Anton Averkamp Vidéos
musicien néerlandais
Commémorations 2024 (Décès: Anton Averkamp)
- basse
- Royaume des Pays-Bas
- compositeur ou compositrice, chef ou cheffe de chœur, chef ou cheffe d'orchestre, professeur ou professeure de musique, critique de musique, chanteur ou chanteuse
Dernière mise à jour
2024-06-14
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Willem Pijper Anton Averkamp Stotijn Bach Claude Achille Debussy 1904 1926 1930 1932 1935 1941 1946 1949 1956 1960 1967 1969 1971 1976 1984
Piet Ketting +••.••(...)) Sonatine nr. 2 'Aan Willem Pijper' : voor piano (1926) 1. Veloce - 00:00 2. Lento - 00:48 3. Allegro, ma non troppo - vivace - 02:00 Kees Wieringa, piano Piet Ketting was a Dutch composer, pianist and conductor. He was a pupil of Anton Averkamp in Utrecht and of Pijper +••.••(...)). He introduced many new piano works to the Netherlands and, with the flautist Johannes Feltkamp and the oboist Jaap Stotijn, formed a trio which toured Europe, Asia and South America. From 1930 to 1956 he taught choral conducting, theory and composition at the Rotterdam Conservatory, and he directed the Amsterdam Musiklyceum +••.••(...)). Ketting also conducted the Rotterdam Chamber Orchestra +••.••(...)) and the Rotterdam Chamber Choir, and organized courses for conductors in that city. Under the influence of Pijper, his music became characterized by violent rhythms in a complex system of polymetric patterns. After 1935 his work grew more dependent on melody. It also became increasingly contrapuntal; Baroque forms, largely tonal, recur in his instrumental music. His studies of numerical symbolism in Bach's music were reflected in Fantasia I (1969) and the Tema con sei variazioni in modo cabalistico (1976). Numerous choral works and songs, which show a fondness for the great Dutch 17th-century writers, reflect his devotion to the voice. His choral music was featured in the Scheveningen international choral festivals +••.••(...)), and the Vier gedichten (1935) and Preludium, Interludium en Postludium (1971) won major prizes. He was the author of a book, Claude-Achille Debussy (1941).
Shakespeare Will Eisenmann Anton Averkamp Pijper Stotijn Bach Claude Achille Debussy 1904 1926 1930 1932 1935 1938 1941 1946 1949 1956 1960 1967 1969 1971 1976 1984
Piet Ketting +••.••(...)) Three sonnets (Shakespeare) : for a voice and pianoforte (1938) 1. Since I left you - 00:00 2. The little love-god - 03:45 3. Music to hear - 07:32 Wilke te Brummelstroete, mezzosoprano Frans van Ruth, piano dedicated to Will Eisenmann Piet Ketting was a Dutch composer, pianist and conductor. He was a pupil of Anton Averkamp in Utrecht and of Pijper +••.••(...)). He introduced many new piano works to the Netherlands and, with the flautist Johannes Feltkamp and the oboist Jaap Stotijn, formed a trio which toured Europe, Asia and South America. From 1930 to 1956 he taught choral conducting, theory and composition at the Rotterdam Conservatory, and he directed the Amsterdam Musiklyceum +••.••(...)). Ketting also conducted the Rotterdam Chamber Orchestra +••.••(...)) and the Rotterdam Chamber Choir, and organized courses for conductors in that city. Under the influence of Pijper, his music became characterized by violent rhythms in a complex system of polymetric patterns. After 1935 his work grew more dependent on melody. It also became increasingly contrapuntal; Baroque forms, largely tonal, recur in his instrumental music. His studies of numerical symbolism in Bach's music were reflected in Fantasia I (1969) and the Tema con sei variazioni in modo cabalistico (1976). Numerous choral works and songs, which show a fondness for the great Dutch 17th-century writers, reflect his devotion to the voice. His choral music was featured in the Scheveningen international choral festivals +••.••(...)), and the Vier gedichten (1935) and Preludium, Interludium en Postludium (1971) won major prizes. He was the author of a book, Claude-Achille Debussy (1941).
Anton Averkamp Pijper Stotijn Bach Claude Achille Debussy 1904 1926 1929 1930 1932 1935 1941 1946 1949 1956 1960 1967 1969 1971 1976 1984
Piet Ketting +••.••(...)) Sonatine nr. 4 : voor piano (1929) 1. Moderato - 00:00 2. Lento - 00:35 3. Presto - 01:22 Kees Wieringa, piano Piet Ketting was a Dutch composer, pianist and conductor. He was a pupil of Anton Averkamp in Utrecht and of Pijper +••.••(...)). He introduced many new piano works to the Netherlands and, with the flautist Johannes Feltkamp and the oboist Jaap Stotijn, formed a trio which toured Europe, Asia and South America. From 1930 to 1956 he taught choral conducting, theory and composition at the Rotterdam Conservatory, and he directed the Amsterdam Musiklyceum +••.••(...)). Ketting also conducted the Rotterdam Chamber Orchestra +••.••(...)) and the Rotterdam Chamber Choir, and organized courses for conductors in that city. Under the influence of Pijper, his music became characterized by violent rhythms in a complex system of polymetric patterns. After 1935 his work grew more dependent on melody. It also became increasingly contrapuntal; Baroque forms, largely tonal, recur in his instrumental music. His studies of numerical symbolism in Bach's music were reflected in Fantasia I (1969) and the Tema con sei variazioni in modo cabalistico (1976). Numerous choral works and songs, which show a fondness for the great Dutch 17th-century writers, reflect his devotion to the voice. His choral music was featured in the Scheveningen international choral festivals +••.••(...)), and the Vier gedichten (1935) and Preludium, Interludium en Postludium (1971) won major prizes. He was the author of a book, Claude-Achille Debussy (1941).
Hölzel Jansson Gerhard Auer Auer Sasse Teichmann Averkamp Vogel Tauber Gillis Fischer Welter Sobotka 2017
Elfenholz Film - Social Spot, D 2017 Climate Clip - PLASTIK KILLS #banplasticbags #plastickills Crew: Produzent - Elfenholz Film, Natalie Hölzel Regie, Idee - Isabel Jansson Kamera - Theresa Maué Schnitt - Franziska Köppel Colorgrading - Samuel Andert Sound Design/Tonmischung - Gerhard Auer Komponist - Tobias Sasse Aufnahmeleitung - Melanie Haschberger Oberbeleuchter - Steffen Neder Kameraassistenz - Max Bublak, Tim Teichmann, Alex Mitzler Grip - Sophie Averkamp, Alex Vogel Ton - Jakob Tauber Beleuchter - Edda Maj Kumas, Stefan Dworak, Ben Tran Ausstattung/Requisite - Stefan Piller Kostüm - Anna Gillis Maske - Rostislav Stepanek Continuity/Script - Clarissa Juse Set-Assistenz - Veronika Fischer, Laura Zäh Kinderbetreuung - Eva Teichmann Cast: Businessman - Frederic Welter Sportwagenfahrer - Manfred Münichsdorfer Kind- Melvin Pahms Dame - Annette Lubosch Gourmet - Mike Sobotka Weitere Informationen: www.elfenholzfilm.de www.facebook.com/elfenholzfilm www.instagram.com/elfenholzfilm www.twitter.com/elfenholzfilm Elfenholz Film 2017
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