Thomas Otten Vídeos
cantante francés
- contralto
- Francia
- cantante de ópera
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2024-05-01
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Martin Gantner Oscar Straus Daphne Evangelatos Gerd Grochowski Henkel Otten Nowak Kohler 1998
Provided to YouTube by NAXOS of America Die lustigen Nibelungen: Overture · Martin Gantner Straus, O.: Lustigen Nibelungen (Die) (Operetta) ℗ 1998 Capriccio Released on: 1998-01-01 Artist: Martin Gantner Artist: Daphne Evangelatos Artist: Gerd Grochowski Artist: Heinz Heidbuchel Artist: Gabriele Henkel Artist: Lisa Griffith Artist: Josef Otten Artist: Michael Nowak Artist: Gudrun Volkert Artist: Christine Mann Choir: Cologne Radio Chorus Conductor: Siegfried Kohler Orchestra: Cologne Radio Orchestra Composer: Oscar Straus Auto-generated by YouTube.
Martin Gantner Oscar Straus Daphne Evangelatos Gerd Grochowski Henkel Otten Nowak Kohler 2011
Provided to YouTube by NAXOS of America Die lustigen Nibelungen: Overture · Martin Gantner Straus: Die lustigen Nibelungen ℗ 2011 Capriccio Released on: 2011-11-14 Artist: Martin Gantner Artist: Daphne Evangelatos Artist: Gerd Grochowski Artist: Heinz Heidbuchel Artist: Gabriele Henkel Artist: Lisa Griffith Artist: Josef Otten Artist: Michael Nowak Artist: Gudrun Volkert Artist: Christine Mann Choir: Cologne Radio Chorus Conductor: Siegfried Kohler Orchestra: Cologne Radio Orchestra Composer: Oscar Straus Auto-generated by YouTube.
Werder Pauly Otten Gruber Bracht Pfaff Grobe 1982
WERDER BREMEN vs BAYERN MUNICH Date: 21 August 1982 Competition: Bundesliga, week 1 Referee: Pauly (Rheydt) Attendance: 35,000 Teams Werder: Burdenski - Otten, Fichtel, Siegmann, Okudera - Kamp, Gruber, Bracht - Reinders, Völler (87. Schaaf), N.Meier (87. Böhnke) Bayern: Pfaff - Dremmler, Augenthaler, Grobe, Horsmann - Nachtweih, Breitner, Dürnberger - Del'Haye, D.Hoeness, K.H.Rummenigge
1 - ''Qualitati Umane'', from Sonnet XV of Petrarch. Frédéric Momont, arr.; 2 - ''Divigi Tu'', Frédéric Momont; 3 - Ombra Mai Fu'', Haendel. Frédéric Momont, arr. Thomas Otten is a countertenor, a male who sings with the range and quality of a female alto. Otten says his voice never broke at puberty, then he spent years of training to achieve a honeyed sound of incredible richness. He sings repertory from the baroque in his native France, but for this album he teams up with composer Frédéric Momont, who also performs orchestral/choral/groove duties on the keyboard. His albums are intriguing musical creations. The sound is generally dark and atmospheric / almost Zen like / with a stately dignity that falls somewhere between spiritual fullness and cold oblivion. Most song lyrics are in an invented kind of Latin, but the spiritual, soul-searching intent is obvious. There are no lyrics or translations in the liner notes. Here the soul has no redemption; silence and the abyss are the only salvation. Otten's unusually high voice can be lyrical and even playful, " but he often controls his tonal quality to be more penetrating, creating an amazingly pure and vibratory effect. (http•••)
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): O...