Bernhard Forck Vidéos
chef ou cheffe d'orchestre
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Dernière mise à jour
2024-04-27
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Vogler Bedřich Smetana Reinecke Forck Vogler Quartett 2016
Bedřich Smetana, Streichquartett Nr. 1 e-Moll “Aus meinem Leben” Vogler Quartett live am 11.04.2016, Kassel Tim Vogler, Frank Reinecke, Stefan Fehlandt, Stephan Forck
Johann Sebastian Bach Bernhard Forck Peters Raphael Alpermann Xenia Löffler Löffler Bosch Akademie Alte Musik Berlin 2019
Johann Sebastian Bach Sinfonia from Cantata "Am Abend aber desselbigen Sabbats", BWV 42 Akademie für Alte Musik Berlin Bernhard Forck, Concertmaster Violin 1: Bernhard Forck, Gudrun Engelhardt, Kerstin Erben, Uta Peters Violin 2: Dörte Wetzel, Edburg Forck, Stephan Mai Viola: Sabine Fehlandt, Clemens-Maria Nuszbaumer, Anja-Regine Graewel Cello: Jan Freiheit Double Bass: Walter Rumer Organ: Raphael Alpermann Oboe: @Xenia Löffler, Michael Bosch Bassoon: Györgyi Farkas Recorded at @MüpaBudapest, 1.3.2019. Video kindly provided by @MüpaBudapest Visit us! (http•••) (http•••) (http•••) (http•••)
Johann Sebastian Bach Bernarda Fink Bernhard Forck René Jacobs Mercy Janssen Dyck Paul Rubens Buades Greco 1541 1555 1575 1577 1591 1592 1595 1599 1600 1606 1614 1619 1624 1640 1641 1642 1650 1651 1652 1656 1669 1671 1685 1749 1750 1804 1844 1845 1871 1908 1921
Erbarme dich, mein Gott from Matthäus-Passion [The St. Matthew Passion], BWV 244 by Johann Sebastian Bach +••.••(...)) Bernarda Fink, mezzo-soprano Bernhard Forck, solo violin Akademie für Alte Musik Berlin René Jacobs, conductor This aria is Peter's lament after having denied knowing Jesus three times. Erbarme dich, Mein Gott, um meiner Zähren willen! Schaue hier, Herz und Auge weint vor dir Bitterlich. TRANSLATION: Have mercy, My God, for my tears' sake; Look hither, Heart and eyes weep before thee Bitterly. CD available from Harmonia Mundi: (http•••) Various artists' depictions of Saint Peter: [0:55] Robert Leinweber (1845–1921) [1:25] Peter Janssen (1844–1908) [1:35] Dirck van Baburen +••.••(...)) [2:02] Anthony van Dyck +••.••(...)) [2:10] Guido Reni +••.••(...)) [2:23] Gerard Seghers +••.••(...)) [2:38] Gerard van Honthorst +••.••(...)) [2:54] Guido Reni +••.••(...)) [3:05] Guido Reni +••.••(...)) [3:25] Rembrandt +••.••(...)) [3:41] Donato Creti +••.••(...)) [3:52] Peter Paul Rubens +••.••(...)) [4:10] Jusepe de Ribera +••.••(...)) [4:18] Agustín Buades y Frau +••.••(...)) [5:12] Ludovico Carracci +••.••(...)) [5:20] El Greco +••.••(...)) [5:35] Matthias Stomer +••.••(...))
Reinhard Keiser Sandrine Piau Bernhard Forck Theater Wien 1649 1674 1678 1716 1730 1739 2008
'Liebe, sag', was fängst du an?' (Elmira) Aria for soprano and orchestra From the opera 'Der hochmütige, gestürzte und wieder erhabene Crœsus' in the 1730 version (Act II, Scene 8) Libretto: Lucas von Bostel +••.••(...)), after Nicolò Minato's 'Creso' (first set by Emperor Leopold I, 1678) Music: Reinhard Keiser +••.••(...)) First performance of the revised version: 6 December 1730 in Hamburg (Theater am Gänsemarkt) / Elmira: Sandrine Piau, soprano Akademie für Alte Musik Berlin, conducted by Bernhard Forck (concertmaster) Concert: 20 October 2008 in Vienna (Theater an der Wien) Pitch: A = 415 Hz / There was no indication as to where the aria should end in the score. Consequently, I have edited the last bar that can be seen in this video to make it fit the performance. Marc D.
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