Arthur Claassen Vidéos
chef ou cheffe d'orchestre
- Allemagne, États-Unis
Dernière mise à jour
2024-06-15
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Johann Rosenmüller Matthews Claassen 1619 1655 1682 1684 2018
Join our mailing list: (http•••) Sonata Quarta a 3, by Johann Rosenmüller Celebrated gay German Baroque composer Johann Rosenmüller +••.••(...)) not only suffered for his art, but for his orientation; in 1655, he was even imprisoned for it. He escaped from gaol, and resurfaced in Venice several years later, serving as maestro di coro at the famed Pio Ospedale della Pietá until 1682. Ironically, his exile to what was, perhaps, a more accepting environment, was what brought Italian influence to German baroque music: many German students came to study under him, and brought the hotbed of the Italian Baroque movement back north. Performed in Berkeley, June 8, 2018, by Musica Pacifica Baroque Ensemble and special musical guests: Judith Linsenberg, recorder Ingrid Matthews, violin Gretchen Claassen, violin John Lenti, theorbo Peter Maund, percussion
Yamashita Elsen Harris Postma Santi Sabine Meyer Larson Fay Claassen Groningen Albers Claasen Fairouz Richard Galliano Mendoza Metropole Orchestra Concertgebouw 1967 1986 1987 1991 1994 1995
European Jazz Trio Nuovo Cinema Paradiso The European Jazz Trio, comprising Marc van Roon on Piano, Frans van der Hoeven on bass and Roy Dackus on drums has been recording and performing since 1995, when it released a CD of Beatles' songs in fresh arrangements. On each album, the trio has taken songs in every style, shape and color, and has given them a jazz interpretation. For the trio 'Jazz' means to have the freedom to combine and mix styles, melodies, sounds and rhythms to create something fresh and surprising. Van Roon: "A Specialty of the trio is to try and find some unusual material - unusual in a jazz setting - and to arrange it for the trio. It works both ways: You can take the sound of a jazz trio and give it a fresh voice, a new approach; likewise, you can take the music that everybody knows - pop tunes and classical tunes - and give people a chance to hear them in a different way." The European Jazz Trio pushes the envelope of jazz music by adding to it its own sound and rhythm, a result of the music that has influenced the trio's members. "We grew up in the seventies and eighties with pop, rock, classical, rap and lots of fusion music. It wasn't only jazz anymore. Being musicians, we try to absorb everything like a sponge and use it somehow. The classical music we perform we really admire, it's very close to us - to our European side." With every song the trio records the main focus is on the essence and the inner beauty of the composition. "You cannot approach each song in the same way. And it doesn't have so much to do with what we as a trio want to do. It's contained within the song, it's already there. So it's more about what we can leave out, what we don't have to play. This makes each performance unique and special." The European Jazz trio has been recording new albums every year since the release of 'Memories of Liverpool' in 1995. All recording are produced by Makoto Kimata, a highly appreciated jazz producer based in Tokyo. Recent albums have been co-produced by Hiro Yamashita from the record label M&I / Pony Canyon Tokyo. about the players. Marc van Roon is born in The Hague, The Netherlands on November 2, 1967. He began classical piano lessons at the age of ten. His interest in jazz was sparkled at a young age by Marc's father, being a professional jazz pianist himself. Throughout high school and college Van Roon was studying with Dutch jazz pianists Frans Elsen and Rob van Kreeveld and classical piano with Geoffrey Madge and Lanny Kho. In 1986 Marc did the Berklee School of Music summer course in Perugia, Italy. Upon graduation from the Royal Music Conservatory in The Hague in May 1991, he began postgraduate studies in New York +••.••(...)) with pianists Richie Beirach, Kenny Werner and Barry Harris. He Performed and recorded with Clarck Terry, David Liebman, Charlie Mariano, Art Farmer, Tineke Postma, Tony Lakatos, Billy Hart, Santi Di Briano, Ebony Big Band, Sabine Meyer, Peggie Larson, Fay Claassen, Clifford Adam, Chuck Findley, Bob Findley, Ack van Rooyen. Other activities: For the Netherlands Dance Theatre in The Hague Marc composed and arranged ballet music for choreographer Paul Lightfoot's 'softly as I leave you' in 1994 and for Johan Inger's choreography Melantid in 1995. Marc is currectly a music educator at the jazz conservatories in Groningen and The Hague. Marc van Roon.Com for more information google Marc van Roon Frans van der Hoeven Bassplayer, Composer, Arranger, Soloperformer, Teacher, Multi Instrumentalist. Plays with: Jesse van Ruller Trio Eef Albers Trio Fay Claasen Band Red Yellow & Blue Jeroen van Vliet trio Played with: Clark Terry, Woody Shaw, Barney Wilen, Jack deJohnette, Eivind Aarset, Harry Sweets Edison, Art Farmer, Ronnie Cuber, Tom Harrel, Lee Konitz, Dee Dee Bridgewater,Toots Thielemans, Kurt Rosenwinkel and more... Recorded with: The Toon Roos Quartet, Rob Madna,Jesse van Ruller,Han Bennink, Diederik Wissels/David Linx, Art Farmer, Charlie Mariano,Fairouz,Lew Tabackin, the Dutch Jazz Orchestra and others. Frans van der Hoeven.Com for more information Roy Dackus ('64) Roy Dackus started to play drums at a young age following his father who was a professional drummer. In 1987 he graduated from the Conservatory of Amsterdam. During the years he has performed and recorded with very different artists and orchestra's including Art Farmer, Toots Thielemans, Randy Brecker, Richard Galliano, Charly Mariano, 70-ties rock band Focus, The Metropole Orchestra directed by Vince Mendoza, Jazz orchestra of the Concertgebouw and his own co-led group the European jazz Trio.
Antonio Vivaldi Iliev Claassen Bach American Bach Soloists 1678 1741 2021
• PLEASE SUBSCRIBE • Thank you! • Antonio Vivaldi (1678–1741): Concerto for 3 Violins in F Major, RV 551 Allegro — Andante — Allegro 00:00 Opening 00:18 Allegro 04:56 Andante 07:06 Allegro 10:17 Credits Rachell Ellen Wong, violin • Tatiana Chulochnikova, violin • Tomà Iliev, violin Yvonne Smith, viola • Gretchen Claassen, violoncello • Gabriel Benton, harpsichord Eddie Frank, video • Chris Landen, audio American Bach Soloists • Jeffrey Thomas, Artistic Director Filmed in April 2021 in the Gold Ballroom of the Palace Hotel (San Francisco, California). How we made the video: (http•••) Vivaldi's first musical instruction was on the violin, and the existence of some 230 concertos composed by him is sure evidence of his love for the instrument. Accordingly, it is easy to sense the joy that he must have felt while composing the Concerto for 3 violins, strings, and continuo in F major. It brought opportunities for creating unusual and colorful interaction of the three solo instruments that seem to have inspired Vivaldi greatly. At the outset of the first movement, each soloist takes a turn in the spotlight, but the interplay is always collaborative with all three parts frequently playing very similar passagework. The occasional differences usually amount to distinct but complimentary figurations assigned to the third violinist. Those moments tend to meld together the first and second violinist in high-energy accompaniments to the third player's forays. The middle movement treats the listener to a wonderful effect: one violinist plays a singing cantabile melody, another plays pizzicato notes across the entire range of the violin, and the other plays bowed arpeggios with the composer's instruction "con piomba" which can be translated as dance-like swooping. Overall, it creates a very engaging and lustrous sound. The final movement, in a triple meter, distributes the workload quite equally among the soloists who toss the ball around but combine near the end for a barrage of figurations and descending scales in the minor mode until a final and condensed restatement of thematic material from the movement's opening brings this ingenious concerto to its close. 2021, American Bach Soloists American Bach Soloists (ABS) are leading performers in the field of Baroque music, dedicated to historically informed performances of Bach and his contemporaries. ABS provides meaningful, memorable, and valuable musical experiences for our audiences through inspiring performances and recordings, and it supports the preservation of early music through educational programs for students and emerging professionals. Under the leadership of co-founder and Music Director Jeffrey Thomas, the ensemble has achieved its vision of assembling the world’s finest vocalists and period-instrument performers to bring this brilliant music to life. More about ABS - (http•••) Check out our recordings - (http•••) Please support our work - (http•••)
Johann Heinrich Schmelzer Matthews Claassen 1623 1655 1660 1680 2018
Join our mailing list: (http•••) Sonata "Lanterley" à tre, in A Major, by Johann Heinrich Schmelzer +••.••(...)) By 1660, composer J. Müller was calling Johann Heinrich Schmelzer "the famous and nearly most distinguished violinist in Europe." Arkiv Music tells us that Schmelzer enjoyed the favor of Emperor Leopold II, a composer himself, who frequently sought Schmelzer's professional opinion, and relied on him for musical entertainments at court. As a result, he gave Schmelzer frequent gifts of money and golden chains. Schmelzer wrote nearly all of the dramatic music played at court spectacles from 1655 to 1680, including ballet music, allegorical pageants, and incidental music to spoken dramas. Performed in Berkeley, June 8, 2018, by Musica Pacifica Baroque Ensemble and special musical guests: Judith Linsenberg, recorder Ingrid Matthews, violin Gretchen Claassen, violin John Lenti, theorbo Peter Maund, percussion
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- chronologie: Compositeurs (Europe). Chefs d’orchestre (Europe).
- Index (par ordre alphabétique): C...