orchestre symphonique danois
- Orchestre symphonique, Orchestre national
- Danemark
réseaux sociaux
Dernière mise à jour
2024-04-28
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Sibelius Georg Høeberg Wilhelm Hansen Hansen Knudsen Royal Danish Theatre Royal Danish Orchestra 1912 1913 1922 1955 1969 1994 1995 1997 1999 2011 2015 2016 2018 2022
The flute solo from Sibelius' "tragic pantomime" Scaramouche, in the arrangement for flute and piano. Scaramouche premiered in Copenhagen on 12 May 1922 at the Royal Danish Theatre with Georg Høeberg conducting the Royal Danish Orchestra. Sibelius was not in attendance. Composition In the autumn of 1912, the Danish music publisher Wilhelm Hansen commissioned Sibelius to compose incidental music to accompany a new pantomime by the Danish playwright Poul Knudsen. Sibelius agreed to the proposal, a decision he came to regret since he had mistakenly believed Hansen would require from him a handful of dance movements. Only later at the end of 1912, did Sibelius realize he was to provide an hour-long, full-length ballet/pantomime. Attempts to annul the contract or to amend it to his liking proved unsuccessful. Writing in 1913 Sibelius complained: "I've completely ruined things for myself by signing... Was in such a temper about it today that I smashed the telephone. My nerves are in a terrible state". Furthermore, and uncommonly for a pantomime, the libretto contained spoken dialogue, which Sibelius feared would undermine the effect of his music. Hansen assured the composer that the dialogue was there merely to coach the actors and would be excised for the premiere—a promise that went unfulfilled. According to passages from his diary, Sibelius found it difficult to compose the new work and worried "that his international reputation was at stake" Despite his frustration, Sibelius completed the score in late 1913, dispatching the manuscript to Hansen on 21 December with the note: "To get it right has cost me much thought and work. In the form it now takes, I believe it will be successful". / Finland largely remained an agrarian country until the 1950s. After World War II, it rapidly industrialized and developed an advanced economy, while building an extensive welfare state based on the Nordic model; the country soon enjoyed widespread prosperity and a high per capita income. Finland joined the United Nations in 1955 and adopted an official policy of neutrality; it joined the OECD in 1969, the NATO Partnership for Peace in 1994, the European Union in 1995, the Euro- Atlantic Partnership Council in 1997, and the Eurozone at its inception in 1999. Finland is a top performer in numerous tables of national performance, including education, economic competitiveness, civil liberties, quality of life and human development. In 2015, Finland ranked first in the 'World Human Capital' Report, topped the Press Freedom Index, and was the most stable country in the world during 2011–2016, according to the Fragile States Index; it is second in the Global Gender Gap Report, and has ranked first in every annual World Happiness Report since 2018. Finland's support for NATO rose enormously after the 2022 Russian invasion of Ukraine. On 11 May 2022, Finland entered into a mutual security pact with the United Kingdom. On 12 May, Finland's president and prime minister called for NATO membership "without delay". On 18 May the president and foreign minister submitted the application for membership. Initially, NATO member Turkey opposed Finland joining the alliance, accusing the country of ″harbouring terrorists″. On 28 June Turkey lifted its objections to Finland's membership and subsequently sent extradition requests to the Finnish government for 12 "terrorists" residing in Finland.
Salzburg Festival Staatstheater Nürnberg Theater Erfurt Opera Oslo Oper Frankfurt Prokofiev Wolfgang Amadeus Mozart City Birmingham Symphony Orchestra Philharmonia Orchestra London Dresdner Philharmonie Gothenburg Symphony Orchestra Kremerata Baltica Royal Danish Orchestra Bavarian State Opera Vienna Philharmonic 1986 2014 2018 2019 2020
It’s a highlight of her career to date – Joana Mallwitz’s debut at the Salzburg Festival. She’s conducting Mozart’s “Così fan tutte”, combining passion with precision. Joana Mallwitz figures amongst the outstanding conductors of her generation. Opernwelt magazine named her their 2019 ‘Conductor of the Year’. Since the 2018/19 season she has been the General Music Director of the Staatstheater Nürnberg. Born 1986 in Hildesheim, Joana Mallwitz undertook tertiary musical studies at the Hochschule für Musik in Hanover. There, at age 13, she was accepted into the first year by the Institute for the Early Advancement of the Musically Highly Gifted. The start of the 2014/15 season saw Joana Mallwitz take on her first executive position, as General Music Director of the Theater Erfurt – making her Europe’s youngest GMD. In 2018 she moved on to the Staatstheater Nürnberg, where she conducted new productions of Prokofiev’s “War and Peace “ and Wagner’s “Lohengrin” – both of which were received enthusiastically by audiences and critics alike. Further engagements saw Joana Mallwitz working with the hr-Sinfonieorchester, the City of Birmingham Symphony Orchestra, the Philharmonia Orchestra in London, the Dresdner Philharmonie, the Gothenburg Symphony Orchestra, the Kremerata Baltica, the Royal Danish Orchestra, the Norwegian National Opera in Oslo, the Bavarian State Opera in Munich, and the Oper Frankfurt. She makes her debut at the Salzburg Festival in 2020 with Wolfgang Amadeus Mozart’s “Così fan tutte“, accompanied by the Vienna Philharmonic and the Salzburg Festival vocal ensemble. The staging is by Christof Loy. Joana Mallwitz will be the first woman in the history of the festival to have been granted a full production series. We spoke to Joana Mallwitz about Mozart, the Salzburg Festival, social-distancing rules in the time of the coronavirus, and her secret to success. Subscribe to DW Classical Music: www.youtube.com/dwclassicalmusic Watch more portraits: www.youtube.com/playlist?list=PL_SdnzPd3eBUGCdoVYLjdUZa_L1OU6tMD #JoanaMallwitz #Mozart #SalzburgFestival #Cosìfantutte
Bloch Carl Nielsen Aage Oxenvad Sørensen Jensen Hegner Royal Danish Orchestra 2015
Provided to YouTube by The Orchard Enterprises Serenata in vano · Erling Bloch Quartet · Royal Danish Orchestra Wind Quintet · Carl Nielsen · Aage Oxenvad · Hans Sørensen · Knud Lassen · Louis Jensen · Louis Hegner Carl Nielsen: Chamber Music ℗ 2015 Danacord Records Released on: 2015-10-21 Auto-generated by YouTube.
Andersen Sten Byriel Michael Schønwandt James Johnson Royal Danish Orchestra
Siegfried - Stig Fohg Andersen Brünnhilde - Irene Théorin Hagen - Peter Klaveness Gunther - Guido Paevatelu Gutrune - Ylva Kihlberg Waltraute - Annette Bod Alberich - Sten Byriel Director - Kasper Bech Holten The Choir of the Royal Danish Opera The Royal Danish Orchestra under Sir Michael Schønwandt Excepting James Johnson (Wotan, recurring in Götterdämmerung as a silent role), the Copenhagen Ring is sung by an entirely Scandinavian cast, mostly in-house from the Royal Danish Opera. Nevertheless, the singing in this recording of the Ring is considered to be world class. The production by Kasper Bech Holten, now Director of Opera at the Royal Opera in London, has been called the Feminist Ring for its unusual perspectives on Wagner's female characters and the decision to choose a framing story focused on Brünnhilde. It is also well-known for its setting in a familial instead of an epic sphere, and its elaborately detailed, cramped set designs. The video recording is characterised by frequent cuts and unusual camera angles. 18 cameras in total were used, including viewpoints from the drain of Mime's sink during the Forging Scene in Siegfried. Though I stated on the Siegfried videos that Rheingold and Walküre were already on YouTube (where I got them from in the first place), I have been unable to find them. I'll probably reupload them later this week. May be unsuitable for conservative Wagnerians.
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