Teatro Argentina Vídeos
teatro de ópera italiano
1
- Roma
- Italia
Última actualización
2024-04-30
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Gioacchino Rossini Leo Blech Julius Patzak Martin Abendroth Abendroth Armin Weltner Fiorillo Teatro Argentina Staatsoper Berlin Staatsoper 1816 1862 1876 1883 1890 1894 1896 1898 1929 1933 1945 1955 1966 1974 1977 1979 1992
Gioacchino ROSSINI: «Il Barbiere di Siviglia» (First performance: Rome, Teatro Argentina, Feb. 20, 1816) (Abridged opera, sung in German, 1929) -“Der Barbier von Sevilla“ (Rossini). Ouvertüre, I-II. Teil/ «Il Barbiere di Siviglia» Ouverture, part I.-II./ «El Barbero de Sevilla. Obertura, parte Ia-IIa. The State-Opera-Orchestra, Berlin cond. by: Leo BLECH. Polydor, 66382 (B 20669-20670) (30 cm) -«Der Barbier von Sevilla» I-VIII. Graf Almaviva – Julius PATZAK (*Wien, 9. IV. 1898 +Rottach, Egern, Bayern, 26. I. 1974) Dr. Bartolo – Eduard KANDL (*Herrsching am Ammersee, 2. I. 1876 +17. I. 1966) Rosine, dessen Mündel – Sabine MEYEN (Berlin, 7. VII. 1896 - Torquay, 29. VII. 1979) Basilio, Musikmeister – Martin ABENDROTH (*Berlin, 4. X. 1883 +Neuenhagen, Berlin, 14. XII. 1977) Marzelline – Ida von SCHEELE-MÜLLER (*Schladen, Braunschweig, 1862 +Saarbrücken, V, 1933) Figaro, Barbier – Armin WELTNER (*Wien 9. VIII.1894 +Zürich, 2. VI.1992) Fiorillo, des Grafen Bedienter – Karl ANDERS Ein Offizier – Waldemar HENKE (*Königsberg, 24. III. 1876 +c.1945) Ein Notar – Carl WALTER Chor und Orchester-Mitglieder der Staatsoper, Berlin Dirigent: Hermann WEIGERT (Breslau/Wroclaw, 20. X. 1890 - New York, 12. IV. 1955) Polydor, 95282-95285 (B 25228-25235) (30 cm) +••.••(...)A gift from Dr. Vladimir Tešar, Zagreb, Croatia)
Mattia Battistini Tosti Luigi Mancinelli Augusto Rotoli Antonio Cotogni Donizetti Rossini Vincenzo Bellini Marcella Sembrich Francesco Marconi Reszke Adelina Patti Mario Ancona Giuseppe Campanari Antonio Scotti Pasquale Amato Jules Massenet Rieti Liceo Teatro Argentina Covent Garden Teatro San Carlo Scala Mariinsky Bolshoi Metropolitan Opera 1856 1878 1881 1883 1886 1888 1892 1902 1905 1906 1907 1908 1911 1914 1918 1924 1927 1928
Battistini sings 'La Serenata,' recorded in Milan on 7 June 1911. From Wikipedia: Mattia Battistini (27 February 1856 – 7 November 1928) was an Italian operatic baritone. He was called 'King of Baritones.' Battistini was born in Rome...[He] attended the Collegio Bandinelli and later the Istituto dell' Apollinare. Battistini dropped out of law school to study with Emilio Terziani (who taught composition) and with Venceslao Persichini (professor of singing) at the Accademia Nazionale di Santa Cecilia—then the Liceo Musicale of Rome. [He] worked with conductor Luigi Mancinelli and the composer Augusto Rotoli, and he consulted with baritone Antonio Cotogni, in an effort to refine his technique... A 22-year-old Battistini made his operatic début at the Teatro Argentina, Rome, as Alfonso in Donizetti's La Favorita on...9 November 1878... During the first three years of his professional career he toured Italy... In 1881 he went to Buenos Aires for the first time, touring South America for more than 12 months. On his return trip, he appeared in Barcelona and Madrid where he sang Figaro in Rossini's comic masterpiece Il Barbiere di Siviglia. His success in this was enormous and it marked the beginning of his ascent to major operatic stardom. In 1883, he undertook his first visit to the Royal Opera House at London's Covent Garden, where he appeared as Riccardo in Vincenzo Bellini's I Puritani in a stellar cast containing Marcella Sembrich, Francesco Marconi and Edouard de Reszke. He also sang opposite Adelina Patti, the leading soprano of her era, in other Covent Garden productions. In such exulted and entrenched company there was not much attention paid to a new, unheralded young baritone! However, he would receive much greater réclame in London during subsequent Covent Garden appearances in 1905–1906, when the now mature performer established himself as a darling of Edwardian-era high society due to his dashing vocalism and polished off-stage demeanour. Unlike his initial London experience, when Battistini made his debut at the important Teatro San Carlo in Naples in 1886, he scored an immediate triumph. Two years later, he once more sailed to Buenos Aires to fulfil a series of singing engagements; but this proved to be his last trans-Atlantic excursion, and he never appeared again in South America. He avoided North America, too, despite receiving overtures from the management of the New York Metropolitan Opera, where Battistini's core repertoire was allocated in his absence to the Italian baritones Mario Ancona, Giuseppe Campanari, Antonio Scotti and, after 1908, Pasquale Amato... 1888... proved to be the year of his début at Italy's foremost opera house—La Scala, Milan. La Scala's audiences acclaimed him and he was re-engaged for the next season. From 1892 onwards, Battistini established himself as an immense favourite with audiences at Russia's two imperial theatres in Saint Petersburg and Moscow: the Mariinsky and the Bolshoi respectively. He returned to Russia regularly, appearing there for 23 seasons in total, and touring extensively elsewhere in eastern Europe, using Warsaw as his stepping-stone. He would journey to Warsaw, Saint Petersburg, Moscow and Odessa like a prince, travelling in his own private rail coach with a retinue of servants and innumerable trunks containing a vast stage wardrobe renowned for its elegance and lavishness. Indeed, the composer Jules Massenet was prepared to adjust the role of Werther for the baritone range, when Battistini elected to sing it in Saint Petersburg in 1902, such was the singer's prestige. The industrious Battistini also appeared with some regularity in Milan, Lisbon, Barcelona, Madrid, Berlin, Vienna, Prague, Budapest and Paris (where he sang for the first time in 1907). But his many social connections in Russia, and the favour that he enjoyed with the imperial family and the nobility, ensured that Russia—more than perhaps even Italy—became his artistic home prior to the outbreak of the First World War, in 1914... [His]career after the war's conclusion in 1918 was confined to Western Europe. Battistini formed his own company of singers following the 1914–1918 war. He toured with them and appeared frequently in concerts and recitals. He sang in England for the final time in 1924, and gave his last concert performance one year before his death. His voice was reportedly still steady, responsive and in good overall condition. His last singing engagement occurred in Graz, Austria, on 17 October 1927. He withdrew to his estate at Collebaccaro di Contigliano, Rieti, dying there from heart failure on 7 November 1928. Battistini also taught voice in later years... I transferred this side from a 1920s DGG 'Grammophon' pressing
Gregorio Wu Pak Chiu Pak Beniamino Gigli Giacomo Puccini Teatro Argentina 1937 1946 1948 1952 1954 1955 1969
Recording from Wu pak chiu's official website (http•••) Wu Pak Chiu was a prominent Chinese tenor who sang in Europe under the name of Gregorio Wu Pak Chiu. Wu Pak Chiu was born in Guangzhou, China, and graduated from the Shanghai Conservatory of Music in 1937 where he studied voice under Professor Lu Cha Zhi. During the Sino-Japanese War he earned fame for his singing of the anthem 'Defend China' by Ho An-Tung. In December 1946, he left China and enrolled as a fourth year student at the Accademia di Santa Cecilia in Rome. He graduated in 1948 at the top of his class. During that period he also studied as a private student with Beniamino Gigli. In 1952 he sang in concert with Gigli and his daughter Rina Gigli at Sezze Romano. Gigli also attended Wu Pak Chiu's solo concert in Rome at the Sala Borromini on June 29, 1955. Following his performance as the tenor soloist in Bartok's Cantata profana at the Teatro Argentina in Rome in 1954, he was invited to sing in Italy, Spain, France, Germany, Portugal, Switzerland, and England both in concert halls and on radio and television, where he often included Chinese songs in his repertoire. He also played Chinese characters in several Italian movies. In 1969, he returned to Hong Kong where he gave his final performance in a recital for the Lingnan University Alumni Association. Following his retirement from the concert stage, he taught vocal and choral singing at several secondary schools in the city and directed a production of Giacomo Puccini's Turandot. He died in Hong Kong.
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