Berend Stoel Vidéos
Dernière mise à jour
2024-04-26
Actualiser
Roel Dieltiens Toch Stoel Een Elsen Stephan Vermeersch Andriessen Pierre Fournier André Navarra Platel Ensemble Explorations 1517 1622 2022
"ik heb heel veel gratis gespeeld, om toch maar te kunnen spelen. Je moet je laten zien, leren kennen. Dat is toch belangrijk; als je gewoon op je stoel thuis achter je piano, hobo of piano blijft zitten en niemand kent je... je moet deelnemen en van het een zal het ander komen. Je mag nooit afwachten tot je een dik betaalde job krijgt, dat is onbestaande, je moet daar zelf voor zorgen." Een ontzettend openhartig gesprek met Roel Dieltiens over cross-overs, subsidies het repertoire van de Elisabethwedstrijd, pedagogische uitdagingen en nog zoveel meer. Luister ook op SoundCloud: (http•••) Of op Spotify, Apple Podcast, Google Podcast, ... ———————————————————————————————————— Hosts: Frauke Elsen & Florestan Bataillie Audio&video: Stephan Vermeersch Met dank aan het Concergebouw Brugge, MAAK Knokke-Heist en Paypro Services. ———————————————————————————————————— Inhoud: 00:00 Bijna gestopt met muziek 04:49 Hard werken aan de Elisabethkapel 08:28 Pedagogische uitdagingen 10:42 Muzikale familie 12:41 Studeren in het buitenland 15:17 Begin van een carrière 16:22 Een carrière zonder agent, oprichting van Ensemble Explorations 22:17 Cross-overs avant-la-lettre en de toekomst van kamermuziek 29:06 Live versus digitaal 32:35 Financiering 36:16 Heroprichting van het ensemble en spelen met artrose 38:35 Dilemma’s 39:25 Lesgeven en fouten maken 44:12 Wedstrijden en jury in de Elisabethwedstrijd 47:28 Veiling partituur bibliotheek en cello voor kunstenaars in de coronacrisis 49:45 oude versus nieuwe instrumenten 52:08 Jezelf laten zien en gratis concerteren 54:16 Gouden raad ———————————————————————————————————— Interessante links (http•••) De Elisabethkapel: (http•••) Inspiratoren: - Eugène Traey: (http•••) Pieter Andriessen: (http•••) Leerkrachten: - André Messens Pierre Fournier: (http•••) André Navarra: (http•••) Ensemble Explorations: (http•••) Choreograaf Alain Platel: (http•••) Koningin Elisabethwedstrijd (cello 2022): (http•••) Veilig partituur bibliotheek en cello for charity: (http•••) Paypro Services: www.payproservices.be = Advies & oplossingen voor uw tewerkstellingen, contracten & loonadministratie. De beloftes van Paypro Services: - Wij vertrekken steeds van uw belang en uw te bereiken doel en de wil om diegenen die werken in de sector te helpen - Wij focussen niet op het opleuken van de eigen winsten maar focussen op maximale return voor de kunstwerkers en creatives in de sector - Daarom hanteren wij voordeligere coëfficiënten zodat u meer overhoudt - Handige tools zowel voor kunstenaars als opdrachtgevers
Benoit Berend Berend Stoel Stoel Mould Ono Maes 1703 1748 1749 1772 1773 2009 2013 2016 2017 2018
Around 2009, research was started on the life, instruments and working methods of the violin maker Benoit Joseph Boussu +••.••(...)). As a first step, his previously unknown biography was disclosed in detail, demonstrating that Boussu first practised as a notary in the north of France until 1748, before working as luthier in respectively Liege (1749), Brussels (c1750-c1762) and Amsterdam (c1767-1772). The biographical results were published in the Galpin Society Journal of 2013 and updated in Early Music journal (November 2016). These investigations are part of the PhD project of violin maker/researcher Geerten Verberkmoes, initiator of the Boussu research project. Next, many surviving original instruments by Boussu were studied, amongst these a violin and a cello in unaltered mid-18th century state from the collection of the Musical Instruments Museum in Brussels. The unaltered violin was CT-scanned and analysed in cooperation with dr. Anne-Emmanuelle Ceulemans (MIM Brussels), prof. dr. Danielle Balériaux (Erasmus hospital) and dr. Berend Stoel. The results of this study were published in the Galpin Society Journal of 2016. In a later stage, the unaltered Boussu cello was CT-scanned in the St. Luc hospital in Brussels under the guidance of professors Danse and Coche and their team. Based on the CT-scan of the violin, two replicas were built in parallel between spring and fall of 2017 by Verberkmoes, using construction methods most likely employed by Boussu. These practices include an assembling process without the use of an inside mould. The replication process was captured entirely on video and is presented here as a series of videos. After finishing the violins, a cello replica was made in a similar way, during the end of 2017 and early 2018. In the final stage of the study, the three replicas are played by the newly formed 'Ensemble Boussu' (dr. Ann Cnop, Shiho Ono and Mathilde Wolfs), to perform Brussels court music from the times of Boussu. The musicians perform the trio sonata repertoire using solely bowed stringed instruments, a nowadays abandoned practice, but apparently a more common fashion in the middle of the 18th century. Examples of these performances can also be found on this channel. The PhD project 'Boussu Inside Out' is supervised by prof. dr. Francis Maes (Gent University), dr. Geert Dhondt (School of Arts Gent) and dr. Anne-Emmanuelle Ceulemans (Musical Instruments Museum Brussels). Enjoy watching and listening!
Benoit Berend Berend Stoel Stoel Mould Ono Maes 1703 1748 1749 1772 1773 2009 2013 2016 2017 2018
Around 2009, research was started on the life, instruments and working methods of the violin maker Benoit Joseph Boussu +••.••(...)). As a first step, his previously unknown biography was disclosed in detail, demonstrating that Boussu first practised as a notary in the north of France until 1748, before working as luthier in respectively Liege (1749), Brussels (c1750-c1762) and Amsterdam (c1767-1772). The biographical results were published in the Galpin Society Journal of 2013 and updated in Early Music journal (November 2016). These investigations are part of the PhD project of violin maker/researcher Geerten Verberkmoes, initiator of the Boussu research project. Next, many surviving original instruments by Boussu were studied, amongst these a violin and a cello in unaltered mid-18th century state from the collection of the Musical Instruments Museum in Brussels. The unaltered violin was CT-scanned and analysed in cooperation with dr. Anne-Emmanuelle Ceulemans (MIM Brussels), prof. dr. Danielle Balériaux (Erasmus hospital) and dr. Berend Stoel. The results of this study were published in the Galpin Society Journal of 2016. In a later stage, the unaltered Boussu cello was CT-scanned in the St. Luc hospital in Brussels under the guidance of professors Danse and Coche and their team. Based on the CT-scan of the violin, two replicas were built in parallel between spring and fall of 2017 by Verberkmoes, using construction methods most likely employed by Boussu. These practices include an assembling process without the use of an inside mould. The replication process was captured entirely on video and is presented here as a series of videos. After finishing the violins, a cello replica was made in a similar way, during the end of 2017 and early 2018. In the final stage of the study, the three replicas are played by the newly formed 'Ensemble Boussu' (dr. Ann Cnop, Shiho Ono and Mathilde Wolfs), to perform Brussels court music from the times of Boussu. The musicians perform the trio sonata repertoire using solely bowed stringed instruments, a nowadays abandoned practice, but apparently a more common fashion in the middle of the 18th century. Examples of these performances can also be found on this channel. The PhD project 'Boussu Inside Out' is supervised by prof. dr. Francis Maes (Gent University), dr. Geert Dhondt (School of Arts Gent) and dr. Anne-Emmanuelle Ceulemans (Musical Instruments Museum Brussels). Enjoy watching and listening!
Benoit Berend Berend Stoel Stoel Mould Ono Maes 1703 1748 1749 1772 1773 2009 2013 2016 2017 2018
Around 2009, research was started on the life, instruments and working methods of the violin maker Benoit Joseph Boussu +••.••(...)). As a first step, his previously unknown biography was disclosed in detail, demonstrating that Boussu first practised as a notary in the north of France until 1748, before working as luthier in respectively Liege (1749), Brussels (c1750-c1762) and Amsterdam (c1767-1772). The biographical results were published in the Galpin Society Journal of 2013 and updated in Early Music journal (November 2016). These investigations are part of the PhD project of violin maker/researcher Geerten Verberkmoes, initiator of the Boussu research project. Next, many surviving original instruments by Boussu were studied, amongst these a violin and a cello in unaltered mid-18th century state from the collection of the Musical Instruments Museum in Brussels. The unaltered violin was CT-scanned and analysed in cooperation with dr. Anne-Emmanuelle Ceulemans (MIM Brussels), prof. dr. Danielle Balériaux (Erasmus hospital) and dr. Berend Stoel. The results of this study were published in the Galpin Society Journal of 2016. In a later stage, the unaltered Boussu cello was CT-scanned in the St. Luc hospital in Brussels under the guidance of professors Danse and Coche and their team. Based on the CT-scan of the violin, two replicas were built in parallel between spring and fall of 2017 by Verberkmoes, using construction methods most likely employed by Boussu. These practices include an assembling process without the use of an inside mould. The replication process was captured entirely on video and is presented here as a series of videos. After finishing the violins, a cello replica was made in a similar way, during the end of 2017 and early 2018. Videos of the cello making process are presented as well on this channel. In the final stage of the study, the three replicas are played by the newly formed 'Ensemble Boussu' (dr. Ann Cnop, Shiho Ono and Mathilde Wolfs), to perform Brussels court music from the times of Boussu. The musicians perform the trio sonata repertoire using solely bowed stringed instruments, a nowadays abandoned practice, but apparently a more common fashion in the middle of the 18th century. Examples of these performances can also be found on this channel. The PhD project 'Boussu Inside Out' is supervised by prof. dr. Francis Maes (Gent University), dr. Geert Dhondt (School of Arts Gent) and dr. Anne-Emmanuelle Ceulemans (Musical Instruments Museum Brussels). Enjoy watching and listening!
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- chronologie: Compositeurs (Europe).
- Index (par ordre alphabétique): S...