Adelaide Symphony Orchestra Vidéos
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2024-05-08
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Lauren Zhang Beethoven Franz Liszt Joaquín Achúcarro Sergei Babayan Jean Efflam Bavouzet Peter Donohoe Hellwig Angela Hewitt Stephen Hough Pascal Nemirovski Marios Papadopoulos Menahem Pressler Lichfield Holstein City Birmingham Symphony Orchestra London Mozart Players European Union Chamber Orchestra China National Symphony Orchestra National Symphony Orchestra Sinfonia Varsovia Adelaide Symphony Orchestra Orchestra Swan Bbc Scottish Symphony Orchestra Bbc Proms Klavier Festival Ruhr Verbier Festival Nottingham Royal Concert Hall Birmingham Town Hall Herkulessaal Schleswig Holstein Musik Festival Sydney Town Hall 2015 2016 2017 2020
The Programme Beethoven: Symphony no 9 in D minor, op 125 (transcribed for solo piano by Franz Liszt) Lauren Zhang Young American pianist Lauren Zhang began piano lessons at the age of four with Madeline Ignazito. On moving to the UK, Lauren attended King Edward VI High School for Girls in Birmingham and studied as a pupil with Dr Robert Markham in the Junior Department at the Royal Birmingham Conservatoire. She also began taking lessons with Professor Christopher Elton in 2017. Lauren has participated in masterclasses or lessons with Joaquín Achúcarro, Sergei Babayan, Jean-Efflam Bavouzet, Fabio Bidini, Peter Donohoe, Peter Frankl, Kenneth Hamilton, Klaus Hellwig, Angela Hewitt, Stephen Hough, Yoheved Kaplinsky, Pascal Nemirovski, Marios Papadopoulos, Menahem Pressler, Boris Slutsky and John Thwaites. In 2016, Lauren won first prize at the 15th Ettlingen International Piano Competition in Germany. Among other achievements, she was a prize-winner at the Wales International Piano Festival (2016) and the Young Pianist of the North International Competition (2015). Lauren won the BBC Young Musician Competition at age 16 performing with the City of Birmingham Symphony Orchestra to widespread critical acclaim. Highlights since then include her debut at the BBC proms and appearances as soloist with the London Mozart Players, European Union Chamber Orchestra, China National Symphony Orchestra and Sinfonia Varsovia Orchestra in Warsaw. Lauren has also performed in the Tonhalle in Zürich and at Klavier-Festival Ruhr in recent years. She gave recitals across the UK, as part of the Ryedale, Lichfield and Wooburn Festivals, amongst many others. Her performances have been broadcast live on BBC Radio 3 and 4, TVN24 in Poland, and Deutschlandfunk in Germany. She also attended the Verbier Festival Academy and was accepted to the Curtis Institute of Music. In 2020, Lauren was invited to debut with the Adelaide Symphony Orchestra in Australia and with the Orchestra of the Swan, BBC Scottish Symphony Orchestra and Brno Philharmonic. Recitals at Nottingham Royal Concert Hall, Birmingham Town Hall, the Herkulessaal in Munich, at Schleswig-Holstein Musik Festival in Germany, and at Sydney Town Hall were also planned. Lauren is grateful for the support of YCAT through their aftercare scheme for BBC Young Musician finalists. More information: (http•••)
Maxim Rysanov Schubert Valery Gergiev Mikhail Pletnev Jiří Bělohlávek Svetlanov Andrey Boreyko Vasily Petrenko Petrenko Tugan Sokhiev Yuri Simonov Vassily Sinaisky Sir Mark Elder Philippe Herreweghe Eivind Gullberg Jensen Jensen Michał Nesterowicz Nesterowicz Arvo Volmer Matthias Bamert John Axelrod Olari Elts Caballe Kaftan Gennady Rozhdestvensky Jorma Panula Oleg Caetani Verdi Vivaldi Maxim Vengerov Janine Jansen Mischa Maisky Gidon Kremer Nicola Benedetti Vadim Repin Augustin Dumay Viktoria Mullova Alexander Sitkovetsky Sitkovetsky Sol Gabetta Leif Ove Andsnes Denis Matsuev Alessio Bax Bax Michael Collins Alice Coote Freddy Kempf Dobrinka Tabakova Pēteris Vasks Richard Dubugnon Balogh Yusupov Leonid Desyatnikov Giya Kancheli Gabriel Prokofiev Prokofiev Lionel Tertis Valentino Bucchi Ulster Hall Last Night Proms Mariinsky Gürzenich Russian National Orchestra Bbc Symphony Orchestra Residentie Orkest Seattle Symphony Orquesta Sinfónica Castilla León Deutsches Symphonie Orchester Berlin Bournemouth Symphony Orchestra Gürzenich Orchestra Frankfurt Radio Symphony Prague Radio Symphony Orchestra Adelaide Symphony Orchestra Danish National Symphony Orchestra National Symphony Orchestra European Union Youth Orchestra Scottish Chamber Orchestra Spanish National Orchestra Beethovenorchester London Mozart Players Southbank Sinfonia Lithuanian Chamber Orchestra I Musici I Musici Montreal Detmold Chamber Orchestra Sofia Philharmonic 1780 2013 2020
Get tickets to 'Rysanov Plays Schubert' now at (http•••) #uoletsplaydigital Official website: (http•••) Facebook: (http•••) Grammy nominated Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worldʼs most vibrant and charismatic musicians. As a violist, he is principally known as a frequent guest of the crème of the international music scene, such as BBC Last Night of the Proms and the festivals of Edinburgh, Salzburg and Verbier. Among his concerto highlights are the Mariinsky Orchestra (Valery Gergiev), Russian National Orchestra (Mikhail Pletnev), BBC Symphony Orchestra (Jiří Bělohlávek), Residentie Orkest the Hague (Neeme Jarvi), Svetlanov State Symphony Orchestra (Vladimir Jurovsky), Seattle Symphony (Andrey Boreyko), Orquesta Sinfónica de Castilla y León (Vasily Petrenko), Deutsches Symphonie-Orchester Berlin (Tugan Sokhiev), Moscow Philharmonic (Yuri Simonov), Bournemouth Symphony Orchestra (Vassily Sinaisky), Gürzenich Orchestra Cologne (Sir Mark Elder), Frankfurt Radio Symphony Orchestra (Philippe Herreweghe), NDR Philharmonic Orchestra (Eivind Gullberg Jensen), Prague Radio Symphony Orchestra (Juraj Valcuha and again with Michał Nesterowicz), Adelaide Symphony Orchestra (Arvo Volmer), Danish National Symphony Orchestra (Michael Schoenwandt), Shanghai Symphony (Long Yu), European Union Youth Orchestra (Matthias Bamert), Czech Filharmonic (John Axelrod), Scottish Chamber Orchestra (Olari Elts), Spanish National Orchestra (Josep Caballe Domenech) and Beethovenorchester Bonn (Dirk Kaftan). Maxim enjoys a busy career as a conductor parallel to playing the viola. Often he combines conducting and directing a concerto from viola. Maxim studied conducting with Alan Hazeldine at the Guildhall School of Music and Drama, and has taken part in several masterclasses with Gennady Rozhdestvensky, Jorma Panula and Oleg Caetani. Here are some of the orchestras he conducted: Svetlanov State Symphony Orchestra, La Verdi Orchestra Milan, Basel Symphony Orchestra, Russian National Orchestra, Tatarstan State Symphony Orchestra, Spanish Radio Orchestra (RTVE), Orquesta Sinfónica de Castilla y León, Dala Sinfonietta, Danubia Symphony Budapest, London Mozart Players, Southbank Sinfonia, Riga Sinfonietta, Lithuanian Chamber Orchestra, I Musici de Montreal, Detmold Chamber Orchestra, Musica Viva (Moscow), Voronezh Youth Orchestra, Kiev Soloists, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Budapest Festival Academy Orchestra, Classic FM Orchestra (Bulgaria), Georgian National Symphony Orchestra, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Pfortseim Theatre Orchestra, Badische Philharmonie, Vivaldi Orchestra Morbegno. Maxim is a keen chamber musician. His chamber partners include Maxim Vengerov, Janine Jansen, Mischa Maisky, Gidon Kremer, Nicola Benedetti, Vadim Repin, Augustin Dumay, Viktoria Mullova, Alexander Sitkovetsky, Sol Gabetta, Leif Ove Andsnes, Denis Matsuev, Alessio Bax, Michael Collins, Martin Frost, Alice Coote, Freddy Kempf, Yeoelom Son among others. His enthusiasm for new music generates many exciting collaborations which extend the viola repertoire. This includes world premieres by Dobrinka Tabakova, Pēteris Vasks, Richard Dubugnon, Mate Balogh and Elena Langer. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli and most recently Gabriel Prokofiev. Gabriel is planning to write a symphony-concerto for Maxim, where the performer will have to combine skills of both soloist and conductor. Maxim's recordings have gained numerous award nominations including Gramophone Editor's Choice, ECHO, ICMA. Maxim featured as both soloist and conductor on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. His last album “in Schubert’s company” was selected as Gramophone Critic’s Choice of the Year. New CD is planned for a spring 2020 release on BIS. Sinfonietta Riga under Maxim’s direction are performing music by Peteris Vasks. It will include the premier recording of the Viola Concerto written and dedicated to Maxim, coupled with the Symphony no 1. Maxim is a recipient of various awards, including the Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award. He is also a prize-winner at the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim studied viola with Maria Sitkovskaya in Moscow and John Glickman at the Guildhall School of Music and Drama London. He is delighted to play a 1780 Giuseppe Guadagnini Viola known as 'II Soldato', on private loan that was kindly arranged by Premiere Performances of Hong Kong.
Charles Gounod Johann Sebastian Bach Greta Bradman Reynolds Adelaide Symphony Orchestra 2018
Provided to YouTube by Universal Music Group Gounod, J.S. Bach: Ave Maria, CG 89a · Greta Bradman · Adelaide Symphony Orchestra · Luke Dollman · Natsuko Yoshimoto · Katrina Reynolds Ave Maria, CG 89a ℗ 2018 Universal Music Australia Pty Ltd. Released on: 2018-03-20 Producer, Studio Personnel, Mixer, Engineer, Mastering Engineer: Phil Rowlands Studio Personnel, Engineer: Chris Bernauer Composer: Charles Gounod Composer: Johann Sebastian Bach Author: Anonymous Auto-generated by YouTube.
State Opera South Australia Opera South Adelaide Symphony Orchestra Bellini Benjamin Northey Richard Roberts Emma Matthews Matthews Andrew Collis Sally Anne Russell 2010 2011
Set in a pretty Swiss Alpine hamlet the villagers are celebrating the betrothal of Amina to the wealthy young landowner Elvino, with the exception of Lisa, the local innkeeper, who had hoped to marry Elvino herself. A stranger and local aristocrat, Count Rodolfo, arrives to wish the couple well, but his obvious attraction to Amina arouses Elvino's jealousy. Amina's mother reminds the locals of the village's nocturnal apparition and asks them to leave for the night. Rodolfo retires to the inn where he is recognized by Lisa, who visits him in his room, but flees when she hears an outside noise, leaving her handkerchief behind. Walking in her sleep and talking of her forthcoming marriage to Elvino, Amina suddenly enters. Rodolfo departs but she is discovered there by Elvino, who had been summoned by Lisa, and the villagers who had arrived to apparently pay their respects to the Count. As a result Elvino decides to break the engagement leaving Amina dazed and grief-stricken. He also refuses to believe the Count's protestations of her innocence and decides to marry Lisa instead, but is again totally disillusioned when Teresa produces the handkerchief that Lisa left in Rodolfo's room. At that moment Amina appears from the nearby mill again sleepwalking. The Count explains somnambulism and to everyone's delight Elvino awakens Amina and begs her forgiveness. The pair are reunited in love and live happily ever after. Bellini's hauntingly beautiful score uses these emotional events to create one of his greatest masterpieces that includes many of his most famous arias, ensembles and choruses. Julie Edwardson's delightful new production created in 2010 for the Opera Conference comes to Adelaide for the first time with a stellar cast conducted by Benjamin Northey. Dates and Times: 16, 19, 21, 23 July 2011 7.30pm Cast Information: Conductor: Benjamin Northey Director: Julie Edwardson Designer: Richard Roberts Lighting Designer: Matt Scott Amina: Emma Matthews Elvino: Aldo Di Toro Count Rodolfo: Andrew Collis Lisa: Teresa la Rocca Teresa: Sally-Anne Russell Alessio: Sitiveni Talei Adelaide Symphony Orchestra State Opera Chorus Sung in Italian with English Surtitles.
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