Tiana Lemnitz Vídeos
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Tiana Lemnitz Germaine Hoerner Fritz Busch Richard Strauss Schatz Teatro Colón 1936
Richard Strauss Der Rosenkavalier Vorspiel ... Wie du warst! Wie du bist! ... Du bist mein Bub', du bist mein Schatz! ... Warum ist Tag? Ich will nicht den Tag! (abridged) Octavian - Tiana Lemnitz Marschallin - Germaine Hoerner Orquesta del Teatro Colón Fritz Busch, conductor Teatro Colón, September 20, 1936
Mozart Tiana Lemnitz 1897 1938 1994
Mozart : Le Nozze di Figaro atto 3 - La Contessa di Almaviva " Dove sono i bei momenti " - reg. 1938 soprano Tiana Lemnitz +••.••(...) )
Tiana Lemnitz Franz Schubert Lortzing Paul Graener Prinz Max Lorenz Eduard Künneke Moniuszko Rimsky Korsakov Beecham Frida Leider Berlin State Opera Teatro Colón Salzburg Festival Metropolitan Opera 1912 1919 1921 1933 1934 1935 1936 1937 1938 1939 1950 1952 1954 1955 1957
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Tiana Lemnitz--soprano Michael Raucheisen--piano 1937 / "Tiana Lemnitz, whose father was a military bandmaster and whose mother had a fine singing voice, was the youngest of ten children. Despite singing solos in school from the age of seven, she had no vocal training until she entered the music school at Metz in 1912. After World War I, in 1919 she enrolled at the Hoch Conservatory at Frankfurt-am-Main, where she was a pupil of Anton Kohmann; and made her operatic stage debut in 1921 at Heilbronn in the title role of Lortzing’s Undine. Following the Nazi assumption of power in 1933, Lemnitz joined the National Socialist party; and having been heard by Heinz Teitjen in Dresden, in 1934 she became a member of the Berlin State Opera where she was based for the rest of her career. Her first major success in Berlin was as Elvira / Ernani; but she also sang leading roles in a number of first performances, including Paul Graener’s Der Prinz von Homburg with Max Lorenz and Eduard Künneke’s operetta Die grosse Sünderin (both 1935), as well as in the local premieres of Moniuszko’s Halka (1936) and Rimsky-Korsakov’s The Invisible City of Kitezh (1937). Lemnitz made an extremely successful debut at the Royal Opera House, London, in 1936 as Eva / Die Meistersinger von Nürnburg under Beecham, followed by Octavian / Der Rosenkavalier; and returned to London in 1938 when, in addition to Eva and Octavian, she also sang Elsa / Lohengrin, Sieglinde / Die Walküre and Pamina (which she had recorded previously with Beecham in Berlin). She was invited to appear at the Metropolitan Opera, New York in 1938, but the political situation made this impossible and she never sang in America. As a guest she appeared regularly at Dresden, Vienna, Munich and at the Teatro Colón in Buenos Aires; and first sang at the Salzburg festival in 1939, as Agathe.. After the end of World War II Lemnitz continued to sing with the Berlin State Opera. Her later roles included the Marschallin / Der Rosenkavalier, Marie / Wozzeck, Donna Anna and the title part in Jenůfa, which she sang in its local premiere at Buenos Aires (1950). She followed Frida Leider in the leadership of the singing studio of the Berlin State Opera between 1952 and 1954 and made her last operatic appearance in Berlin in 1955 as the Marschallin. Her final recital, also in Berlin, was in 1957. Lemnitz possessed a beautiful lyric voice of great sweetness and purity, which she never forced; and was a fine actress, especially in comic roles."; naxos
Tiana Lemnitz Wolfgang Amadeus Mozart Robert Heger Lortzing Paul Graener Prinz Max Lorenz Eduard Künneke Moniuszko Rimsky Korsakov Beecham Frida Leider Rundfunk Sinfonieorchester Berlin Metropolitan Opera Berlin State Opera Teatro Colón Salzburg Festival 1912 1919 1921 1933 1934 1935 1936 1937 1938 1939 1942 1950 1952 1954 1955 1957
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Tiana Lemnitz--soprano Robert Heger--conductor Rundfunk Sinfonieorchester Berlin 1942 / "Tiana Lemnitz, whose father was a military bandmaster and whose mother had a fine singing voice, was the youngest of ten children. Despite singing solos in school from the age of seven, she had no vocal training until she entered the music school at Metz in 1912. After World War I, in 1919 she enrolled at the Hoch Conservatory at Frankfurt-am-Main, where she was a pupil of Anton Kohmann; and made her operatic stage debut in 1921 at Heilbronn in the title role of Lortzing’s Undine. Following the Nazi assumption of power in 1933, Lemnitz joined the National Socialist party; and having been heard by Heinz Teitjen in Dresden, in 1934 she became a member of the Berlin State Opera where she was based for the rest of her career. Her first major success in Berlin was as Elvira / Ernani; but she also sang leading roles in a number of first performances, including Paul Graener’s Der Prinz von Homburg with Max Lorenz and Eduard Künneke’s operetta Die grosse Sünderin (both 1935), as well as in the local premieres of Moniuszko’s Halka (1936) and Rimsky-Korsakov’s The Invisible City of Kitezh (1937). Lemnitz made an extremely successful debut at the Royal Opera House, London, in 1936 as Eva / Die Meistersinger von Nürnburg under Beecham, followed by Octavian / Der Rosenkavalier; and returned to London in 1938 when, in addition to Eva and Octavian, she also sang Elsa / Lohengrin, Sieglinde / Die Walküre and Pamina (which she had recorded previously with Beecham in Berlin). She was invited to appear at the Metropolitan Opera, New York in 1938, but the political situation made this impossible and she never sang in America. As a guest she appeared regularly at Dresden, Vienna, Munich and at the Teatro Colón in Buenos Aires; and first sang at the Salzburg festival in 1939, as Agathe.. After the end of World War II Lemnitz continued to sing with the Berlin State Opera. Her later roles included the Marschallin / Der Rosenkavalier, Marie / Wozzeck, Donna Anna and the title part in Jenůfa, which she sang in its local premiere at Buenos Aires (1950). She followed Frida Leider in the leadership of the singing studio of the Berlin State Opera between 1952 and 1954 and made her last operatic appearance in Berlin in 1955 as the Marschallin. Her final recital, also in Berlin, was in 1957. Lemnitz possessed a beautiful lyric voice of great sweetness and purity, which she never forced; and was a fine actress, especially in comic roles."; naxos
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): L...