Stephan Krehl Vídeos
compositor, musicólogo, teórico de la música, profesor de música, profesor universitario
Conmemoraciones 2024 (Nacimiento: Stephan Krehl)
- música clásica
- Alemania
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2024-04-27
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Stevan Hristić Stevan Mokranjac Krehl Hofmann Nikisch Petar Konjović Miloje Milojević 1885 1904 1910 1912 1923 1925 1937 1943 1947 1950 1958
"Have you ever heard of Stevan Hristić? He is a very unknown Serbian romantic composer. If you could upload some of his works, many people would be very grateful! Greetings!" (Vanja Drljaca) Stevan Hristić (19 June 1885 – 21 August 1958) was Serbian composer, conductor, pedagogue, and music writer. A prominent representative of the late romanticist style in Serbian music of the first half of the 20th century. Hristić started his music education at the Serbian Music School in Belgrade (established by Stevan Mokranjac) and continued his studies in Leipzig (1904–08) where he received instruction in composition from S. Krehl and R. Hofmann, and in conducting from A. Nikisch. Following a brief period of teaching at the Serbian Music School, he spent time in Rome, Moscow, and Paris (1910–12). Upon his return to Belgrade before the start of the World War I, Hristić began his conducting career at the National Theatre and resumed pedagogical activities at the Serbian Music School as well as at the Seminary. Between the two World Wars he contributed to the development of Belgrade musical life as: a founder and the first principal conductor of the Belgrade Philharmonic (1923–34), conductor at the Belgrade Opera House (director 1925–35), and one of the founders and first professors of the Belgrade Music Academy (composition professor 1937–50 and president 1943–44). He was inducted into the Serbian Academy of Sciences and Arts (1950) and was in charge of the Institute of Musicology. Hristić was also among the founders and a longtime president of the Serbian Association of Composers. Hristić’s oeuvre consists of large-scale though not numerous works: opera The Dusk (1925), ballet The legend of Ohrid (1947), oratorio Resurrection (1912), several orchestral pieces (incidental music for stage), works of sacred music (Liturgy and Opelo (Orthodox Requiem)), concert pieces (Symphonic fantasy for violin and orchestra and The Rhapsody for piano and orchestra), choral compositions (Autumn and The Dubrovnik requiem), and chamber vocal lyrical pieces (“There once was a rose,” “The Swallow,” “Elegy,” “An evening on the reef,” and “The blossom”). Hristić’s musical language is characterized by melodic inventiveness, colorful orchestration, late romanticist and partially impressionistic harmonies, and clarity and transparency of formal structure. By his primarily romanticist orientation, Hristić somewhat differs from his contemporaries Petar Konjović and Miloje Milojević whose works manifest more radical ventures toward a contemporary stylistic expression. Hristić appears closer to the Mokranjac origins, whereas his oeuvre represents a transition from the romanticist groundwork toward contemporary trends. (Wikipedia) Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry. Original audio: (http•••) (Performed by: Radio Television Belgrade Choir, directed by Mladen Jagušt) Original sheet music: imslp.org
Peder Gram Garaguly Jørgensen Stephan Krehl Arthur Nikisch Hans Sitt 1881 1908 1918 1932 1937 1951 1956
It is my sincere desire that any and all remuneration, actual or potential, that may be my due, be instead directed to all holders of copyright. Should any of these holders of copyright wish to have this removed, please notify me and I will delete it as soon as possible. Peder Gram +••.••(...)) Violin Concerto in D Major, Op. 20 I. Allegro moderato 0:00 II. Andante pastorale 10:44 III. L'istesso tempo - Allegro con brio 18:30 Kai Laursen, violin South Jutland Symphony Orchestra Carl von Garaguly, conductor Peter Jørgensen Gram +••.••(...)) was a Danish composer and organist. Gram was born in Copenhagen and studied at the Leipzig Conservatory under Stephan Krehl, Arthur Nikisch and Hans Sitt. From 1908, he worked as a conductor in Copenhagen, and from 1918 to 1932, he led the performances of the Dansk Koncertforening. From 1937 to 1951 he was Director of Music at the Danish Broadcasting Corporation. He composed three symphonies, a symphonic fantasy, a tone poem, two overtures, a violin concerto, chamber works, piano works and songs.
Balys Dvarionas Alfrēds Kalniņš Stephan Krehl Karg Karg Elert Egon Petri Rimas Rimas Geniušas Geniušas Schubert Lithuanian Chamber Orchestra 1920 1924 1926 1928 1933 1935 1938 1939 1940 1941 1946 1947 1949 1958 1964 1972 1976 2000
00:00 - I. Theme and Variations: Moderato / Bassoon: Michael Bettez Piano: Pierre-Richard Aubin Year of Recording: 2000 / "Balys Dvarionas was born into the large family of an organist. Along with his ten sisters and brothers, Dvarionas was taught music from his early childhood. Later he had private lessons from Alfrēds Kalniņš, the famous Latvian composer. After completing the middle school of commerce, Dvarionas worked as an organist and conductor of the Youth Choir of Lithuanian Society in Liepāja. In 1920, Dvarionas went to Leipzig, where he studied piano under Robert Teichmüller at the Conservatory and attended special music theory and composition courses held by Stephan Krehl and Sigfried Karg-Elert. After graduating from the Conservatory in 1924, Dvarionas returned to Kaunas, Lithuania where he performed his first recital, and afterwards spent two years studying piano in Berlin under Egon Petri, a famous German pianist. Balys Dvarionas was a synthesis of talents in piano, teaching, conducting and composing. They bloomed almost all at once and Dvarionas soon became one of the most famous personalities in Lithuanian music. From 1924 on he performed throughout Lithuania, and in 1928 he began to perform abroad. In 1926 he began teaching at the Kaunas Music School (after 1933 — Lithuanian Conservatory) and in 1949 he started working at the Music Academy in Vilnius, where he continued teaching until the end of his life. Dvarionas was awarded a professorship in 1947. Over 50 pianists graduated from Prof. B.Dvarionas’ class. Dvarionas's pupils included conductor Rimas Geniušas, pianists Liucija Drąsutienė, Aleksandras Jurgelionis, Gražina Ručytė-Landsbergienė, and Halina Znaidzilauskaitė. In the 1930s, Dvarionas emerged as a conductor as well. He attended conducting courses in Salzburg and in 1939 he passed his examinations as an external student at the Conservatory in Leipzig. From 1935 to 1938 Dvarionas was a conductor of Kaunas Radiophone Orchestra. In 1939 he established the Vilnius City Orchestra together with the well-known Lithuanian architect Vytautas Landsbergis-Žemkalnis, and worked as a conductor there until the Lithuanian Philharmonic Orchestra was established, where he was head conductor in 1940–1941 and 1958–1964. Dvarionas' final public performance was on May 12, 1972 with the Lithuanian Chamber Orchestra at the Philharmonic Hall; he played a Mozart piano concerto and conducted a mass by Schubert.[clarification needed] He was already suffering from his final illness and died on August 23, 1972. Balys Dvarionas is buried at the cemetery in Palanga, a seaside resort town in western Lithuania, where Dvarionas loved to spend summers, composing many pieces at his cottage." (Wikipedia) / Note: This piece is originally for bassoon and orchestra, but because no full recording existed of this, I have used the (more common) piano reduction version. / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Antonín Dvořák Stephan Krehl Hupfeld Schreiner Carl Reinecke Heinrich Zöllner Hugo Riemann Hermann Kretzschmar Julius Klengel Münch Erkin Zechlin Pablo Sorozábal Günther Ramin Rudolf Wagner Régeny Peder Gram Edvin Kallstenius Stevan Hristić Heinrich Sthamer Johannes Weyrauch Weyrauch Hermann Weil Reuter Leipziger Musikhochschule Dresden 1841 1864 1882 1889 1897 1900 1902 1904 1906 1908 1909 1911 1914 1919 1921 1924 1926 1947 1988 2019
Antonín Dvořák +••.••(...)) SLAWISCHER TANZ NR. 3 Op. 46 Nr. 3 Gespielt von Otto Weinreich +••.••(...)) und Stephan Krehl +••.••(...)) Notenrolle ANIMATIC Nr. 55408 der Firma HUPFELD, Leipzig Klavier FEURICH TRI-PHONOLA der Firma Julius Feurich (Leipzig) mit einem Tri-Phonola-Selbstspielmechanismus der Firma Ludwig Hupfeld (Leipzig), um 1919 MUSIKKABINETT AUGUSTUSBURG (C) JE 05/2019 Otto Weinreich (* 29. Januar 1882 in Kassel; † 1947) war ein deutscher Pianist. Otto Weinreich, evangelisch, wurde 1882 als Sohn von Carl Weinreich und dessen Frau Josephine Wolff geboren. Er besuchte die Oberrealschule in Kassel und erhielt Klavierunterricht bei Hugo Schreiner. Von 1900 bis 1904 absolvierte er ein Musikstudium am Leipziger Konservatorium. Dort gehörten Robert Teichmüller in Klavier, Paul Quasdorf und Stephan Krehl in Theorie, Carl Reinecke und Heinrich Zöllner in Komposition zu seinen Lehrern. Außerdem studierte er bei Hugo Riemann und Hermann Kretzschmar an der Universität Leipzig. Er war 1904–1906 als Klavierlehrer tätig und unternahm Konzertreisen. Von 1906 bis 1909 war er Dirigent der akademischen Sängerschaft Fridericiana in Halle an der Saale. Ab 1908 bildete er gemeinsam mit Edgar Wollgandt (Violine) und Julius Klengel bzw. ab 1926 mit Hans Münch-Holland (Violoncello) das Leipziger Trio. 1908–1914 lehrte er an der Musikhochschule Dresden. Außerdem war er ab 1911 am Leipziger Konservatorium tätig, wo er 1926 Professor wurde. Zu seinen Schülern gehörten u. a. Ferhunde Erkin, Dieter Zechlin und Amadeus Webersinke. Er war u. a. Mitglied des Reichsverbandes deutscher Tonkünstler und Musiklehrer, des Allgemeinen deutschen Musikvereins und der Internationalen Gesellschaft für Neue Musik. / Stephan Krehl (* 5. Juli 1864 in Leipzig; † 9. April 1924 in Leipzig) war ein deutscher Komponist, Musikpädagoge und Musikwissenschaftler. Krehl studierte in Leipzig und Dresden Musik. Von 1889 bis 1902 war er Lehrer für Klavier und Musiktheorie am Konservatorium in Karlsruhe. Von 1902 bis zu seinem Tod lehrte er dann in Leipzig. Als Studiendirektor amtierte er dort von 1921 bis 1924. Zu seinen Schülern gehörten der Spanier Pablo Sorozábal (1897–1988), Günther Ramin, Rudolf Mauersberger, Rudolf Wagner-Régeny, Peder Gram, Edvin Kallstenius, Stevan Hristić, Heinrich Sthamer, Johannes Weyrauch, Claus Clauberg, Hermann Weil und Fritz Reuter. Er ist Verfasser mehrerer Lehrbücher der Musiktheorie wie der „Allgemeinen Musiklehre“ von 1904. Sein Werk als Komponist umfasst ca. 30 Werke für Klavier, Violine und Klarinette. (Quelle: Wikipedia)
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): K...