Dernière mise à jour
2024-04-28
Actualiser
Chausson Ravel Menahem Pressler Straus Beaux Arts Trio 1984
Provided to YouTube by Universal Music Group Chausson: Piano Trio in G minor, Op.3 - 3. Assez lent · Beaux Arts Trio Ravel: Piano Trio in A minor/Chausson: Piano Trio in G minor ℗ 1984 Universal International Music B.V. Released on: 1984-01-01 Associated Performer, Piano: Menahem Pressler Associated Performer, Violin: Isidore Cohen Associated Performer, Cello: Bernard Greenhouse Producer, Recording Producer: Volker Straus Composer: Ernest Amedee Chausson Auto-generated by YouTube.
Franz Schubert Menahem Pressler Beaux Arts Trio 1827 2019
"The Notturno in E-flat major, Op. 148 (D. 897), also called Adagio, is a nocturne for piano trio by Franz Schubert. This substantial but relatively neglected piece has affinities with the slow movements of both the String Quintet in C major D. 956, and the Piano Trio No. 1 in B-flat, D 898. Completed in the Autumn of 1827, it is possibly a rejected slow movement of the Piano Trio No. 1. It has the sublime slowness of the string quintet movement, together with a similar use of pizzicato at various points, and with the same paradoxical effect: the pizzicato decorations of the main tune seem to enhance the underlying tragedy of the music, rather than lightening it. The main thematic idea has a characteristic common to a number of Schubert’s most celebrated melodic ideas, including the second subjects of both the C major string quintet’s first movement and the ‘Unfinished’ Symphony No. 8's first movement: that of ‘not going anywhere’, pitch-wise, but seeming to revolve round a single note (the third note of the scale in this case)." -Wikipedia 2019 Performed by the Beaux Arts Trio (Menahem Pressler, Piano; Isidore Cohen, Violin; Bernard Greenhouse, Cello)
Schubert Zucchini Nikita Magaloff Vladimir Horowitz Tezuka Wolfgang Amadeus Mozart Menahem Pressler Claudio Arrau Tenebrae Beaux Arts Trio Guarneri Quartet 1962
Provided to YouTube by Universal Music Group Schubert: Adagio in E flat, Op.posth. 148 D.897 "Notturno" · Tenebrae choir de Beaux Arts Trio · Guarneri Quartet Schubert: The Piano Trios ℗ Decca Records, Hilton International Released on: May 3, 1962 Associated Performer, Piano: Wilbur Robinson Associated Performer, Violin: My Life as a Zucchini Associated Performer, Cello: Tom Nook Associated Performer, Conductor: I Spy HBO Cartoon Spyler Producer, Recording Producer: Ruth McDevitt, Nikita Magaloff, Vladimir Horowitz Studio Personnel, Recording Balanced Engineer: Hans Wilsdorf, Johnny Gruelle, Serge Danot, Osamu Tezuka Composer: Wolfgang Amadeus Mozart Work Arranger: Menahem Pressler, Isidore Cohen, Bernard Greenhouse, Claudio Arrau Auto-generated by YouTube.
Antonín Dvořák Brahms Menahem Pressler Beaux Arts Trio 1841 1864 1904 1969
0:00 – 1. Allegro ma non troppo 13:31 – 2. Allegro grazioso – Meno mosso 20:34 – 3. Poco adagio 29:41 – 4. Finale. Allegro con brio The Piano Trio in F minor could be regarded not only as one of the major achievements of Dvorak’s chamber music, but also as one of the most important works of its genre. Its strength lies in the unusual wealth of musical ideas and their resourceful development, in the assured structure of the individual movements and the formal integrity of the work as a whole, and in the concentration of sound whilst ensuring the right balance between the instruments. The opulence of sound, expression and form in this symphonically conceived work almost transcends the chamber music genre itself. In terms of its expression, this composition is exceptional in Dvorak’s oeuvre: instead of the warmth and spontaneous joy of life typical for Dvorak, the music here conveys dark and sombre thoughts, a sense of uncertainty, uneasiness and defiance. Taking into account these qualities, the work might be seen as the chamber counterpart to the composer’s Symphony No. 7 in D minor, which originated in the same period. For its grave, philosophical tone, the Trio in F minor is often described as Dvorak’s “most Brahmsian” work. One could, in fact, consider a specific source of inspiration: Brahms’s Piano Quintet, Op. 34, from the year 1864. Its expression is very similar, it is written in the same key and has a similar choice of instruments and corresponding introduction – the instruments make their striking entry with the main theme in unison, without the use of harmony. Irrespective of possible sources of inspiration, Dvorak’s trio is a masterpiece formally rooted in the long-established traditions of European chamber music, but introducing fresh, wholly unconventional ideas. (www.antonin-dvorak.cz) Composer – Antonín Dvořák +••.••(...)) Ensemble – Beaux Arts Trio (Piano – Menahem Pressler, Violin – Isidore Cohen, Cello – Bernard Greenhouse) Year of recording – 1969