Antonio Cortis Vidéos
artiste lyrique
- ténor
- Espagne
Dernière mise à jour
2024-04-28
Actualiser
Giuseppe Verdi Fabbri Puccini Torre Pedro Halffter Halffter Romani Arezzo Gianna Fratta Maria Guleghina Alejandro Roy Dmitri Jurowski Jurowski Hirofumi Yoshida Muti Nicola Paszkowski Johns Vidal Vicente Lillo Cánovas Lillo Gabriel Schwabe Gautier Capuçon Capuçon Matteis Cortis Festival Puccini Teatro Alighieri Teatro Real Madrid Teatro Principal 1982 1998 2004 2005 2009 2011 2012 2013 2015 2016 2017 2018 2019 2020 2021
Andrea Vittorio De Campo Italia (Sondrio) ha studiato canto lirico Patrizia Fabbri, che lo seguirà per tutta la durata dei suoi studi e contemporaneamente frequenta gli ultimi anni di superiori e l’università di Milano Bicocca, corso accademico di Economia e commercio e partecipa ripetutamente a masterclass con il maestro Francis Keeping e Claudio Ottino. Studia al conservatorio di Milano con il maestro Daniele Agiman il ruolo di Geronte nella Manon Lescaut di Puccini. Partecipa aggiudicandosi il primo premio nel concorso canoro “Una canzone dal cuore” nel 2015. In attività dal 2017 debutta nel ruolo di Sciarrone in Tosca al Festival Puccini di Torre del lago sotto la direzioni Dejan Savich e di Gianluca Marcianò con la regia di Enrico Vanzina con artisti come Hui He, Dario di Vietri e Alberto Gazale. Nel 2018 al festival Puccini di Torre del lago interpreta lo stesso in Tosca, l’Oste nella Manon e Pinellino in Gianni Schicchi. Tra i direttori Pedro Halffter, Stefano Romani, Jacopo Sipari di Pescasseroli, Martins Ozolins. In quella stagione ha l’opportunità di lavorare con Giancarlo Del Monaco in Tosca e Ferenc Anger. Stando al fianco di grandi interpreti come Stefano La Colla e Bruno De Simone. Nello stesso anno è Sciarrone in Tosca nell’anfiteatro romano ad Arezzo sotto la direzione di Alan Freiles. Si esibisce nei concerti di fine d’anno 2018/2019 presso l’auditorium El Greco in Toledo e nel teatro principale di Alicante con la reale orchestra filarmonica di Kiev diretta da Vladimir Vrublevski. Interpreterà il ruolo di Zuniga nella Carmen nel tour di molti teatri d’opera in Spagna, tra i quali Alicante, Cuenca, Logrono, Murcia, Cabra, Torrelavega, Puente Genil, Valladolid, Pontevedra e Orense, sotto la direzione del maestro Dohotaru Nicolae. È impegnato per tutta la stagione nel festival pucciniano di Torre del Lago nella Fanciulla del West, regia di Renzo Giacchieri, direzione di Alberto Veronesi e Gianna Fratta, interpreti Maria Guleghina, Irene Cerboncini ed Alejandro Roy. Nella stessa stagione in Tosca con Dmitri Jurowski e Hirofumi Yoshida, con Jose Cura e Maria Ghuleghina. Nella trilogia d’autunno presso il teatro Alighieri di Ravenna debutta il ruolo di Ramfis in Aida sotto la supervisione registica di Cristina Muti diretto da Nicola Paszkowski e ottiene la copertura di Oroveso in Norma lavorandolo con il direttore Alessandro Benigni. Debutta Boheme nel ruolo di Colline nel XXV concerto benefico della fundacion Cofares nel teatro Real di Madrid sotto la direzione di Kynan Johns In data 23/12/2020 si esibisce in concerto presso l’auditorium National de musica de Madrid. Laura Vidal Climent, 02/02/1998 Violonchelista FORMACIÓN ACADÉMICA CONSERVATORIO SUPERIOR DE MÚSICA OSCAR ESPLÁ DE ALICANTE Enseñanzas superiores. Interpretación, violonchelo. Prof. Francisco Pastor Sempere CONSERVATORIO PROFESIONAL DE MÚSICA VICENTE LILLO CÁNOVAS, SAN VICENTE DEL RASPEIG CURSOS Y MASTERCLASS 2021 Josep Trescolí. MpMusic Madrid 2019 Xavier Gagnepain. Conservatorio Superior de Música de Murcia 2019 Gabriel Schwabe. Meisterkurse Berlin 2019 David Apellaniz. Forum Internacional de Música de Orihuela 2019 Iagoba Fanlo. Forum Internacional de Música de Orihuela 2018, 2019 Vida Vujic (música de cámara, CSM Alicante) 2018 Gautier Capuçon. Palau de la Música de Valencia 2018 Monica de Matteis (música de cámara, CSM Alicante) 2016, 2017, 2018, 2019 Michal Dmochowsky. Curso Internacional de Música de Benidorm 2017 – Rudolf Leopold (música de cámara, CSM Alicante) 2017 Bernhard Schimndt (música de cámara, CSM Alicante) EXPERIENCIA ORQUESTAL Orquesta del Teatro Castelar de Elda Orquesta Filarmónica de la Universidad de Alicante Ensemble CSMActual Orquesta Sinfónica Academica de San Vicente Orquesta de Jóvenes de la Provincia de Alicante HONORES Y PREMIOS 2016 – Mención de Honor. Enseñanzas Profesionales 2011 – Primer premio música de cámara. I Certamen Interpretación Musical Memorial Nacho Melón 2011 – Accesit categoría solista. I Certamen Interpretación Musical Memorial Nacho Melón RÍGUEZ ÁLVARO pianoforte Profesor en Conservatorio Superior Danza de Alicante (2016 – actualidad). Director de la Coral de la Universidad de Alicante (2016 – actualidad). Director del Coro del Teatro Principal de Alicante (2020 – actualidad). Director Òpera d’Alacant (2020 – actualidad). TITULACIONES Grado Superior de Piano (Conservatorio Superior de Música de Alicante, 2012) con Matrícula de Honor en los dos últimos cursos de piano y el Trabajo de Investigación Final de Carrera. Máster en Profesorado de Educación Secundaria, Especialidad: Música (Universidad de Alicante, 2013). Máster en Investigación Musical (VIU, 2019). Ingeniería Técnica de Obras Públicas, Especialidad Hidráulica (Universidad de Alicante, 2009). Título Profesional de Piano (Conservatorios Lillo Cánovas de San Vicent del Raspeig y Tenor Cortis de Dénia, 2005). Bachillerato Tecnológico (IES Ma Ibars de Dénia, 2004). 20.06.1982
Verdi Franco Corelli Corelli Luciano Pavarotti Ferruccio Tagliavini Luigi Infantino Eugenio Fernandi Renato Cioni Nicolai Gedda Franco Bonisolli Francisco Araiza Bloch Mario Filippeschi Giacinto Prandelli Mario Lanza Bruno Landi Landi Carlo Bergonzi Tito Schipa Jan Kiepura Giovanni Malipiero Malipiero Alfredo Kraus Tino Pattiera Ion Buzea Beniamino Gigli Kipras Petrauskas Giacomo Lauri Volpi Volpi Helge Rosvaenge Cesare Valletti Giacomo Aragall Frederick Jagel Florencio Constantino Jerry Hadley Hadley Antonio Paoli Gianni Raimondi Raimondi Joseph Schmidt Schmidt Daniele Barioni Tony Poncet Giovanni Martinelli Antonio Cortis Miguel Fleta Aureliano Pertile Richard Tucker Enrico Caruso
1. Franco Corelli 2. Luciano Pavarotti 3. Jussi Bjorling 4. Ferruccio Tagliavini 5. Luigi Infantino 6. Eugenio Fernandi 7. Renato Cioni 8. Nicolai Gedda 9. Giuseppe Bentonelli 10. Franco Bonisolli 11. Alessandro Granda 12. Francisco Araiza 13. Max Bloch 14. Mario Filippeschi 15. Jerome LoMonaco 16. Giacinto Prandelli 17. Mario Lanza 18. Bruno Landi 19. Carlo Bergonzi 20. Tito Schipa 21. Jan Kiepura 22. Giovanni Malipiero 23. Alfredo Kraus 24. Tino Pattiera 25. Ion Buzea 26. Beniamino Gigli 27. Kipras Petrauskas 28. Giacomo Lauri Volpi 29. Helge Rosvaenge 30. Cesare Valletti 31. Giacomo Aragall 32. Frederick Jagel 33. Florencio Constantino 34. Jerry Hadley 35. Giuseppe Di Stefano 36. Antonio Paoli 37. Gianni Raimondi 38. Joseph Schmidt 39. Daniele Barioni 40. Tony Poncet 41. Giovanni Martinelli 42. Antonio Cortis 43. Miguel Fleta 44. Aureliano Pertile 45. Richard Tucker 46. Enrico Caruso 47. Mario Del Monaco
Richard Bonelli Bonelli Teschemacher Brunswick Jenkins Jean Reszke Gounod Catalani Carnevale Verdi Claudia Muzio Antonio Cortis Rossini Flotow Gatti Casazza Lily Pons Tito Schipa Ezio Pinza Rosa Ponselle Burke Armand Tokatyan Leoncavallo Ashton Donizetti Puccini Frank Guarrera Lucine Amara Norman Mittelmann Edward Johnson Titta Ruffo Robert Merrill Giovanni Martinelli Elisabeth Rethberg Brooklyn Academy Music Lincoln Center Music Academy West San Carlo Opera Company Chicago Opera Company San Francisco Opera Chicago Civic Opera Metropolitan Opera 1889 1915 1922 1923 1924 1925 1926 1927 1931 1932 1935 1936 1940 1941 1942 1945 1949 1966 1980
Richard Bonelli sings 'Calling Me Home to You,' recorded for Brunswick on 11 October 1927. Bonelli had an excellent voice, but Brunswick's 'light ray' method of recording was temperamental. Sometimes, it produced quite good results. At other times, the sound was intermodulated and distorted. In general terms, the process improved with time, until it was quietly dropped in favour of more conventional recording methods.Regrettably, this relatively late example of the process is a good advertisement for its defects, but it is still worth listening to. From Wikipedia: Richard Bonelli (February 6, 1889 – June 7, 1980) was an American operatic baritone active from 1915 to the late 1970s. Bonelli was born George Richard Bunn to Martin and Ida Bunn of Port Byron, New York. His family later moved to Syracuse and soon George preferred to be called Richard. Prior to deciding on a career in music, Bonelli was a friend of race car driver and later mayor of Salt Lake City, Ab Jenkins. Bonelli studied at Syracuse University and his voice teachers included Arthur Alexander in Los Angeles, Jean de Reszke and William Valonat in Paris. Bonelli's operatic debut came on April 21, 1915 at the Brooklyn Academy of Music as Valentin in Gounod's Faust. He toured with the San Carlo Opera Company between 1922 and 1924. In 1923 he made his European debut as Dardano in Catalani's Dejanice during the Carnevale season in Modena, Italy. He returned to Europe in 1924 to sing at the Monte Carlo Opera and was eventually engaged by the Théâtre de la Gaîté in Paris. Between 1925 and 1931 Bonelli performed with the Chicago Opera Company and between 1926 and 1942 frequently performed at the San Francisco Opera. His Chicago debut in 1925 was in the role of Germont in Verdi's La Traviata with Claudia Muzio (Violetta) and Antonio Cortis (Alfredo). His debut role in San Francisco was Figaro in Rossini's Il Barbiere di Siviglia, after appearing in Flotow's Martha at the Los Angeles Grand Opera earlier in September 1926. Seizing the opportunity of a one-year collapse of Chicago Civic Opera, the Met impresario Giulio Gatti-Casazza quickly engaged Bonelli for leading baritone roles in New York. His first performance with the Metropolitan Opera was on 29 November 1932, again as Rossini's Figaro, at the company's tour to Philadelphia. (It was also the role for his last Met stage performance on 14 March 1945.) The cast included Lily Pons (Rosina), Tito Schipa (Count Almaviva), and Ezio Pinza (Don Basilio). Bonelli's New York Metropolitan Opera debut came on December 1, 1932 as Giorgio Germont in Verdi's La traviata opposite Rosa Ponselle as Violetta and Tito Schipa as Alfredo. He remained on the Met's active roster until 1945, making his final performance as Rossini's Figaro on March 14 that year. He was the Tonio in the first ever live telecast of opera, from the Met on March 10, 1940 alongside Hilda Burke and Armand Tokatyan. He returned to the Met in 1966 as an honored guest at the 'Gala Farewell' marking the last performance by the Metropolitan Opera in the old opera house at Broadway and 39th Street, before moving to the Lincoln Center. Of his many roles, Bonelli was known best for his Verdi repertory as Giorgio Germont, Di Luna, Renato, Rigoletto and Amonasro, and also for his portrayals of Valentin in Gounod's Faust, Wolfram in Wanger's Tannhäuser, Tonio in Leoncavallo's Pagliacci, Rossini's Figaro, Enrico Ashton in Donizetti's Lucia and Sharpless in Puccini's Madama Butterfly. In Italy, he performed under the name Riccardo Bonelli. He also appeared in two movies; a supporting role in 1935's Enter Madame and a cameo appearance in 1941's The Hard-Boiled Canary. After retiring from singing, Bonelli became a successful voice teacher at the Curtis Institute of Music in Philadelphia, the Music Academy of the West in Santa Barbara, and in New York. Among his students were Frank Guarrera, Enrico Di Giuseppe, Lucine Amara, and Norman Mittelmann. In 1949 when Edward Johnson retired from his position of general manager of the Metropolitan Opera, Bonelli was a contender for the job though it ultimately went to Rudolf Bing. Bonelli's favorite baritone was Titta Ruffo. American baritone Robert Merrill had stated that Bonelli was his inspiration to study singing, after hearing him perform the Count di Luna at the Met alongside Giovanni Martinelli and Elisabeth Rethberg in 1936. Even after retiring from teaching, he periodically performed on stage into his 80s. His later appearances were more on the West Coast of the United States. He was actor Robert Stack's uncle. Bonelli died in Los Angeles on June 7, 1980 at the age of 91.
Joseph Haydn Luigi Alva Cortis Bruna Rizzoli Hamel Carlo Maria Giulini 1959
-Haydn - Il mondo della luna - Aix-en-Provence - 1959; -Joseph Haydn - Il mondo della luna (Le Monde de la Lune) - Aix-en-Provence - 1959 (HD - High Quality). ................................................................................................................ *Elenco: -Luigi Alva: Ecclitico; -Marcello Cortis: Buonafede; -Paolo Pedani: Ernesto; -Bruna Rizzoli: Flaminia; -Mariella Adani: Clarice; -Maria Bianca Casoni: Lisetta; -Michel Hamel: Cecco. -Orquestra: Orchestre de Chambre de Hollande; -Regência: Carlo Maria Giulini; -Produção: Maurice Sarrazin; -Local e Ano: Festival D'Aix-en-Provence (France), 1959.
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