Dorothy DeLay Vidéos
professeur de violon américaine
- violon
- musique classique
- États-Unis
- professeur ou professeure de musique, professeur ou professeure d'université, violoniste
Dernière mise à jour
2024-05-02
Actualiser
Waldbühne Wand Denk Gast Knie Bittner Maus Gottschalk Farrell Weber Schultz Dresser Hertel Aschenbrenner Maks Myers Starke Plagge Stepanova Rosen Bauer Krüger Fedotov Kuhlmann 2022
Vollkontakt Tour 2022! Kommt alle vorbei! (http•••) 29.05.22 Rostock, Stadthalle (AUSVERKAUFT) 16.07.22 Hamburg, Open Air am Volkspark 26.08.22 Berlin, Waldbühne 29.11.22 Wien, Stadthalle 01.12.22 München, Olympiahalle 02.12.22 Trier, Arena 04.12.22 Kempten, BigBox 05.12.22 Frankfurt, Festhalle 12.12.22 Leipzig, Quarterback Arena 13.12.22 Stuttgart, Hans-Martin-Schleyerhalle 15.12.22 Zürich, Hallenstadion 17.12.22 Köln, Lanxess Arena 18.12.22 Münster, Halle Münsterland 20.12.22 Bremen, ÖVB Arena Marteria - Paradise Delay (http•••) MARTERIA ► YOUTUBE: (http•••) ► FACEBOOK: (http•••) ► TWITTER: (http•••) ► INSTAGRAM: (http•••) ► HOMEPAGE: (http•••) ► SHOP: (http•••) GREENBERLIN ► YOUTUBE: (http•••) ► INSTAGRAM: (http•••) ► HOMEPAGE: (http•••) ►TWITCH: (http•••) BEAT: DJ KOZE PRODUCED BY DJ KOZE & THE KRAUTS MARTERIA - PARADISE DELAY LYRICS Yeah Yeah Yeah! Bin längst drüber, Alice im Wurmloch Chemical Romance, kenn jedes Codewort Häng an der Pipeline, morgen kann alles vorbei sein Davor trenn ich noch das Meer, in Rotwein und Weisswein Steh mit dem Kopf an der Wand, von Lichtern geblendet doch bin ’ne Legende, zahl alle Getränke, verballer‘ die Rente Finde kein Ende, von Level zu Level, von Tempel zu Tempel Nein - das sind keine Tattoos, das sind alles nur Stempel Alle meine Freunde weg, hab‘n sich verpisst Der Einzige der hier noch Action macht, bin ich Den Absprung nicht schaffen, da gibt`s kein‘ besseren als mich Der letzte macht das Licht... 303 und 808 Rufen zum Gebet Mein Gott drückt wieder mal auf Play Kann jetzt noch nicht gehen Bleib für immer hier 303 und 808 Rufen zum Gebet Mein Gott drückt wieder mal auf Play Kann jetzt noch nicht gehen Bleib für immer hier Häng‘ fest im Paradise Delay Yeah Yeah Yeah! Tequila ist golden, unter lilanen Wolken Denk nicht an Schlangen von gestern, weil Schlangen sich häuten Vorbei an den Schlangen von Leuten, bin immer zu Gast bei Freunden Sag welchen Tag haben wir heute, ist es der achte Club oder der neunte? Hab‘n noch so viel Energie, schiess nach oben Ribery Aus meinen Augen tropft die Euphorie, geh vor den Boxen auf die Knie God is a DJ - für ihn werd‘ ich drei Tage wach sein Nein - ihr bekommt mich nicht raus hier, müsst schon zu siebent oder acht sein Barkeeper kratzen die Reste von dem Tisch Der Einzige der hier noch Action macht, bin ich Den Absprung nicht schaffen, da gibt’s kein‘ besseren als mich Der Letze macht das Licht... 303 und 808 Rufen zum Gebet Mein Gott drückt wieder mal auf Play Kann jetzt noch nicht gehen Bleib für immer hier 303 und 808 Rufen zum Gebet Mein Gott drückt wieder mal auf Play Kann jetzt noch nicht gehen Bleib für immer hier Häng‘ fest im Paradise Delay "PARADISE DELAY" Director: Chehad Abdallah Director of Photography: Simon Vu Production: AKKURAT Studios Producer: Elena Winterer Production Manager: Steffen Gregorowius Production Assistant: Hélène Mohrbutter, Teo Bittner Rosser Executive Producer: Rocco Kopecny Set Assistants: Sophie Maus, Borislav Salatino 1st AD: Matthias Nerlich Steadicam Operator: Thomas Gottschalk Steadicam Assistant: Farrell Streitparth-Weber 1st AC; Julian Hanschke 2nd AC: Ingo Blacha Gaffer: Toni Schultz Best Boy: Jan Umpfenbach Electricians: Tobias Gehlfuß, Hans Ulrich Graefe Hair & Makeup: Kristin Belger Styling: Stefanie Fuge Production Design: STUDIO PERAZZO, Eugenio Perazzo Set Decorator: Max Jurisch Set Dresser: Fritzi Hertel, Hannah Aschenbrenner Set Photographer: William Minke Casting Dancers: Albina Maks, EXTRA FRESH, Nora Rülke Casting Extras: Agentur Iris Müller Editors: Anselm Koneffke Rob Myers Colorist: Marina Starke Postproduction: Storz & Escherich VFX Artists: Anna-Marie Plagge Sven Straßner Burkhard Kalytta Catering: Son Kitchen Location: Salon zur Wilden Renate Camera Rental: Vantage Film Lighting & Grip Rental: Camelot Broadcast Services GmbH SFX Rental: Roland Tropp Slitscan Dancers: Madeleine Munk Rose, Jeanot Borgol Extras: William Akinola, Vincent Jean Raffaelli, Martin , Sophie Schultz, Elli Brandauer, Sofia Stepanova, Sally von Rosen, Anian Hausner, Simon Bauer, Amelie Bandurski, Charlotte Krüger, Kira Metzler, Larissa Matheus, Mitsuko de Luca, Aleksandr Fedotov, Joe Anthony Kuhlmann-Jabs Wir wünschen allen Clubs nur das Beste und hoffen, dass wir bald wieder miteinander tanzen können! Guest appearances by DJ Koze & Vincent Graf von Schlippenbach (The Krauts) #Marteria #ParadiseDelay
Sibelius Georg Høeberg Wilhelm Hansen Hansen Knudsen Royal Danish Theatre Royal Danish Orchestra 1912 1913 1922 1955 1969 1994 1995 1997 1999 2011 2015 2016 2018 2022
The flute solo from Sibelius' "tragic pantomime" Scaramouche, in the arrangement for flute and piano. Scaramouche premiered in Copenhagen on 12 May 1922 at the Royal Danish Theatre with Georg Høeberg conducting the Royal Danish Orchestra. Sibelius was not in attendance. Composition In the autumn of 1912, the Danish music publisher Wilhelm Hansen commissioned Sibelius to compose incidental music to accompany a new pantomime by the Danish playwright Poul Knudsen. Sibelius agreed to the proposal, a decision he came to regret since he had mistakenly believed Hansen would require from him a handful of dance movements. Only later at the end of 1912, did Sibelius realize he was to provide an hour-long, full-length ballet/pantomime. Attempts to annul the contract or to amend it to his liking proved unsuccessful. Writing in 1913 Sibelius complained: "I've completely ruined things for myself by signing... Was in such a temper about it today that I smashed the telephone. My nerves are in a terrible state". Furthermore, and uncommonly for a pantomime, the libretto contained spoken dialogue, which Sibelius feared would undermine the effect of his music. Hansen assured the composer that the dialogue was there merely to coach the actors and would be excised for the premiere—a promise that went unfulfilled. According to passages from his diary, Sibelius found it difficult to compose the new work and worried "that his international reputation was at stake" Despite his frustration, Sibelius completed the score in late 1913, dispatching the manuscript to Hansen on 21 December with the note: "To get it right has cost me much thought and work. In the form it now takes, I believe it will be successful". / Finland largely remained an agrarian country until the 1950s. After World War II, it rapidly industrialized and developed an advanced economy, while building an extensive welfare state based on the Nordic model; the country soon enjoyed widespread prosperity and a high per capita income. Finland joined the United Nations in 1955 and adopted an official policy of neutrality; it joined the OECD in 1969, the NATO Partnership for Peace in 1994, the European Union in 1995, the Euro- Atlantic Partnership Council in 1997, and the Eurozone at its inception in 1999. Finland is a top performer in numerous tables of national performance, including education, economic competitiveness, civil liberties, quality of life and human development. In 2015, Finland ranked first in the 'World Human Capital' Report, topped the Press Freedom Index, and was the most stable country in the world during 2011–2016, according to the Fragile States Index; it is second in the Global Gender Gap Report, and has ranked first in every annual World Happiness Report since 2018. Finland's support for NATO rose enormously after the 2022 Russian invasion of Ukraine. On 11 May 2022, Finland entered into a mutual security pact with the United Kingdom. On 12 May, Finland's president and prime minister called for NATO membership "without delay". On 18 May the president and foreign minister submitted the application for membership. Initially, NATO member Turkey opposed Finland joining the alliance, accusing the country of ″harbouring terrorists″. On 28 June Turkey lifted its objections to Finland's membership and subsequently sent extradition requests to the Finnish government for 12 "terrorists" residing in Finland.
Franz Liszt Liu Shikun Jardim Tchaikovsky 1958 1992
An electrifying performance of Liszt's Piano Concerto no. 1 from Mr Liu Shikun 劉詩昆, one of the most critically acclaimed Chinese pianists from an older generation, accompanied here by the Macau Sinfonietta under the baton of Veiga Jardim. • Prize winner at the First Tchaikovsky International Piano Competition in Moscow (1958), Mr Liu saw his career tragically interrupted during the Cultural Revolution, when Western music was outlawed in China and he, along with other musicians, was arrested and jailed for eight years. Performance recorded live at the auditorium of the former University of East Asia (私立東亞大學), Macau, on 15 April 1992. • Audio restored and synchronised from the original radio broadcast tapes. Due to the long storage, the tapes had stretched slightly and the speed fluctuates a little. Occasionally, changes of pitch and a delay between audio and video images may occur. Video uploaded for its historical significance. I. Allegro maestoso II. Quasi adagio III. Allegretto vivace - Allegro animato IV. Allegro marziale animato
Handel Halvorsen Leopold Auer Efrem Zimbalist Leopold Stokowski Lansing Dorothy Delay Gdal Saleski Bloch Philadelphia Orchestra 1871 1872 1876 1882 1908 1921 1924 1938 1949 1969
Please note: while the sound for the first 20 seconds or so of this cylinder recording is distorted, the quality improves quickly and, for such an old recording, is really quite good. The original arrangement of this work for violin and cello was made by Michael Press, violinist, 1871-1938, my maternal grandfather. This is a recording done in someone's home in Berlin around 1908 on a Julius Block Cylinder ((http•••) the sound is wobbly at the beginning but improves. His brother Josef Press +••.••(...)), the first cello teacher engaged by The Eastman School of Music when it opened in 1921, is the cellist. Michael Press violinist, my maternal grandfather, was born in Vilna in 1872, at that time part of the Russian empire. His father, Isaac, was a trumpet player in the Vilna opera orchestra. After his father fell ill, he became concertmaster of the orchestra at age 13 and supported a large family. Before coming to the USA, he was a well-known soloist and teacher in Russia, Professor at The Moscow Conservatory, and toured throughout Europe with The Russian Trio, Michael Press, violin, his brother Joseph Press, cello and my grandmother, Vera Maurina Press +••.••(...)), piano. Both brothers were awarded gold medals on their graduation from the Imperial Conservatory in Moscow. Michael Press also published many arrangements for violin and piano as well as the original version of the Handel-Halvorsen Passacaglia for violin and cello. Along with Leopold Auer and Efrem Zimbalist, he was on the violin faculty of the Curtis Institute of Music when it opened in 1924 and shared conducting of The Curtis Orchestra with Leopold Stokowski. He continued concertizing, conducted The Philadelphia Orchestra and Boston Symphony and was music director of the orchestra in Gothenburg, Sweden. He later taught at Michigan State University in East Lansing, MI, where he died in 1938. Below is more information. Dorothy Delay was one of his students from the years he taught at Michigan State University. Long articles about Michael and Josef Press can also be found in Gdal Saleski's Famous Musicians of Jewish Origin, Bloch Publishing, 1949. (http•••)
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- chronologie: Interprètes (Amérique du Nord).
- Index (par ordre alphabétique): D...