and celebrated lyric soprano Suzanne Danco as Marguerite. Later in his life, he became an accomplished music teacher at Curtis Institute in Philadelphia and at the Conservatoire de musique du Québec à Montréal, influencing the careers of such artists as James King, Donald Gramm, Jeannine Altmeyer, Benita Valente, John Reardon, Louis Quilico, Jean-François Lapointe, Judith Blegen and Thomas Moser. Martial Singher has also been the teacher of world-famous baritones such as Thomas Hampson and Rodney Gilfry. He would go on to perform in the Opéra National de Paris, New York City Opera and Metropolitan Opera. His son, Michel Singher, is an accomplished conductor. Source: Wikipedia
Jacques Jansen Jansen Claude Debussy Charles Panzéra Edward Johnson Elisabeth Schwarzkopf Renée Doria Barbiere Mado Robin Sébastian Jean Blaise Martin Martial Singher Pierre Mollet Nicolai Gedda Roux William Burden Rabaud Hahn Rameau Metropolitan Opera Opéra Comique 1768 1837 1902 1913 1927 1934 1941 1952 1955 1956 1969 1988 2001 2002
Please open the bar to read more and discuss this artist! Jacques Jansen, Baritone +••.••(...)) Claude Debussy - PELLÉAS ET MÉLISANDE Mes longs cheveux with Irene Joachim, Soprano +••.••(...)) (Recorded 1941) My personal opinion: "Even small things can make us delight!"(Heyse/Wolf). Mention the name of french baritone singer Jacques Jansen, and immediately some operalover will think: "Ah, the Pelléas of his time!" Actually he was renowned as the foremost exponent of the role in Debussy´s unconventional masterpiece PELLÉAS ET MÉLISANE (first performed 1902). In 1941, Jansen gave his debut with Pelléas in Genève, the same year he sang the part in the first complete studio-recording conducted by Roger Désormiere. For many this is the definitive version to date (In 1927 the great Charles Panzéra recorded some excerpts and in 1934 a Metropolitan Opera performance with Edward Johnson was recorded - one year before he became general manager). Jansen himself repeated his Pelléas 1956 with Victoria de los Angeles (and we have a live-recording with Elisabeth Schwarzkopf as Mélisande), "but by then something of the eagerness and bloom (of the first version) had gone" wrote "Guardian News" in 2002 when Jansen died age 88 shortly before. "My first encounter with Pelléas was the fateful moment of my life. I have never since felt such profound joy. No other score overwhelmed me so completely. Never again did I experience the same feeling of approaching something absolute.", Jansen wrote in 1988 for the CD-reissue. One singer´s life, one single role. This is certainly not enough to remain as a star in audiences mind for decades. That´s the reason you can find him here in this Part with rare and unknown voices. Of course, Jacques Jansen was an exponent of other roles (try his duet with Renée Doria from BARBIERE DI SIVIGLIA or his Frédéric in LAKMÉ with Mado Robin under Sébastian) and he gained a notable reputation as an interpreter of Mélodies, the french pendant to german Lieder (There is a rare Decca-recording). At age 56, once again Jansen sang his beloved Pelléas in 1969 at the Opéra Comique (and he directed the performance). Jansen´s voice was that of a typical french "Baryton Martin", a baritone with a light and almost tenor-like quality (named after Jean Blaise Martin who lived 1768-1837). Hearing Jansen it becomes obviously, a french native language spoken singer is best able to inflect the meaning of the french words perfectly. It might be, that Jacques Jansen wasn´t a great singer in a strict sense (Remember: Even small things can make us delight), but with him we had the rare fact, that an artist assimilated a role completely. If you hear Jansen as Pelléas, it´s difficult to imagine another singer (although we have recordings with famous performers just as Martial Singher, Pierre Mollet and even Nicolai Gedda. Jansen´s worthy successor at last was 1955 born Francois Le Roux, who later changed from Pelléas to Golaud. Another great Pelléas today is american tenor William Burden). Among Jansen´s other roles were Rabaud's Mârouf in the opera of the same name, Eisenstein in Johann Strauss's DIE FLEDERMAUS and Valerien in Hahn's MALVINA. At the Aix Festival in 1956 he sang Cithéron in Rameau's PLATÉE, which he also recorded. Previously, in 1952, he had sung Ali at the Paris Opéra in the revelatory staging of the same composer's LES INDES GALANTES, his debut at the house. It was a sad coincidence, that his Mélisande in his first recording, Irene Joachim, predeceased Jacques Jansen only a few months. Pelléas et Mélisande stay together - on record and forevermore...
Martial Singher Ravel Charles Munch Berlioz Suzanne Danco James King Donald Gramm Jeannine Altmeyer Benita Valente Valente John Reardon Louis Quilico Quilico Jean François Lapointe Judith Blegen Thomas Moser Moser Thomas Hampson Rodney Gilfry Metropolitan Opera Boston Symphony Orchestra 1904 1934 1954 1990
Martial Singher - Ronsard à son âme - Ravel - Gramophone DA 4866 enregistré en 1934 Martial Singher (August 14, 1904 - March 9, 1990) was a French baritone opera singer born in Oloron-Sainte-Marie, Pyrénées-Atlantiques. Initially singing only as a hobby, he was encouraged by then French education minister Édouard Herriot to pursue singing professionally. He would go on to perform in the Opéra National de Paris, New York City Opera and Metropolitan Opera. He recorded an acclaimed Méphistophelès under Charles Munch in the RCA recording of Berlioz's La Damnation de Faust (February 1954) with the Boston Symphony Orchestra and celebrated lyric soprano Suzanne Danco as Marguerite. Later in his life, he became an accomplished music teacher at Curtis Institute in Philadelphia and at the Conservatoire de musique du Québec à Montréal, influencing the careers of such artists as James King, Donald Gramm, Jeannine Altmeyer, Benita Valente, John Reardon, Louis Quilico, Jean-François Lapointe, Judith Blegen and Thomas Moser. Martial Singher has also been the teacher of world-famous baritones such as Thomas Hampson and Rodney Gilfry. He would go on to perform in the Opéra National de Paris, New York City Opera and Metropolitan Opera. His son, Michel Singher, is an accomplished conductor. Source: Wikipedia
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- cronología: Cantantes líricos (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): S...