Rudolf Dittrich Vidéos
musicien autrichien
- orgue
- musique classique
- Autriche
- violoniste, compositeur ou compositrice, pianiste
Dernière mise à jour
2024-04-28
Actualiser
Béla Bartók Franz Liszt Hans Koessler Max Reger Johannes Brahms István Thomán David Popper Dittrich Stravinsky Malipiero Milhaud Debussy Franz Liszt Academy Music 1885 1895 1903 1904 1905 1908 1958
Samuel Michalec - Piano 00:00 Allegro Appasionato 08:56 Tempo di minuetto - Poco piu lento - Andante con motto - Allegro molto moderato Alexander Albrecht +••.••(...)) was a Slovak composer and an important exponent of the Slovak music in the first half of the 20th century. From 1895 to 1903 he attended the Royal Catholic Gymnasium in Bratislava, where he met and befriended Béla Bartók. From 1904 to 1908 he studied at the Franz Liszt Academy of Music in Budapest. He studied composition as a pupil of Hans Koessler (a cousin of Max Reger and a great admirer of Johannes Brahms), and piano with István Thomán. Among his other teachers were Ferencz Szandtner, with whom he studied conducting, and David Popper (a chamber music teacher). During his studies Albrecht asserted himself as a successful pianist. Following his return to Bratislava in 1908, he accepted the post of organist at the St. Martin's Cathedral. Simultaneously he perfected his organ playing technique with Rudolph Dittrich in Vienna. He began his composing career at the Budapest Academy. His teacher Hans Koessler attempted to instill the classical composing principles in his pupils, but Albrecht found an inspiration also in modern compositions of his contemporaries. He studied works of Stravinsky, Malipiero, Milhaud, Reger, Debussy and others. He commited suicide.
Johann Strauss Boskovsky Dittrich Steiner Richard Genée Wiener Philharmoniker Theater Wien Musikverein 1832 1882 1883 1901
Rasch in der That. Schnell-Polka (Quick off the mark. Quick polka) op. 409 For much of 1882 life had been severely problematical for Johann Strauss / as the Viennese press were not slow to report. Progress on his new operetta project, Eine Nacht in Venedig (A Night in Venice) had been slow, hampered by his gradual estrangement from his 32-year-old second wife, Angelika Dittrich, who had been conducting an affair with Franz Steiner, director of Vienna's Theater an der Wien. Moreover, Angelika had alienated the librettists of the new operetta, F. Zell and Richard Genée, by her persistent interference which had (according to Zell) impeded the "free initiative" of their work. Many of these pressures were only relieved that December when the Wiener Landesgericht (Assize Court of Vienna) granted Johann and Angelika a divorce by consent. The Viennese newspapers then quickly turned their attention to reports that, via an intermediary, the "Maestro of three-quarter-time" had applied to Rome for Papal consent to the divorce to enable him to marry his 'constant companion', Adele (nee Deutsch). The consent was not forthcoming. After so much speculation into his private affairs, Johann was understandably keen to restore his formerly 'good press'. Thus, towards the end of January 1883 he set about composing a fast-paced and stylish musical dedication for the forthcoming ball of the Vienna Journalists' and Authors' Association, 'Concordia', to be held in the Sofienbad-Saal on 29 January. Like the waltz Telegramme op. 318 (also featured on this recording), the title which Johann announced for his new quick polka / Rasch in der That / was well suited to the world of journalism, where speed of reporting was increasingly of the essence, and where a reporter who was not 'quick off the mark' risked losing a 'scoop' to one of his rivals. However, it was not Johann, but his brother Eduard, who conducted the Strauss Orchestra at the 'Concordia Ball' in the première of the new polka which, curiously, bore the amended title: Ball-Reporter. Eduard Strauss was evidently drawn to this new title, retaining it for its first public performance at his 'Carnival Revue' in the Musikverein on 11 February 1883, and even using it in the Strauss Orchestra's 'Concert Repertoire' catalogue which he prepared after his retirement in 1901. The title Ball-Reporter was indeed apt. One has only to survey the Viennese press and its annual coverage of carnival time to observe the busy rôle of a reporter assigned to cover the numerous ball festivities organised during the 'Fasching' season: in 1832, for example, some 772 balls were held in the Austrian capital alone.
Slovak Radio Symphony Orchestra Dittrich Johann Strauss II 1992
Provided to YouTube by NAXOS of America Der Kobold, Op. 226: Der Kobold, Polka mazurka, Op. 226 · Slovak Radio Symphony Orchestra · Michael Dittrich Strauss Ii, J.: Edition - Vol. 34 ℗ 1992 Marco-Polo Released on: 1992-01-01 Orchestra: Slovak Radio Symphony Orchestra Conductor: Michael Dittrich Composer: Johann Strauss II Auto-generated by YouTube.
Provided to YouTube by NAXOS of America Phonix, Op. 105: Phonix-Marsch, Op. 105 · Slovak State Philharmonic Orchestra · Michael Dittrich Strauss, Josef: Edition - Vol. 13 ℗ 1998 Marco-Polo Released on: 1998-10-23 Orchestra: Slovak State Philharmonic Orchestra Conductor: Michael Dittrich Composer: Josef Strauss Auto-generated by YouTube.
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