Felix Mendelssohn Paulus, Op. 36 Vídeos
Última actualización
2024-04-25
Actualizar
Rté Concert Orchestra Mannion O Neill McCullough Costello Casey John Rutter Mykola Leontovych Erich Wolfgang Korngold George Frideric Handel Watts Byrne Ethelbert Nevin Felix Mendelssohn Charles Wesley Whitefield Franz Xaver Gruber Mohr George Ratcliffe Woodward Woodward Adolphe Adam Sullivan Barnett 1754 1937 2007
Tracklist: (tracks marked with * feature an orchestra only) 1. In Dulci Jubilo [0:00]* 2. O Come All Ye Faithful [1:46] 3. Candlelight Carol [5:04] 4. Gaudete (Piae Cantiones) [8:50] 5. Carol of the Bells [10:57]* 6. Der Schneemann [13:57]* 7. Joy to the World [17:54] 8. Don oíche úd i mBeithill [19:37] 9. The Rosary [22:10] 10. Hark! The Herald Angels Sing [24:15] 11. Christmas Fantasy [26:34]* 12. The First Noel [29:42]* 13. God Rest Ye Merry Gentlemen [32:28] 14. Silent Night [35:05] 15. Ding Dong Merrily on High [39:18]* 16. O Holy Night [42:12] An orchestral/choral album performed by the RTÉ Concert Orchestra and the RTÉ Cór na nÓg, featuring Christmas standards and traditional carols. It was recorded exclusively for the RTÉ Guide and RTÉ Radio 1. Ripped and scanned by me. / Conductor: David Brophy Tenor: Paul Byrom Recorded in Studio 1, RTÉ Radio Centre, Dublin 4, June 2007 Choral Director: Máire Mannion Backing vocals: Fidelma Kelly, Olivia Nestor, Trish O'Neill, Paul McGeogh, Vincent Lynch Recording Producer: Gary Cole Recording Engineer: Richard McCullough Editing and Mastering: Regent Records Editorial Management: Anthony Long, General Manager, RTÉ Concert Orchestra Executive Producer: Gareth Costello, Project Manager, RTÉ Concert Orchestra / Track 1 is a traditional piece, arranged by Casey (first name unknown) Track 2 and 13 are traditional pieces, arranged by Thomas Quigley Track 3 composed and written by John Rutter Track 4 is a piece of anonymous origin Track 5 is composed by Mykola Leontovych, and arranged by Richard Hayman Track 6 is composed and arranged by Erich Wolfgang Korngold Track 7 is composed by George Frideric Handel with lyrics by Isaac Watts, and arranged by Byrne (first name unknown) Tracks 8 and 12 are traditional pieces, arranged by Byrne (first name unknown) Track 9 is composed by Ethelbert Nevin with lyrics by Robert Cameron Rogers, and arranged by Thomas Quigley Track 10 is composed by Felix Mendelssohn with lyrics by Charles Wesley & George Whitefield, and arranged by Byrne (first name unknown) Track 11 is composed and arranged by Noel Kelehan Track 14 is composed by Franz Xaver Gruber with lyrics by Joseph Mohr, and arranged by Byrne (first name unknown) Track 15 is a traditional piece with lyrics by George Ratcliffe Woodward, and arranged by John Tate Track 16 is composed by Adolphe Adam with lyrics by John Sullivan Dwight, and arranged by Barnett (first name unknown)
Felix Mendelssohn Bartholdy David Miller Paul Constantinescu 1809 1847
Felix Mendelssohn-Bartholdy +••.••(...)) Symphony no. 3 in A minor op. 56 "Scottish" Filarmonica "Paul Constantinescu" Ploiesti Conductor - David Miller
Camillo Schumann Robert Schumann Hielscher Reger Webern Brahms Mendelssohn Claußnitzer Dunkler Hofmeister Leipziger 1538 1867 1872 1889 1893 1894 1896 1904 1906 1914 1924 1946
Camillo Schumann +••.••(...)): Orgelsonate Nr. 3 in c-Moll op. 29 (1904) 00:00 1. Allegro ma non troppo 08:15 2. Un poco Adagio cantabile 15:38 3. Introduction und Fuge Der sächsische Komponist und Organist Camillo Schumann wurde 1872 in Königstein (südöstlich von Dresden) als Sohn des Stadtmusikdirektors Clemens Schumann geboren, der mit der berühmten Komponistenfamilie Robert Schumann nicht mehr als den Namen gemeinsam hat. Nach erstem Unterricht bei seinem Vater trat er 1889 in das Leipziger Konservatorium ein, und erhielt dort bis 1893 eine grundlegende musikalische Ausbildung. 1894/95 studierte er in Berlin an der Hochschule für Musik und wurde im Oktober 1896 als Organist an die Georgenkirche in Eisenach und an die Wartburgkapelle berufen. 1914 zog Schumann nach Bad Gottleuba, übernahm noch einige kirchenmusikalische Engagements in der Nähe seines Wohnortes, widmete sich jedoch zunehmend seiner kompositorischen Arbeit und verstarb hier am 29. Dezember 1946. Schumann hinterließ über 300 Kompositionen, darunter sechs Orgelsonaten. Obwohl er in einer Zeit lebte und komponierte, in der die Musik von Reger, Webern und Schönberg längst die traditionellen Bahnen der Musik verlassen hatte, ignorierte er diese Strömungen völlig und bewegte sich in einer erstaunlich konsequenten Art in der Tradition der großen Romantiker wie Brahms und Mendelssohn. Seine Orgelsonate Nr. 3 in c-Moll op. 29 komponierte Schumann im Jahre 1904, sie wurde 1906 veröffentlicht und ist „Herrn Seminar-Oberlehrer Paul Claußnitzer in Verehrung gewidmet“ (Borna, 1867-1924). Sowohl der erste und besonders der dritte Satz dieser Sonate sind von mystisch-dunkler Stimmung, aber auch von äußerster Dynamik. Diese innere Spannung wird durch kantable Einschübe unterbrochen (zweites Thema im ersten Satz). Die Durchführung im ersten Satz, die das erste Thema verarbeitet, ist fugenmäßig angelegt. Der lyrische, sehr ausdrucksstarke zweite Satz in As-Dur ist dreiteilig, mit einem bewegteren Mittelteil in f-Moll. Die beiden Ecksätze sind durch thematische Verwandtschaft eng miteinander verbunden. Die Introduktion des dritten Satzes führt zum Thema der abschließenden Fuge. Sie ist als Steigerungsfuge gestaltet, wobei die gewaltigen Akkorde am Schluss mit virtuosen Sechzehntelläufen kontrastieren. Die ausgeprägten wundervollen Melodien, besonders in den langsamen Sätzen, machen die sechs Sonaten zu einem beeindruckenden Zeugnis eines nie zur Geltung gekommenen Komponisten. / Camillo Schumann +••.••(...)): Organ Sonata No. 3 in C-minor op. 29 (1904) 00:00 1. Allegro ma non troppo 08:15 2. Un poco Adagio cantabile 15:38 3. Introduction und Fuge The Saxon composer and organist Camillo Schumann was born in Königstein (south-east of Dresden) in 1872 as the son of the City Music Director Clemens Schumann, who has nothing more in common with the famous Robert Schumann family of musicians than the name. After taking his first lessons from his father, he entered the Leipzig Conservatory in 1889 and received a basic musical education there until 1893. In 1894/95 he studied in Berlin at the Hochschule für Musik and in October 1896 he was appointed organist at St. George's Church in Eisenach and at the Wartburg Chapel. In 1914 Schumann moved to Bad Gottleuba, devoted himself to his compositional work and died here on December 29, 1946. Schumann left over 300 compositions, including six organ sonatas. Although he lived and composed at a time when the music of Reger, Webern and Schönberg had long since left the traditional paths of music, he completely ignored these currents and moved in an amazingly consistent way in the tradition of the great Romantics such as Brahms and Mendelssohn. Schumann composed his Organ Sonata No. 3 in 1904. Both the first and especially the third movement of this sonata have a dark, mystical mood, but they are also extremely dynamic. This inner tension is interrupted by cantabile insertions. The development in the first movement, which develops the first theme, is laid out in fugal form. The lyrical, highly expressive second movement in A flat major is in three parts, with a more animated central section in F minor. The two outer movements are closely linked by thematic affinity. The introduction of the third movement leads to the theme of the concluding fugue. It is designed as an increasing fugue, with the powerful chords at the end contrasting with virtuosic runs. The pronounced beautiful melodies, especially in the slow movements, make the six sonatas an impressive testament to a composer who has never come to prominence. This video is illustrated by a photo presentation: "Saxonia – Landscapes and Romantic Organs“ with special thanks to Michael Hofmeister.
Puccini Franco Alfano Kenneth Woollam Nunn Enrico Fissore Nicolai Gedda Bayreuth Leslie Howard Maria Callas Handel Bach Mendelssohn Rossini Gounod Verdi David Thomas Wigmore Hall 1924 2007 2012 2019
Turandot was to be Puccini’s last opera. In fact, it was unfinished at the time of his death in 1924. The final 20 minutes were posthumously completed by Franco Alfano using Puccini’s notes. The opera concerns an unknown Prince (Calaf,) who falls in love with the cold and distant Princess Turandot. His aria Nessun Dorma occurs at the start of Act III. Calaf has challenged Turandot to discover his name by dawn, so she has decreed that this night “none shall sleep” until she knows his name. Calaf takes up this motif in this aria, which has become one of the best-known arias in the operatic repertoire. It perhaps encapsulates Puccini’s style, being both dramatic and heroic, while retaining the quality of morbidezza which is so characteristic of the composer. A native of India, Athenaeum member Anando Mukerjee is a leading international tenor. He received degrees in Natural Sciences from both Delhi and Cambridge Universities and pursued his vocal studies with such teachers as Kenneth Woollam, Richard Nunn, Enrico Fissore, Ian Comboy and Glyn Paul. The highlight of his vocal training was seven years of discipleship under Nicolai Gedda. Anando was a finalist in the UK National Mozart Competition in 2007 and the Wagner Society Bayreuth Bursary Competition in 2012. His operatic repertoire includes Rodolfo (La bohème), Macduff (Macbeth,) Nemorino (L’elisir d’amore,) Alfredo (La Traviata.) and The Duke of Mantua (Rigoletto.) Here at the Athenaeum, he thrilled us with his Cavaradossi in our production of Tosca 2 years ago. His recitals include his Wigmore Hall appearance accompanied by Leslie Howard and featured on BBC Radio 3’s In Tune; the Maria Callas International Club’s 30th Anniversary Celebration at the Royal Opera House; and a lieder programme performed with the pianist Babette Hierholzer at the Allensbach Festival, Germany. Anando gave the orchestral world premiere of Ian Venables’ Venetian Songs accompanied by the Orchestra of St. John Bromsgrove. He has also been featured by the BBC World Service and All India Radio. In oratorio Anando’s repertoire includes Handel, Bach, Mendelssohn, Rossini, Gounod, Verdi and Puccini. In addition to his performance in Tosca, Anando is a regular contributor to the Athenaeum’s annual St Cecilia’s Day Concert. David Thomas
o
- Las mejores obras para coro
- Obras imprescindibles: época romántica
- Índices (por orden alfabético): P...