Thomas Weelkes Vídeos
músico británico
- órgano
- Reino de Inglaterra
- organista, compositor
Última actualización
2024-04-29
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Asta Krikščiūnaitė Thomas Whythorne Daniel Friderici Thomas Morley Thomas Weelkes Henry Purcell Jacob Arcadelt Luca Marenzio Vincenzo Galilei Claudio Monteverdi Adriano Banchieri Dietrich Buxtehude Wolfgang Amadeus Mozart 1514 1520 1528 1553 1557 1560 1567 1568 1576 1584 1590 1591 1599 1608 1623 1634 1637 1638 1643 1659 1695 1707 1756 1791 2019
2019-taisiais metais Šiaulių valstybinis kamerinis choras šventė 45 metų kūrybinės veiklos sukaktį. Šia proga choras paruošė programą, kuri grąžina klausytoją į LDK laikus ir prikelia didingą valstybės kultūrinę praeitį, tuo pačiu atgaivina senąsias chorinio dainavimo tradicijas. Programą paruošti chorui padėjo ilgametis šio kolektyvo meno vadovas Sigitas Vaičiulionis. Atlikėjai/Performed by: Šiaulių valstybinis kamerinis choras „Polifonija“, Šiaulių kamerinis orkestras Solistai/Solo performed by: Asta Krikščiūnaitė (soprano), Aistė Benkauskaitė (mecosoprano), Juozas Janužas (tenor), Pijus Kondrotas (baritone) Dirigentas/Conductor: Sigitas Vaičiulionis Vyr. operatorius/Cinematofrapher: Andrius Jakelis Montažo režisierius/Editor: Irmantas Vaitkevičius Programa/Programme: Part I Thomas Whythorne +••.••(...)) I HAVE ERE THIS TIME HEARD Waclaw z Szamotul +••.••(...)) BE BLESSED, OH MAN Daniel Friderici +••.••(...)) WIR LIEBEN SEHR IN HERZEN Thomas Morley +••.••(...)) MY BONNY LASS Thomas Weelkes +••.••(...)) LATE IN MY RASH ACCOUNTING Henry Purcell +••.••(...)) SINGING BLACKBIRD Jacob Arcadelt +••.••(...)) IL BIANCO E DOLCE CIGNO Luca Marenzio +••.••(...)) SCALDAVA IL SOL Vincenzo Galilei +••.••(...)) POI CHE‘L MIO LARGO PIANTO Claudio Monteverdi +••.••(...)) ECCO MORMORAR L‘ONDE Adriano Banchieri +••.••(...)) CONTRAPONTO BESTIALE ALLA MENTE Part II 35:27 Dietrich Buxtehude +••.••(...)) DER HERR IST MIT MIR Wolfgang Amadeus Mozart +••.••(...)) LITANIAE LAURETANAE Ačiū/Thanks to: Taikomosios dailės ir dizaino muziejus LRT klasika
Weelkes Wilbye Ferrabosco Holborne Galliard
On the Plains, Fairy Trains 1:25 Say Dear, When Will Your Frowning Leave 2:15 Ay Me, Alas, Hey Ho 2:25 Why Are You Ladies Staying? / Hark, I Hear Some Dancing 2:00 Lady, the Birds Right Fairly 1:45 Sweet Love, I Will No More Abuse Thee 2:05 Though My Carriage Be But Careless 1:16 My Phyllis Bids Me Pack Away 2:00 Wilbye Consort In Pride of May 1:58 Sit Down and Sing 1:09 As Wanton Birds 1:24 Ferrabosco II-Four Note Pavan 2:12 Holborne-Galliard 1:54 Eastman Brass Quintet This recording is to the best of my knowledge only available on an LP long out of print. While I have carefully removed clicks, pops, static and surface noise wherever possible, I have NOT used any radical equalization adjustments to do so.
Gregorio Allegri Palestrina Liszt Bach Brahms Fauré Britten Weelkes Wolfgang Amadeus Mozart Satie Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Schubert Mendelssohn Rachmaninoff Wagner Choir Clare College Cambridge 1770
More Information: (http•••) Social media: Brilliant Classics Facebook: (http•••) Brilliant Classics Instagram: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) Classical Piano Music: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Composer: Giovanni Pierluigi Da Palestrina, Gregorio Allegri Artists: Choir of Clare College, Cambridge Timothy Brown (conductor) This recording brings together music composed in a variety of contrasting yet complemetary forms, from Gregorian chant to more elaborate, polyphonic music, set to words that explore the rawest human emotions, death, sin and repentance. The death of a loved one is a particularly distressing experience, and over the centuries composers have chanelled their grief into their most moving and emotional works. In the 1850s Brahms composed the German Requiem after he lost his mother, and Fauré’s Requiem was also composed after his mother died. Britten produced the imposingly bleak and Mahlerian Sinfonia da Requiem after the death of his parents. In this recording, the grief of Mary, the mother of Christ, is portrayed in Palestrina’s masterful setting of the Stabat Mater, composed for Pope Gregory XIV. Another moving portrayal of grief is Weelkes’s intimate depiction of the pain of David upon learning of his son Absalom’s death, When David heard. Allegri’s Miserere concerns the belief in a higher power and the submission to it. Set to Psalm 51, the work was recognised by its composer and the Vatican as being of such beauty that its publishing was forbidden. No score was to leave the Papal Chapel. But then there was Mozart.. The incredible story of how Mozart came to copy down Allegri’s Miserere, note for note, after hearing it just once in 1770. Once it’s heard though, never forgotten. That soaring high C, mortifying for the boy treble who has to reach it, makes it one of the most sublime pieces of choral music ever. But the piece was once closely guarded, only ever sung during the days of Easter within in the hallowed confines of St. Peter’s Rome – and never published for performance anywhere else. In 1770, who should arrive at the Vatican for Easter but 14-year old Wolfgang Amadeus Mozart? The city was captivating. He was overawed by St Peter’s, but perhaps unsurprisingly, the greatest impression was made on him by that piece of music. When he returned to his lodgings — where he had to share a bed with his dad and was getting no sleep at all – Mozart wrote the entire piece out from memory, perfectly. Here’s where some people begin to doubt the story – for how could a 14-year-old remember an entire choral composition, consisting of five voice parts, that he had only heard once that day? It does seem a little implausible. But let’s remember that Mozart wrote his first composition, a charming Minuet and Trio in G major, aged five. It is also said that after having transcribed the piece, the young Mozart went back to St Peter’s to hear the work again, probably the same week, to compare his own score with the sung version. Sit back, Enjoy and tell us what you think! Tracklist in comments Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Music #Composer #ClassicalMusic #GiovanniPierluigiDaPalestrina #GregorioAllegri #ChoirofClareCollege #CambridgeTimothyBrown #Conductor #HigherPower #Psalm51 #Mozart #Lamentations #Gregorian #Death #Sin #Repentance #HumanEmotions
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): W...