Charles Tournemire Vidéos
compositeur français
- orgue
- opéra, symphonie
- France
- compositeur ou compositrice, organiste, professeur ou professeure de musique, professeur ou professeure d'université
Dernière mise à jour
2024-04-27
Actualiser
Pierre Bartholomée Charles Tournemire 2017
Provided to YouTube by naïve classique Symphonie No. 5 in F Minor, Op. 47: I. Choral varié · Orchestre philharmonique de Liège et de la communauté française · Pierre Bartholomée · Charles Tournemire Charles Tournemire: Symphonies Nos. 5 et 8 ℗ Auvidis France Released on: 2017-01-06 Auto-generated by YouTube.
Charles Tournemire Bériot César Franck Charles Marie Widor Couperin Aristide Cavaillé Coll Cavaillé Olivier Messiaen Assisi Klerk Notre Dame 1870 1891 1939
Charles Tournemire was born in Bordeaux in 1870. A child prodigy he became organist-accompagnateur at age 11 at the St. Pierre in Bordeaux. At the Paris Conservatory he had lessons from De Bériot and César Franck, after whose death he continued with Charles-Marie Widor. In 1891 he became organist of the famous Basilika St. Clotilde in Paris, a post he held till his death in 1939. Composer: Charles Tournemire Artists: Tjeerd van der Ploeg (organ) Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Charles Tournemire +••.••(...)) ranks among the most important organ composers of the 20th century, writing in a language that drew for its expressive power on the centuries-old tradition of French organ music from Couperin to Franck, as well as the timbral innovations pioneered by the organ builder Aristide Cavaillé-Coll, anticipating in his boldest harmonic strokes and most perfumed textures the music of Olivier Messiaen. However, while never exactly overlooked either by organists or listeners, Tournemire’s output has suffered somewhat in the shadow of more extrovert composer-performers such as Marcel Dupre and Messiaen. It takes a particularly refined sensibility as well as the right instrument and an unassailable technique to do his complex music full justice. The Dutch organist Tjeerd van der Ploeg has long been recognised as one of the composer’s most persuasive advocates, one of very few with the stamina and dedication to make a complete recording of the Orgue mystique project which was Tournemire’s life’s work. Alongside it, however, he composed many other suites and standalone pieces throughout his career, ranging from the brilliant Sortie Op. 2 to the more ruminative pleasures of the Fioretti Op. 60 (based on the sayings of St Francis of Assisi) and extended meditations on the Seven Last Words. Van der Ploeg’s achievement is widely recognised by his fellow organists. Among the most celebrated of them was his fellow Dutchman Albert de Klerk, who wrote: ‘These are sounds for meditation and prayer. You will be gripped by this and will not let go. I have nothing but praise for Tjeerd van der Ploeg’s playing. This man understands Tournemire. His playing is flexible, the articulation is just right. His registrations are usually excellent. [...] The instrument has been chosen correctly, a great wealth of fundamental voices, reeds and silent solo registers. The present set reissues recordings made around the turn of the millennium on superb French instruments in Douai Abbey, Cambrai Cathedral and the church of Notre Dame d’Auteuil in Paris. Tracklist: 0:00:00 Symphonie choral d’orgue, Op. 69 Sei fioretti, Op. 60: 0:24:05 I. — 0:28:17 II. — 0:33:05 III. — 0:37:40 IV. — 0:42:36 V. — 0:46:29 VI. — 0:50:58 Symphonie sacrée, Op. 71 Trois poèmes, Op. 59: 1:16:09 I. Poème I 1:27:15 II. Poème II 1:39:58 III. Poème III Suite evocatrice, Op. 74: 1:51:40 I. Grave 1:53:15 II. Tierce en taille et récit de cromhorne 1:57:05 III. Flûte d’écho 1:58:29 IV. Jeu doux et voix humaine 2:01:41 V. Caprice 2 Fresques symphoniques sacrées, Op. 75/76: 2:07:06 I. Fresque No. 1 2:19:28 II. Fresque No. 2 2:30:46 Fantaisie symphonique, Op. 64 7 Chorals-Poèmes d'orgue pour les sept paroles du Xrist, Op. 67: 2:47:45 I. Pater, dimitte illis, nesciunt enim quid faciunt 2:58:04 II. Hodie mecum eris in paradiso 3:07:36 III. Mulier, ecce filius tuus/ Ecce mater tua 3:15:30 IV. Eli, Eli, lamma sabacthani 3:24:11 V. Sitio 3:32:34 VI. Pater, in manus tuas commendo spiritum meum 3:40:23 VII. Consummatum est 3:46:42 Andantino, Op. 2 3:50:49 Sortie pour grand orgue, Op. 3 3:55:21 Pièce symphonique pour grand orgue, Op. 16 Suite de morceaux pour grand orgue, Op. 19: 4:02:54 I. Adagio 4:05:50 II. Scherzetto 4:09:12 III. Toccata 5 Interludes: 4:12:56 I. — 4:14:01 II. — 4:15:05 III. — 4:15:43 IV. — 4:17:06 V. — Suite de morceaux pour grand orgue, Op. 24: 4:18:08 I. Pastorale 4:23:06 II. Communion 4:27:49 III. Ite missa est-Sortie 4:33:49 Triple choral pour grand orgue, Op. 41 Social media links: Instagram: (http•••) Facebook: (http•••) TikTok: (http•••) Spotify: (http•••) Thank you for watching, we hope you enjoyed it! Don’t forget to like, share and subscribe to our channel. And visit our channel for the best classical music. #Tournemire #Oeuvres #d'Orgue #Complete #Organ #Classical #Music #BrilliantClassics
The International Historical Organ Recording Collection (http•••) Charles Tournemire, Improvisation sur le Te Deum (improvisation) Organist Charles Tournemire Recorded: Sainte Clotilde, Paris, 1930 (French Polydor, 10-inch, matx 4470/71 BKP; Cat. 561050) Thanks to Michael Gartz for providing the transfers and Charles Lever for the remastering.
Charles Tournemire Pierre Bartholomée Beethoven César Franck Prokofiev Mahler 1870 1924 1939 2020
Performed by the Liège Philharmonic Orchestra conducted by Pierre Bartholomée, the Namur Symphonic Choir, and the Chœur Polyphonia de Bruxelles Daniel Galvez-Vallejo, tenor Luc Ponet, organ Everyone knows 2020 as the 250th anniversary of Beethoven's birth, yet it is also the 150th birth anniversary of one of the most fascinating composers of the early 20th century. Charles Tournemire +••.••(...)) was one of the greatest organists of his time; as a composer, he is primarily known for his liturgical organ cycle "L'Orgue mystique", but his compositions for other instruments and ensembles remain neglected. Tournemire's eight symphonies embody the development of French music at the turn of the century; his early works in the genre bear the influence of his teacher César Franck, while the symphonies of Tournemire's later period tend toward increasing chromaticism - his eighth and last symphony of 1924 makes extensive use of non-functional harmony and even sonorities foreshadowing late Prokofiev! In my view, Tournemire's sixth symphony is the most undeservedly forgotten choral symphony of the Romantic era. Over 50 minutes long and scored for an instrumentation that even Mahler (to whose choral symphonies it is frequently compared) might envy, it contains clear influences from German Romanticism. Nevertheless, the work is distinctly French in its character. Musically, the way Tournemire uses melodic material and the frequency of rich augmented sonorities and ninth chords make this abundantly clear; the Biblical text compiled by the composer, meanwhile, refers to the suffering of the French people during World War I. If you are an orchestral or choral conductor considering this piece for future performance, or if you would simply like to follow along in more detail, I have uploaded the score to IMSLP. You can download it by following the link below, clicking "Symphony No.6, Op.48", and then clicking on the "Complete Score" link: (http•••) The engraved score and parts can be obtained through the Zinfonia service ((http•••) If you enjoyed this score video, don't forget to like and subscribe - there will be plenty more of them coming from my channel, and several recordings of my own compositions are already posted!
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