Johannes Brahms 4 Canciónes, Opp. 70 Vídeos
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2024-04-26
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Emmanuel Tjeknavorian Tjeknavorian Cristian Măcelaru Johannes Brahms Wdr Sinfonieorchester 2021
Provided to YouTube by Kontor New Media GmbH Violin Concerto, Op. 77: I. Allegro non troppo · Emmanuel Tjeknavorian · Cristian Măcelaru · WDR Sinfonieorchester Brahms: Violin Concerto & Songs ℗ Berlin Classics/Edel Germany GmbH Released on: 2021-09-24 Artist: Emmanuel Tjeknavorian Conductor: Cristian Măcelaru Orchestra: WDR Sinfonieorchester Violin / Fiddle: Emmanuel Tjeknavorian Composer: Johannes Brahms Music Publisher: Copyright Control Auto-generated by YouTube.
Johann Baptist Gänsbacher Herzog Stecher Abbé Vogler Albrechtsberger Weber Meyerbeer Joseph Weigl Preindl Anton Mitterwurzer Wilt Milka Ternina Leopold Demuth Brahms Schubert Musikverein Stephansdom Music Central 1751 1778 1795 1801 1803 1806 1810 1812 1813 1814 1815 1818 1823 1824 1829 1838 1844 1853 1855 1868 1872 1875 1897 1904 1911
Alles Gute zum Geburtstag Johann Baptist Gänsbacher! Composer: Johann Baptist Gänsbacher +••.••(...)) Work: Lauretanische Litanei (1812) Performers: Sabina von WaIthеr (soprano); Johanna Pradеr (alto); Otto RastbichIеr (tenor); MichaеI GrossIеrcher (bass); TiroIеr vocalensemble & Kammerorchester des Fеrdinandеums; Josеf Wеtzingеr (leitung) Painting: Joseph Mathias von Trenkwald +••.••(...)) - Herzog Leopolds des Glorreichen Einzug in Wien nach dem Kreuzzug von 1219 (1872) Image in high resolution: (http•••) Painting: Franz Anton Stecher +••.••(...)) - Der Komponist Johann Baptist Gänsbacher und seine Familie (c.1838) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / Johann (Baptist Peter Joseph) Gänsbacher (Sterzing, [now Vipiteno], 8 May 1778 - Vienna, 13 July 1844) Austrian composer and conductor. He was the son of a choirmaster and teacher, Johann Gänsbacher +••.••(...)), and as a boy sang in church choirs in Sterzing, Innsbruck, Hall and Bolzano; he also had lessons in piano, organ, violin, cello and thoroughbass. In 1795 he went to the university at Innsbruck and studied first philosophy, then law, supporting himself by giving music lessons, playing the organ, singing in church choirs and playing in the theatre orchestra. His first compositions date from this period. While at university he took part in four campaigns against Napoleon. In 1801 he went to Vienna to continue his musical studies, and was relieved of financial worries when Count Firmian, who further promoted his career as a musician, took him into his family as a son in about 1803. In Vienna he had lessons from the Abbé Vogler +••.••(...)) and from Albrechtsberger (1806). A Mass in C, composed through the offices of Vogler for Nikolaus Esterhazy in 1806, established his reputation as a composer. Nevertheless, he returned to Vogler in Darmstadt for a short period in 1810, where his fellow-pupils and friends included Weber and Meyerbeer, who admitted him as a founder-member of the ‘Harmonische Verein’, for which he was active until 1813. In January 1813 he met Weber in Prague and recommended him for the post of Kapellmeister of the theatre. In the summer of the same year Gänsbacher returned to the Tyrol to join the fighting to liberate the province from the Bavarian occupation. After the end of the war he did not return to the Firmian family but joined the army as a first lieutenant (1814). He was stationed first in Italian garrisons, in Trient, Mantua and Padua then at Innsbruck in 1815, where he again tried to gain a foothold as a musician. He worked as a conductor and director of a church choir, and helped to found the Musikverein, though he did not gain the position of chief conductor. He did not accept the post of director of music in Dresden, offered him at the instigation of Weber in 1823, since (after representations against the election of Joseph Weigl), he was appointed Kapellmeister of the Stephansdom in Vienna as successor to Josef Preindl in September 1824. One of the choristers was his nephew Anton Mitterwurzer +••.••(...)), later famous as an opera singer. From this time on Gänsbacher composed mainly church music, and only a few homage cantatas. By the time of his death he was one of the most famous musicians in Vienna. Some of Gänsbacher's early instrumental compositions, such as the Clarinet Concertino and the sonatas in F major (1803) and G minor (1810), are remarkable for the individuality of their ideas and their unconventional structure, while his Italian canzonettas and terzetti are effective for their reticent simplicity. Yet the works he composed later for social performance clearly show a deterioration of quality. Even before his 20 years at the Stephansdom, sacred music was becoming central to his output. Starting with the masses in C and B and the Requiem (1812), he wrote some creditable and well-regarded works in this field. Although they do not stand out from the manner of their time, and show little stylistic innovation, they nonetheless show Gänsbacher's considerable skill as a composer. His son Josef Gänsbacher +••.••(...)) studied the piano, the cello and singing, and went to university to read law, graduating in 1855. He practised law for a number of years, but concurrently gave piano and singing lessons, and in 1868 devoted himself entirely to teaching singing. From 1875 to 1904 he was a tutor at the conservatory of the Gesellschaft der Musikfreunde, becoming by the turn of the century the most highly-regarded singing teacher in Vienna. Some of his pupils achieved international recognition, including Maria Wilt, Milka Ternina, Leopold Demuth and Julius Liban. Brahms dedicated his cello sonata op.38 to him. He was a composer, chiefly of songs but also of piano and choral pieces, and was a co-editor of the Schubert complete edition.
Tom Krause Schumann Johannes Brahms Musorgsky 1804 1875 1991
Provided to YouTube by Fazer Records/Finlandia An eine Äolsharfe Op.19 No.5 [To an Aeolian harp] · Tom Krause · Irwin Gage Schumann : Dichterliebe - Brahms : Songs - Musorgsky : Songs and Dances of Death ℗ 1991 Finlandia Records Piano: Irwin Gage Baritone Vocals: Tom Krause Lyricist: Eduard Mörike +••.••(...)) Composer: Johannes Brahms Auto-generated by YouTube.
Bach Ewa Pobłocka Fryderyk Chopin Hansen Martha Argerich Viotti Glenn Gould Kazimierz Kord Antoni Wit Rappe Olga Pasichnyk Ewa Podleś Andrzej Panufnik Witold Lutosławski Szymański Paweł Mykietyn Grieg Brahms Schumann Pleyel Rameau Couperin Scarlatti Soler Castaldi Liszt Auditorio Nacional Madrid Barbican Centre Wigmore Hall Musikverein Lincoln Center Maggio Musicale Fiorentino London Symphony Orchestra English Chamber Orchestra Orchestra Maggio Musicale Fiorentino Sinfonia Varsovia Polish National Radio Symphony Orchestra 1848 1977 1979 1980 1981 1982 2004 2007 2009 2010
Ewa Pobłocka - piano, rec. 08.12.1981 A prize-winner of the Tenth International Fryderyk Chopin Piano Competition in Warsaw, Ewa Pobłocka also received the prize for the best performance of Chopin mazurkas (1980). She began taking piano lessons when she was five. She pursued her studies at Gdańsk Music Academy under Zbigniew Śliwiński and Jerzy Sulikowski, and received her diploma with distinction in 1981. She completed post-graduate studies in Hamburg under Conrad Hansen (1982) and has benefitted from artistic consultation with Jadwiga Sukiennicka, Rudolf Kerer, Tatiana Nikolaieva and Martha Argerich. In 1977, she won First Prize in the International Viotti Music Competition in Vercelli, and in 1979 the gold medal at the International Festival of Young Laureates in Bordeaux. She has performed throughout Europe and the Americas, as well as in the Far East and Australia, in such venues as the Herkules-Saal in Munich, Musikhalle in Hamburg, Auditorio Nacional in Madrid, Barbican Centre and Wigmore Hall in London, Musikverein in Vienna, Lincoln Center in New York and Glenn Gould Studio in Toronto. She has played as a soloist with the London Symphony Orchestra, English Chamber Orchestra, Orchestra del Maggio Musicale Fiorentino, Bayerischers Rundfunkorchester, Sinfonia Varsovia and Polish National Radio Symphony Orchestra and has repeatedly toured as a Warsaw Philharmonic Orchestra soloist under the baton of Kazimierz Kord and Antoni Wit. Ewa Pobłocka is a passionate chamber musician and has regularly performed with the Silesian Quartet, as well as singers like Jadwiga Rappe, Olga Pasichnyk and Ewa Podleś. She has given numerous premieres and made world premiere recordings of works by Polish contemporary composers, including piano concertos by Andrzej Panufnik, Witold Lutosławski, Paweł Szymański and Paweł Mykietyn. She has performed for many European radio stations and recorded for such labels as Polskie Nagrania ‘Muza’, Deutsche Grammophon, Pony Canyon, Victor JVC, CD Accord and BeArTon. Many of her recordings have won prizes and critical acclaim. Her most recent CDs have featured Grieg’s complete piano works, solo works by Brahms and Schumann and the complete songs of Chopin. In 2010, the Fryderyk Chopin Institute released her CD with Chopin’s Mazurkas and Sonata in C minor on period piano (Pleyel, 1848). Pobłocka is also a distinguished teacher. As well as teaching piano at Bydgoszcz Music Academy and the Fryderyk Chopin University of Music in Warsaw, she is also a guest professor at the National University of Fine Arts and Music in Tokyo and Nagoya. She has sat on the jury of many international piano competitions and received the annual Ministry of Culture and National Heritage Award and the Cavalier’s Cross of the Polonia Restituta Order from the Polish President (2004). Ewa Pobłocka performed in the ‘Chopin and his Europe’ festival in 2007, 2009, 2010. (chopin.nifc.pl) NA MOIM KANALE (ON MY CHANNEL): (playlisty z przesłanych filmów, sent films in playlists) Polska muzyka ludowa (Polish Folk Traditional Music) (http•••) Tradycyjna muzyka góralska (Polish Gorals’ Music) (http•••) Polska muzyka renesansowa i barokowa (Polish Renaissance and Baroque Music) (http•••) Polska muzyka XVIII i XIX wieku (Polish Music of 18 and 19 century) (http•••) Pan Wołodyjowski Potop muzyka (http•••) Polskie pieśni patriotyczne (Polish Patriotic Songs) (http•••) Polska muzyka symfoniczna okresu klasycyzmu (Polish Symphony Music of Classical Period) (http•••) Rameau Couperin Scarlatti Soler Castaldi (http•••) Polska muzyka średniowieczna (Polish Medieval Music) (http•••) Chopin (http•••) Liszt (http•••) Polska muzyka XX wieku (Polish Music of 20 c.) (http•••) Polski folk (http•••) Góry polskie zdjęcia (http•••) Polska muzyka filmowa (Polish Film Music) (http•••) Polskie organy Leżajsk Oliwa Kamień Pomorski (Polish Organs) (http•••)
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