Lower Rhenish Music Festival Vídeos
- Alemania
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2024-05-03
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Julius Röntgen Lachner Hauptmann Louis Plaidy Carl Reinecke Julius Stockhausen Stockhausen Liszt Coenen Daniël Daniël Lange Heinze Johannes Verhulst Pablo Casals Brahms Grieg Schumann Reger Debussy Niederrheinisches Musikfest Felix Meritis 1855 1869 1870 1877 1878 1884 1885 1891 1901 1912 1924 1925 1926 1930 1932
Julius Röntgen +••.••(...)) Sonate for piano and violoncello, Op. 41 (1901) Doris Hochscheid, violoncello Frans van Ruth, piano dedicated to Isaac Mossel The CD and more information on Dutch Cello Sonatas are available at: www.cellosonate.nl Julius Röntgen was a Dutch composer, conductor and pianist, son of Engelbert Röntgen. The most celebrated member of the family, he studied composition with Friedrich Lachner, harmony and counterpoint with Hauptmann and E.F. Richter and the piano with Louis Plaidy and Carl Reinecke. He began composing at the age of nine, and in 1869 he made his début as a composer at the Niederrheinisches Musikfest in Düsseldorf with a duo for two violins, performed by his father and Joseph Joachim. After giving concerts in Düsseldorf, Hamburg and Baden-Baden he settled in Cannstatt (18734) as accompanist to the baritone Julius Stockhausen. He visited Liszt in Weimar in 1870. From 1877 to 1925 Röntgen lived in Amsterdam, where he became a piano teacher at the music school in 1878 (the school acquired conservatory status in 1884). From 1912 to 1924 he was director of the Amsterdam Conservatory, succeeding Frans Coenen and Daniël de Lange, and he remained there as a piano teacher until 1926. He succeeded G.A. Heinze as conductor of the choral society Excelsior (18846) and Johannes Verhulst as conductor of the Amsterdam Toonkunstkoor +••.••(...)); he also directed the Felix Meritis concerts for some time. As a pianist, he gave many recitals, was accompanist to the Dutch baritone Johannes Messchaert and Pablo Casals and, with his sons Julius Röntgen and Engelbert Röntgen, formed the Röntgen Trio before World War I. During his stay in Amsterdam he became friendly with Brahms, who visited the Netherlands in 1884 and 1885; he was also friendly with Grieg, who dedicated his Lyrische Stücke op.54 to him (1891). In 1925 he retired to a villa in Bilthoven to spend the remaining years of his life composing and writing; after World War II the Gaudeamus Foundation was established in his house. A prolific composer, Röntgen belongs to the late Romantic school. His early works show the influence of Schumann (in the Serenade for Wind op.14) and Brahms (in the Toskanische Rispetti op.9); in other works a Scandinavian influence can be detected, even in some written before his acquaintance with Grieg. He was also attracted by the folk music of many countries, especially evident in his Boerenliedjes en contradansen. In later years the influence of Reger is apparent in his polyphonic works, and the bitonal Symphony of 1930 looks back to Debussy.
Fryderyk Chopin Konieczny Gast Felix Mendelssohn Bartholdy Paganini Robert Schumann Clara Schumann Jansen Niederrheinisches Musikfest 1834 1835 2011 2019 2020
Premiere - Auf den Spuren Fryderyk Chopins am Niederrhein. Śladami Fryderyka Chopina nad Renem. Die Premiere des Musikfilms „Chopin / Konieczny. Auf den Spuren Fryderyk Chopins am Niederrhein“, in Deutsch mit polnischen und englischen Untertiteln, eines Projekts des Polnischen Instituts Düsseldorf, findet online auf dem Social-Media-Kanälen des Instituts am Jahrestag des Todes des polnischen Komponisten, dem 17.10.2020 um 18.00 Uhr statt. In dem Musikfilm „Chopin / Konieczny“ erzählt der Opernsänger Łukasz Konieczny über die Beziehung des polnischen Komponisten zum Rheinland und zu Deutschland. Dazu präsentiert der Bass-Sänger zusammen mit dem Pianisten Sebastian Breuing seine Interpretation ausgewählter Lieder, die Chopin zu Gedichten romantischer polnischer Lyriker komponiert hat: „Mir aus den Blicken“ von Adam Mickiewicz, „Polens Grabgesang“ von Wincenty Pol sowie „Bacchanal“ und „Die Heimkehr“ zu Texten von Stefan Witwicki. Die Säle des Düsseldorfer Schlosses Benrath dienten dem Filmkonzert als Kulisse. Der Film wurde zudem an weiteren Drehorten in der Düsseldorfer Altstadt und im Medienhafen, dem modernen Stadtteil Düsseldorfs aber auch in Köln, produziert. Fryderyk Chopin kam im Mai 1834 ins Rheinland nach Aachen, Düsseldorf und Köln. Der junge Pianist und Komponist war Gast des Niederrheinischen Musikfests in Aachen, wo er ein Solokonzert gab. Dieses Festival war eines der wichtigsten Musikereignisse der damaligen Zeit in Europa und zog die größten Musikstars ins Rheinland. Nach dem Festival lud Felix Mendelssohn-Bartholdy, der mit Chopin befreundet war, den polnischen Musiker für einige Tage nach Düsseldorf ein. Hier lernte er einflussreiche Künstler der berühmten Düsseldorfer Malerschule kennen, darunter Wilhelm von Schadow. In seinen Briefen berichtete Mendelssohn über den Besuch Chopins in Düsseldorf, den er voller Begeisterung „den Paganini des Klaviers“ nannte. Seine nächste Reise nach Deutschland führte den polnischen Künstler 1835 nach Dresden und Leipzig, wo Chopin den späteren Düsseldorfer Musikdirektor und Komponisten Robert Schumann traf. Es war Robert Schumann, der die berühmten Worte über Chopin schrieb: „Hut ab, Ihr Herrn, ein Genie.“ Und Clara Schumann war - nach eigenen Aussagen Chopins - eine der größten Interpretinnen seiner Musik. Der Bass-Opernsänger Łukasz Konieczny wurde in Lodz, Polen geboren und absolvierte sein Gesangsstudium an der Musikakademie Breslau. 2011 – 2019 gehörte er dem festen Ensemble der Deutschen Oper am Rhein an. www.lukaszkonieczny.eu „Chopin / Konieczny. Auf den Spuren von Fryderyk Chopin am Niederrhein“, Regie Filip Jacobson. Drehbuch und Produktion: Lidia Helena Jansen, Polnisches Institut Düsseldorf Online-Format auf YouTube in Deutsch mit polnischen und englischen Untertiteln, Dauer: 18 Minuten / Premiera filmu muzycznego w wersji polsko-niemiecko-angielskiej „Chopin / Konieczny. Śladami Fryderyka Chopina nad Renem”, autorskiego projektu Instytutu Polskiego w Düsseldorfie, odbędzie się online na kanałach YouTube i Facebook placówki w rocznicę śmierci Fryderyka Chopina 17.10.2020. W filmie „Chopin / Konieczny”, śpiewak operowy Łukasz Konieczny (www.lukaszkonieczny.eu) przybliża widzom związki polskiego kompozytora z Nadrenią i Niemcami. W jego interpretacji słyszymy wybrane pieśni skomponowane przez Chopina do wierszy romantycznych poetów „Precz z moich oczu” Adama Mickiewicza, „Śpiew z mogiły” Wincentego Pola oraz „Hulankę” i „Narzeczonego” do tekstów Stefana Witwickiego. Łukaszowi Koniecznemu akompaniuje na fortepianie Sebastian Breuing. Kulisami filmowego koncertu są niezwykłe sale pałacowe Schloss Benrath w Düsseldorfie. Zdjęcia do filmu kręcone były też na Starówce i w Medienhafen, nowoczesnej dzielnicy Düsseldorfu oraz w Kolonii. Fryderyk Chopin przyjechał do Nadrenii w maju 1834 roku. Młody pianista i kompozytor został zaproszony na Festiwal Muzyczny nad Dolnym Renem (Niederrheinisches Musikfest) do Akwizgranu, gdzie wystąpił z koncertem solowym. Festiwal ten był jednym z najważniejszych wydarzeń muzycznych ówczesnej Europy i przyciągał do Nadrenii największe sławy. Po festiwalu zaprzyjaźniony z Chopinem Felix Mendelssohn-Bartholdy zaprosił polskiego kompozytora na kilka dni do Düsseldorfu. Tam Chopin poznał wpływowych miejscowych artystów, malarzy słynnej Malarskiej Szkoły Düsseldorfskiej (Düsseldorfer Malerschule) na czele z Wilhelmem von Schadowem. W swoich listach Mendelssohn opisuje pobyt Chopina w Düsseldorfie i fascynację nim jako kompozytorem i pianistą, nazywając go „Paganinim fortepianu”. „Chopin / Konieczny. Śladami Fryderyka Chopina nad Renem” reżyseria Filip Jacobson Scenariusz i produkcja: Lidia Helena Jansen, Instytut Polski Düsseldorf Format online, na kanale YouTube w wersji niemieckiej z napisami polskimi i angielskimi, czas trwania: 18 minut
Julius Röntgen Grosz Lachner Hauptmann Louis Plaidy Carl Reinecke Julius Stockhausen Stockhausen Liszt Coenen Daniël Daniël Lange Heinze Johannes Verhulst Pablo Casals Brahms Grieg Schumann Reger Debussy Niederrheinisches Musikfest Felix Meritis 1855 1869 1870 1877 1878 1884 1885 1891 1901 1912 1924 1925 1926 1930 1932
Julius Röntgen +••.••(...)) Sonate for piano and violoncello, Op. 41 (1901) Godfried Hoogeveen, violoncello Edith Grosz, piano dedicated to Isaac Mossel Composer, conductor and pianist, son of Engelbert Röntgen. The most celebrated member of the family, he studied composition with Friedrich Lachner, harmony and counterpoint with Hauptmann and E.F. Richter and the piano with Louis Plaidy and Carl Reinecke. He began composing at the age of nine, and in 1869 he made his début as a composer at the Niederrheinisches Musikfest in Düsseldorf with a duo for two violins, performed by his father and Joseph Joachim. After giving concerts in Düsseldorf, Hamburg and Baden-Baden he settled in Cannstatt (18734) as accompanist to the baritone Julius Stockhausen. He visited Liszt in Weimar in 1870. From 1877 to 1925 Röntgen lived in Amsterdam, where he became a piano teacher at the music school in 1878 (the school acquired conservatory status in 1884). From 1912 to 1924 he was director of the Amsterdam Conservatory, succeeding Frans Coenen and Daniël de Lange, and he remained there as a piano teacher until 1926. He succeeded G.A. Heinze as conductor of the choral society Excelsior (18846) and Johannes Verhulst as conductor of the Amsterdam Toonkunstkoor +••.••(...)); he also directed the Felix Meritis concerts for some time. As a pianist, he gave many recitals, was accompanist to the Dutch baritone Johannes Messchaert and Pablo Casals and, with his sons Julius Röntgen and Engelbert Röntgen, formed the Röntgen Trio before World War I. During his stay in Amsterdam he became friendly with Brahms, who visited the Netherlands in 1884 and 1885; he was also friendly with Grieg, who dedicated his Lyrische Stücke op.54 to him (1891). In 1925 he retired to a villa in Bilthoven to spend the remaining years of his life composing and writing; after World War II the Gaudeamus Foundation was established in his house. A prolific composer, Röntgen belongs to the late Romantic school. His early works show the influence of Schumann (in the Serenade for Wind op.14) and Brahms (in the Toskanische Rispetti op.9); in other works a Scandinavian influence can be detected, even in some written before his acquaintance with Grieg. He was also attracted by the folk music of many countries, especially evident in his Boerenliedjes en contradansen. In later years the influence of Reger is apparent in his polyphonic works, and the bitonal Symphony of 1930 looks back to Debussy.
Julius Röntgen Lachner Hauptmann Louis Plaidy Carl Reinecke Julius Stockhausen Stockhausen Liszt Coenen Daniël Daniël Lange Heinze Johannes Verhulst Pablo Casals Brahms Grieg Schumann Reger Debussy Niederrheinisches Musikfest Felix Meritis 1742 1855 1869 1870 1873 1874 1877 1878 1884 1885 1886 1891 1898 1912 1924 1925 1926 1930 1932
Julius Röntgen +••.••(...)) Strijkkwartet in a-klein (1874) 1. Allegro - 00:00 2. Andante, con mote - 07:02 3. Intermezzo. Allegretto - 11:47 4. Finale. Allegro molto - 17:42 Raphael Quartet Julius Röntgen was a Dutch composer, conductor and pianist, son of Engelbert Röntgen. The most celebrated member of the family, he studied composition with Friedrich Lachner, harmony and counterpoint with Hauptmann and E.F. Richter and the piano with Louis Plaidy and Carl Reinecke. He began composing at the age of nine, and in 1869 he made his début as a composer at the Niederrheinisches Musikfest in Düsseldorf with a duo for two violins, performed by his father and Joseph Joachim. After giving concerts in Düsseldorf, Hamburg and Baden-Baden he settled in Cannstatt +••.••(...)) as accompanist to the baritone Julius Stockhausen. He visited Liszt in Weimar in 1870. From 1877 to 1925 Röntgen lived in Amsterdam, where he became a piano teacher at the music school in 1878 (the school acquired conservatory status in 1884). From 1912 to 1924 he was director of the Amsterdam Conservatory, succeeding Frans Coenen and Daniël de Lange, and he remained there as a piano teacher until 1926. He succeeded G.A. Heinze as conductor of the choral society Excelsior +••.••(...)) and Johannes Verhulst as conductor of the Amsterdam Toonkunstkoor +••.••(...)); he also directed the Felix Meritis concerts for some time. As a pianist, he gave many recitals, was accompanist to the Dutch baritone Johannes Messchaert and Pablo Casals and, with his sons Julius Röntgen and Engelbert Röntgen, formed the Röntgen Trio before World War I. During his stay in Amsterdam he became friendly with Brahms, who visited the Netherlands in 1884 and 1885; he was also friendly with Grieg, who dedicated his Lyrische Stücke op.54 to him (1891). In 1925 he retired to a villa in Bilthoven to spend the remaining years of his life composing and writing; after World War II the Gaudeamus Foundation was established in his house. A prolific composer, Röntgen belongs to the late Romantic school. His early works show the influence of Schumann (in the Serenade for Wind op.14) and Brahms (in the Toskanische Rispetti op.9); in other works a Scandinavian influence can be detected, even in some written before his acquaintance with Grieg. He was also attracted by the folk music of many countries, especially evident in his Boerenliedjes en contradansen. In later years the influence of Reger is apparent in his polyphonic works, and the bitonal Symphony of 1930 looks back to Debussy.
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