Philip Cogan Vidéos
compositeur irlandais
- orgue, piano
- opéra
- Irlande
- compositeur ou compositrice, pianiste
Dernière mise à jour
2024-04-29
Actualiser
Olivier Chassain Harms Alexandre Lagoya Roger Boutry Ida Presti Jacques Thibaud Britten Cogan Fukuda Olsen Navez Gallois Xuereb Aubier Ruiz Thierry Pécou Heim Michel Fusté Lambezat Lejet Alain Margoni Margoni Stein Stein Erik Olsen 1957 1977 1978 1982 1988 1989 1992 1994 1995 2009 2010 2011 2012
What is the MOTIVATION of both competitors and Judges in taking part and advantage of Sound Espressivo's concept and originality? Building relationship between musicians from all other the world: a great new way of sharing between all of us! Apply by November 30 (http•••) Olivier Chassain was born in Paris in 1957. He began studying the guitar in Limousin with Roger Généraux and completed his training with Carel Harms. In 1977, he entered the Conservatory of Paris (the current Cnsmdp) where he obtained in 1982 a first prize for guitar in the class of Alexandre Lagoya; he was also awarded a prize for counterpoint (class of Bernard de Crépy) and a prize for harmony (class of Roger Boutry). Today, his triple professional activity makes him lead simultaneously: a career as a concert performer, which took on an international dimension when he won the first prize in the "Guitar Foundation of America international competition" in 1988, thus becoming the first non-American guitarist to receive the highest distinction of this competition worldwide renamed. The following year (in 1989) he made a major tour organized by the GFA, across the entire North American continent: he was invited there regularly for concerts and master-classes, as well as on other continents. a career as a composer: he is the author of numerous works, in particular for guitar, such as: “ Fantastic echoes ” i n memoriam I. Presti and A.Lagoya , “ Etoiles ”, “ Arion ”, “ De loin en loin ”, sonata for two guitars (1995), “ Doigts de fées ” (2010) for flute and guitar, sonata for solo guitar (2011)…, and educational collections such as “ Patchwork ”, “ Ad hoc ”, “ Brèves de lectern ”(2012)… a teaching career which took off in Orléans in 1978, following his first teacher, Roger Généraux (he was established after obtaining his CA at the age of 21), and which saw its accomplishment when he was appointed in 1992 at the Jacques Thibaud Conservatory in Bordeaux, then in 1994 to succeed his master Alexandre Lagoya, as guitar teacher at the Paris National Conservatory of Music and Dance (Cnsmdp), where he still teaches today. Olivier Chassain regularly leads, in addition to his conservatory lessons, instrumental improvement sessions within the framework of festivals, summer academies, as was notably the case in Dordogne from 1995 to 2010, at the Britten school in Périgueux directed by Jean-Jacques Rouveroux: this institute organized ad hoc courses throughout the year in all musical disciplines, and called on internationally renowned artists. Olivier Chassain thus had, for his summer internship, the opportunity to invite many friends, renowned guitarists, such as J. Cogan, N. Koshkin, SI. Fukuda, B. Kanengiser, D. Bogdanovic, SE Olsen, F. Zigante, L. Blanquart, H. Navez, Jim Smith. Since 2010, it has been organizing new sessions in Limousin, throughout the year. Olivier Chassain's repertoire displays a great eclecticism, from the Renaissance to the music of today. Passionate about early music, he has also devoted himself to the lute and the vihuela for many years, in order to transmit through this privileged approach the sound and the spirit of this music. He is also fond of French music from the Grand Siècle and romantic music, which he plays alone or in the company of eminent artists such as P. Gallois, Ph. Muller, P.-H. Xuereb, R. Pidoux, E. Aubier, F. Pierre, G. Millière ... Ardent defender of contemporary creation, Olivier Chassain is the dedicatee of numerous works for guitar (Stephen Dodgson, Antonio Ruiz-Pipo, Thierry Pécou, Sean Heim) and of concertos: "Escales" by Roland Creuze: created in Bordeaux with the ensemble Musique Nouvelle and Michel Fusté-Lambezat, as well as that of Edith Lejet, "Flowers in the shape of diamonds", from the concerto by Alain-Michel Riou, and more recently by Alain Margoni. Olivier Chassain has made several records, under different labels, including "Almost a song" (Metronome recordings) which was crowned with the "Choc" of the World of Music, and "Eventail" by the review Classica. An album devoted to the complete compositions of Ida Presti - the world's first recording -, in duet with the Norwegian guitarist Stein-Erik Olsen, received a rave reception from music critics (ranked in the 'top 5' of the 10 best albums classics of 2009 in Scandinavia), under the Simax label. Several other recordings are in the pipeline, including a second album with his friend SE Olsen, for the Simax label, in a repertoire of original works dedicated to the Duo Presti-Lagoya.
Campanella Fritz Kreisler Philippe Quint Quint Cogan Nicolo Paganini Norbert Kraft 2000 2010
Provided to YouTube by NAXOS of America Violin Concerto No. 2 in B Minor, Op. 7: III. Rondo, "La Campanella" (arr. F. Kreisler for violin and piano) · Philippe Quint A to Z of String Players ℗ 2000 Naxos ℗ 2010 Naxos Released on: 2000-01-01 Artist: Philippe Quint Artist: Dmitriy Cogan Composer: Fritz Kreisler Composer: Nicolo Paganini Producer: Norbert Kraft Auto-generated by YouTube.
Handel Byrne Foss Cogan Franzen Beers Christina Maria Avoglio 2013
"Let the bright Seraphim", the Israelite woman's aria from GF Handel's three-act oratorio SAMSON (HWV 57). Performed by soprano Teressa Byrne Foss and pianist Dmitriy Cogan in the Franzen Community Holiday Concert, San Jose CA. Copyright December 2013, all rights reserved. I was experimenting with vocal embellishments that have not been to my knowledge tried before. I think some of them, I would have had to buy Handel many beers in a London pub to persuade him to let me sing them, but that's part of the fun of coloratura work - music is a jungle gym, and while all the parts are always there (rings, ladder, slide, etc.), how every kid plays on it is different. This piece comes near the very end of "Samson" (see: (http•••) after a moment of sadness over his death, joy that his act single-handedly delivered his tribe from the Philistines, and hope for his glorious eternal rest. The original soprano for this aria was Christina Maria Avoglio, an Italian soprano with Handel's opera company (see: (http•••) Enjoy! - Tess
Rossini Barber Geltrude Righetti Giovanni Paisiello Foss Cogan 1782 1816 2015
Trying out feisty Rosina's aria "Una voce poco fa" from Rossini's Il barbiere di Siviglia, with enough ornaments for a Christmas tree. The aria was originally written in E-major for contralto Geltrude Righetti when the opera premiered in 1816, and subsequently has been occasionally hijacked by sopranos to F-major (our recording is E-major). While the debate rages on about which voices should sing this role and in which key, it's interesting to note the first major Rosina wasn't Rossini's - she was Giovanni Paisiello's in 1782, and a light lyric coloratura soprano. So musically speaking, there's room for everybody! Soprano Teressa Foss, Pianist Dmitriy Cogan, San Jose CA 2015. Note: This was filmed on a Droid phone by my colleague Greg without zooming, so I zoomed in using the VSDC Video Editor; unfortunately it made the focus of the footage a little fuzzy. Hopefully we'll have clearer resolution for the next round of videos! Visit www.carlfranzen.com for future studio concert dates and if you're not in California, find your local artists and support live music!
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