Postclassical Ensemble Vidéos
Dernière mise à jour
2024-05-07
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Postclassical Ensemble Harman 2016
(4K Resolution). Backstage with Mozart, "Amadeus," and the Gran Partita PostClassical Ensemble, conducted by Angel Gil-Ordóñez Washington Ballet Studio Company Igal Perry, choreography Saturday, Sept. 17 , 2016 Sidney Harman Hall, The Harman Center for the Arts Washington D.C.
Bernard Herrmann Horowitz Horwitz Postclassical Ensemble 1944 2021
Trailer for Beyond Psycho: The Genius of Bernard Herrmann Part 5 of the series, Dvorak’s Prophecy: A New Narrative for American Classical Music naxos.com/ECard/2021/Dvorak-Prophecy/index.html A PostClassical Ensemble “More than Music” film Written and produced by Joseph Horowitz Visual presentation by Peter Bogdanoff Hollywood’s supreme film composer was a casualty of the standard narrative – as he himself was bitterly aware. Not only were his movie scores high creative accomplishments; Bernard Herrmann was a formidable – and formidably unfashionable / concert composer whose Clarinet Quintet may be the most beautiful chamber music by an American. His Psycho Narrative surpasses the Psycho Suite we normally hear. He honed his gift for dramatizing the spoken word as the pre-eminent composer for a genre no longer remembered: the radio drama. Our film samples Whitman (1944) – a Norman Corwin radio play that deserves to live as a concert work. It also exemplifies how radio, an unprecedented mass medium, once consolidated the American experience, its biggest star being FDR. Our participants include the Whitman scholar Karen Karbiener, the critic Alex Ross, Murray Horwitz on radio lore, and William Sharp on playing Walt Whitman to music by Bernard Herrmann.
Gershwin Grofé Paul Whiteman Postclassical Ensemble Clarice Smith Performing Arts Center 1924 1926 1932 2010
(http•••) Russian Gershwin Friday, September 24, 2010, 8:00 p.m. Clarice Smith Performing Arts Center at the University of Maryland. No other American composer straddles as many musical worlds. In the realm of popular song and jazz, Gershwin’s genius has long been celebrated. In the world of classical music, he was long marginalized as a “pops” composer —but no longer. Post-Classical Ensemble explores “interpreting Gershwin” —the man and the music. Program Gershwin: Prelude no. 2 (1926, as broadcast by the composer in 1932). Gershwin: Prelude no. 2 (an improvisation by Genadi Zagor). Gershwin: Rhapsody in Blue (1924, as scored by Ferde Grofé for the Paul Whiteman Band); Genadi Zagor, piano, PostClassical Ensemble, Angel GIl-Ordóñez, conducting
George Gershwin Horowitz Bill McGlaughlin Otto Klemperer Ruby Elzy Lawrence Tibbett Jascha Heifetz Postclassical Ensemble
A PostClassical “More than Music” Presentation featuring commentary by: Joseph Horowitz (PCE Executive Producer) Angel Gil-Ordóñez (PCE Music Director) Bill McGlaughlin (Host) Produced by PostClassical Ensemble (PCE) in collaboration with David Osenberg for WWFM The Classical Network Studio engineer: Bill Siegmund Visual Presentation: Behrouz Jamali With performances by George Gershwin (piano) Genadi Zagor with PostClassical Ensemble conducted by Angel Gil-Ordóñez (Rhapsody in Blue) Otto Klemperer (Gershwin’s Second Prelude) Ruby Elzy (“My Man’s Gone Now”) Lawrence Tibbett (“Oh Bess, Oh Where’s My Bess?”) Jascha Heifetz (“Summertime”)
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