Antonín Dvorák Josef Kajetán Tyl, Op. 62 Vídeos
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2024-04-23
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František Škroup Karel Strakatý Antonín Dvořák Estates Theatre 1834 1882 1918 1993
"Where is My Home?" - Kde domov můj Czech Original / English (Poetic) Translation Support Us: (http•••) - Thank You! / Kde domov můj is the national anthem of the Czech Republic, written by the composer František Škroup and the playwright Josef Kajetán Tyl. It was first performed by Karel Strakatý at the Estates Theatre in Prague on December 21, 1834. Soon after Czechoslovakia was formed in 1918, the first verse of the song became the Czech part of the national anthem, followed by the first verse of the Slovak song Nad Tatrou sa blýska. With the split of Czechoslovakia in 1993, the Czechoslovak anthem was divided as well. While Slovakia extended its anthem by adding a second verse, the Czech Republic's national anthem was adopted unextended, in its single-verse version. In 1882, Antonín Dvořák used Kde domov můj? in his incidental music to the František Ferdinand Šamberk play Josef Kajetán Tyl. The overture is often played separately as a concert work entitled Domov můj (My Home). / Subscribe!
Antonín Dvořák István Kertész Tyl Simrock Heim London Symphony Orchestra Provisional Theatre
Antonín Dvořák: "My Home" Overture, op. 62, B 125a (with Score) Composed: 21 January - 23 January 1882 Conductor: István Kertész Orchestra: London Symphony Orchestra The overture My Home is part of a programme of incidental music which Dvorak wrote at the request of the management of the Provisional Theatre to accompany the play by Frantisek Ferdinand Samberk, Josef Kajetan Tyl. Samberk’s play, depicting the beginnings of Czech theatre and the life of dramatist Josef Kajetan Tyl, is intensely patriotic, a fact also reflected in the stage music: It was Samberk’s wish that, towards the end of each act, the audience would hear music derived from the themes of the song “Where is my home?” (today the Czech national anthem), whose text was the work of Tyl himself. In addition to several passages of melodramatic music and two intermezzos, Dvorak also wrote an overture to the play, the only one still occasionally performed as a separate concert piece. The overture was published independently by the Berlin-based firm Simrock under the title Mein Heim (My Home).
Antonín Dvořák Jaroslav Krombholc Tyl Vrána Simrock Adolf Čech Novotný Orchestre Symphonique Radio Prague Provisional Theatre 1841 1881 1882 1891 1892 1904 1918 1975 1976
Antonín Dvořák +••.••(...)): My Home, op. 62 Overture to Šamberk's play "Josef Kajetán Tyl" In Nature's Realm, op. 91 09:40 Prague Radio Symphony Orchestra Симфонический оркестр Пражского радио Rundfunk-Sinfonieorchester Prag, L'Orchestre symphonique de la Radio Prague, Jaroslav Krombholc (conductor) Ярослав Кромбхолц / Антоњин Дворжак Увертюры, мое гнездо, Карнавал, Отелло, в природе, mon pays natal. rec. from 25 to 28 August, 1975 Pavel Kühn, Jan Vrána (recording directors) Stanislav Sýkora (recording engineer) Miloslav Žáček (cover [design]) Pavel Vácha (cover [photo]) Liner notes: »Antonín Dvořák's +••.••(...)) concert overtures represent, in terms of quantity, a relatively small proportion of his work. Three of them were written originally for stage plays ("Dramatic Overture", "My Home", and "Hussite Overture"), but today they are played exclusively by symphony orchestras. Overtures written explicitly for the concert hall (the cycle "Nature, Life and Love") are an exception in Dvořák's work, but it is in them that he emerges as teh supreme - and as yet unsurpassed - master of that genre in Czech music. In late 1881 and early 1882 Dvořák composed at Vysoká incidental music to František Ferdinand Šamberk's play "Josef Kajetán Tyl" on the founder of modern Czech drama. Dvořák's "most minuscule stage intimity", as it has been described by Otakar Šourek, comprise nine musical oieces which accompany, in the form of entr'actes or melodramas, the stage presentation of J. K. Tyl's life. Tyl wrote the lyrics for the song "Where is my home" [Où est ma patrie?], which Czechoslovakia adopted as part of its National Anthem after winning independence on October 28, 1918, and Dvořák felt bound to employ the tune, indeed to fashion the overture and the rest of the stage work around it. Nevertheless, he treated the as yet "unofficial" anthem in his own original way, by juxtaposing to its lyrical tone the lively Czech folk tune "In the farmyard everything is crowing and cackling", sung by the village musician Kalafuna in Tyl's play "The Bagpiper of Strakonice". That combination, acceptable in Dvořák's time and logical in the context of the stage play (which describes Tyl's retreat from Prague to the countryside), appears rather bizzare to the contemporary Czech listener who cannot help recalling the contrasting lyrics of the two songs, but the foreign listener is free of that disturbing impression. The overture was the last of the stage pieces to be composed, and Dvořák wrote it in the record time of three days. Simrock published it in 1882 under the titel "My Home". Both songs are developed here, first in the extensive introduction, followed by the regular sonata form with a hint at recapitulation; in the coda, the lyrical theme is featured with full brilliance. The overture was first performed at the play's première on February 3, 1882, in Pragues's Provisional Theatre, with Adolf Čech conducting. In September 1891 Dvořák stayed away from the celebrations of his 50th birthday. He remained at Vysoká, where he way busy completing the second part of the trptych "Nature, Life and Love". He worked on it from March 31, 1891, to January 18, 1892, and gave it originally not only the common title, but also the common opus number 91. The overture "In Nature's Realm" describes Man's immersion in Nature's bosom, where he listens to the increasingly urgent force of its hidden voice, before returning, with his spirit cleansed, to Life's whirlpool in "Carnival", which he embraces ininhibitedly in a wild dance. The intermezzo reminds him of Nature before a renewed flood of joy, followed - in "Othello" - by the supreme human emotion, Love. That originally happy emotion is soon denigrated by jealousy, which finally finds its outburst in a conflict leading to tragedy. In all three overtures, the composer managed to confine himself to the sonata form suited to the occasion. Motivically, the three overtures are selfcontained works, whose single common link is the Nature theme. That theme underlies the first overture, its echo is featured in the second, and in the third it is an insparable part of the jealousy theme (since Dvořák regards both love and jealousy as nature elements). While still working on the cycle, Dvořák signed a contract with New York's National Conservatory, and his three overtures were featured prominently at his farewell concert in Prague (on April 28, 1892) and at his welcoming concert in New York (on October 21), both of which he conducted himself. (. . .)« Milan Novotný
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