Newport Music Festival Vídeos
- Newport
- Estados Unidos
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2024-05-02
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Changyong Frédéric Chopin Jachimecki Beethoven Tomaszewski Rhode Bach Haydn Newport Music Festival Utah Symphony 1810 1846 1849 1882 1953 2011 2016 2017 2018 2020
Changyong Shin, 2018 Bachauer Gold Medalist Frédéric Chopin's Polonaise-Fantasy in A-flat Major, op. 61 About Chopin's Polonaise-Fantasy Frédéric Chopin (1810 – 1849) composed and published the Polonaise-Fantaisie in 1846. It was what Jeffrey Kallberg has suggested represents his “last style,” a style that only includes the Polonaise-Fantaisie and the F minor mazurka (op. 68, No. 4), his last composition. The formal ambiguities of the piece (particularly the unconventional and musically misleading transitions into and out of the lyrical inner section) are the most significant defining qualities of this last style. The work was slow to gain favor with musicians, due to its harmonic complexity and intricate form. The Polish musicologist, Zdzislaw Jachimecki (1882 – 1953), wrote, “The piano speaks here in a language not previously known.” Although Chopin initially referred to the piece only as a Fantasy, it is indebted to the polonaise for its meter, much of its rhythm, and some of its melodic character. However, as in so many of Chopin’s compositions, the work invites the listener to engage the imagination as in a fantasy. Here we find Polish heroic gestures side by side with romantic melancholy, closest to a nocturne; the dignified élan of the polonaise accompanied by the melancholy reflection of the fantasy. Music that is wondrously songful, at first delicate, gentle, and idyllic; with each bar that passes, it gains in strength, like recollection animated by an influx of memory. Chopin leads the listener through shifting tracts of associations and memories, wandering through a succession of keys. And this all occurs as if in a dream, yet at the same time as if the destination were constantly known. Feliks Jabłczyński, author of an essay on Chopin’s polonaises, wrote of the work’s emotional charge, “Neither the Eroica nor the Appassionata of Beethoven has a single section of such raging passion.” – With acknowledgement to: Mieczysław Tomaszewski About Changyong Shin Changyong Shin is the first-prize winner of the 2018 Bachauer International Piano Competition, the 2017 Seoul International Music Competition, and the 2016 Hilton Head International Piano Competition. A native of South Korea, Changyong Shin emigrated to the United States in 2011 at the age of 17 to study at the Curtis Institute of Music where he earned his Bachelor of Music degree. He continued his studies at The Juilliard School where he earned a Master of Music degree in 2018 and completed the prestigious Artist Diploma degree in 2020. Mr. Shin began his Performance career during his student years, with performances in South Korea, Italy, France, the UK, and across the United States. His performance invitations have included among others, a live broadcast recital for classical WQXR-FM’s Midday Masterpieces, the Barletta Piano Festival in Italy, the Ruhr Klavier-Festival in Germany, the Newport Music Festival in Rhode Island, the Kumho Cultural Foundations’ Rising Star series, and appearances with orchestras including the Utah Symphony, the Hilton Head Symphony, Sendai Philharmonic, KBS Orchestra, Daejeon Philharmonic Orchestra, Buchehon Philharmonic Orchestra and Gwacheon Philharmonic Orchestra. Mr. Shin released his debut CD on the Steinway & Sons label with works by Bach, Haydn, Mozart, and Beethoven. WXQR proclaimed the CD one of the “Best New Recordings of 2018.
Newport Music Festival Clifton Bury 1909 1963 1978
UNISSUED - Released on CD "Wildwood Pickin' " [1997] Recorded & Performed LIVE at the Newport Music Festival 26/28 July 1963 - Maybelle Carter (vcl/gt/autoharp) & Mike Seeger (gt) & New Lost City Ramblers. MAYBELLE (gt) 1. Intro [Bill Clifton] [2:27] 2. [Bury Me Under the] Weeping Willow [5:00] 3. Cannonball Blues [He's Solid Gone] [7:11] 4. Two Sweethearts Of Mine [Two Sweethearts At Home] [12:09] 5. Wabash Cannonball [14:04] 6 Coal Miner's Blues [15:00] 7. Lover's Farewell AUTO HARP WORKSHOP with Mike Seeger [17:24] 8. Little Brown Jug (Maybelle Solo) [18:22] 9. Unknown Fiddle Tune [20:17] 10. San Antonio Rose [22:10] 11. Liberty Dance [23:27] 12. Bully Of The Town [25:21] 13. My Native Home [28:58] 14. (Come All Ye) Fair And Tender Ladies (Maybelle Solo) [32:56] 15. Tennessee Waltz [34:18] 16. Never On Sunday [37:09] 17. Gathering Flowers From The Hillside [38:00] 18. Little Darling Pal Of Mine MAYBELLE (gt) and the NEW LOST CITY RAMBLERS [40:28] 19. It Takes A Worried Man [Worried Man Blues] [44:13] 20. The Storms Are On The Ocean [48:01] 21. Wildwood Flower [51:14] 22. Gold Watch And Chain All Tracks UNISSUED except "San Antonio Rose" MOTHER MAYBELLE Born Maybelle Addington in Nickelsville, VA [1909 - 1978] Active 1927 to 1978 1970 (with A.P and Sara) Country Music Hall of Fame 1992 Autoharp Hall of Fame 2001 (with A.P and Sara) International Bluegrass Association's Hall of Honor 2005 Lifetime Achievement Grammy Award
The Newport Music Festival is an extraordinary classical music series held annually in the beautiful mansions of Newport, Rhode Island. The former director, Mark Malkovich III allowed us to shoot a large number of concerts of the 25th season, and this short promo reveals some of the treasures found in these performances we recorded 20 years ago.
Alexander Scriabin Newport Music Festival 2015 2017
From the 2015 Newport Music Festival. The complete recital, which was awarded the 2017 American Prize, is available at the following link: (http•••)
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