Paul Colberg Vidéos
compositeur allemand
- Allemagne
- compositeur ou compositrice
Dernière mise à jour
2024-05-13
Actualiser
Texas Early Music Project Swoboda Colberg Brunswick 1416 2015
***haga clic en "CC" para subtítulos en español*** Convivencia Re-envisioned "La Mota". License: Creative Commons CC BY-NC-ND 4.0 Title: “La Mota”: A Christian Assumes Ownership over Jewish Homes, circa 1416 (http•••) This digital narrative performed at, the "Convivencia Re-‐Envisioned: The Three Worlds of Renaissance Spain" performance. This was a performance of the Texas Early Music Project ((http•••) in collaboration with the Revealing Cooperation and Conflict Project (http://revealingcooperationandconflic...) at Temple Beth Shalom ((http•••) on 6 September 2015. Digital Narrative Produced by: Revealing Cooperation and Conflict Project www.revealingcooperationandconflict.com Roger L. Martínez-Dávila, Ph.D., M.P.P. University of Colorado (Colorado Springs) & Universidad Carlos III de Madrid Victor R. Schinazi, Ph.D. and Katja Wolff Swiss Federal Institute of Technology (Zurich) Paddington Hodza, Ph.D. and Skye Swoboda-Colberg University of Wyoming (Laramie) Mubbasir Kapadia, Ph.D. and Yuka Ichimura Rutgers University (New Brunswick) Ece G. Turnator, Ph.D. University of Texas at Austin
Paul Colberg Kalisch Richard Strauss Dresden Conservatory 1863 1888 1896 1898 1910 1926 1933
Here are three short pieces by the colourful German composer Paul Colberg +••.••(...)). He started working life as a mechanic, switched to music, and left for America in 1888 with his studies at the Dresden Conservatory incomplete. He seems to have worked at a private music school in Los Angeles, but then returned to Germany in 1901via various European countries, including a four year stay in London from 1896 - which is where this set of pieces was composed and published in 1898. After his return to Germany he worked in Dresden as a conductor, teacher and pianist, and, intriguingly, wrote two orchestral melodramas with spoken voice in 1910-11. These pieces are dedicated to the British music critic and librettist Alfred Kalisch +••.••(...)) who is remembered particularly for his English translations of several early Richard Strauss operas. Of the three pieces here, the third does have the feel of a makeweight - perhaps taken from some student exercises to make up a set. I find the first two far more interesting. / / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
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