Emilio Zito Vidéos
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2024-04-27
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Zappa Pak Vincent Derosa Estes Estrada Sherwood Feldman Guerin Haynes Richards Rizzi Schaeffer Paul Smith Zito Abnuceals Emuukha Electric Symphony Orchestra 1550 1967 1968
Frank Zappa and the Abnuceals Emuukha Electric Symphony Orchestra Lumpy Gravy is the debut solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and released by MGM's Verve Records on May 13, 1968. The final version of the album consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Musicians - Abnuceals Emuukha Electric Symphony Orchestra : Arnold Belnick – strings Harold Bemko – strings Chuck Berghofer – bass Jimmy Carl Black – chorus Jimmy Bond – bass Monica Boscia – chorus Dennis Budimir – guitar Frank Capp – drums Donald Christlieb – woodwind Gene Cipriano – woodwind Vincent DeRosa – french horn Joseph DiFiore – strings Jesse Ehrlich – strings Alan Estes – percussion, drums Gene Estes – percussion Louis "Louie the Turkey" Cuneo – chorus Roy Estrada – bass, chorus Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus Victor Feldman – percussion, drums Bunk Gardner – woodwind James Getzoff – strings Philip Goldberg – strings John Guerin – drums Bruce Hampton – chorus Jimmy "Senyah" Haynes – guitar Harry Hyams – strings Jules Jacob – woodwind Pete Jolly – piano, celeste, harpsichord Harold Kelling - vocals Ray Kelly – strings Jerome Kessler – strings Alexander Koltun – strings Bernard Kundell – strings William Kurasch – strings Michael Lang – piano, celeste, harpsichord Arthur Maebe – French horn Leonard Malarsky – strings Shelly Manne – drums Lincoln Mayorga – piano, celeste, harpsichord Ted Nash – woodwind Richard Parissi – French horn Glenn Phillips - vocals Don Randi – piano Jerome Reisler – strings Emil Richards – percussion Tony Rizzi – guitar John Rotella – percussion, woodwind Joseph Saxon – strings Ralph Schaeffer – strings Leonard Selic – strings Kenny Shroyer – trombone Paul Smith – piano, celeste, harpsichord Tommy Tedesco – guitar Al Viola – guitar Bob West – bass Tibor Zelig – strings Jimmy Zito – trumpet 1968 version, part one No. Title Length 1. "The Way I See It, Barry" 0:06 2. "Duodenum" 1:32 3. "Oh No" 2:03 4. "Bit of Nostalgia" 1:35 5. "It's from Kansas" 0:30 6. "Bored Out 90 Over" 0:31 7. "Almost Chinese" 0:25 8. "Switching Girls" 0:29 9. "Oh No Again" 1:13 10. "At the Gas Station" 2:41 11. "Another Pickup" 0:54 12. "I Don't Know If I Can Go Through This Again" 3:49 Total length: 15:50 1968 version, part two No. Title Length 1. "Very Distraughtening" 1:33 2. "White Ugliness" 2:22 3. "Amen" 1:33 4. "Just One More Time" 0:58 5. "A Vicious Circle" 1:12 6. "King Kong" 0:43 7. "Drums Are Too Noisy" 0:58 8. "Kangaroos" 0:57 9. "Envelops the Bath Tub" 3:42 10. "Take Your Clothes Off"
Zappa Pak Sherwood Feldman Guerin Haynes Richards Rizzi Schaeffer Paul Smith Zito Abnuceals Emuukha Electric Symphony Orchestra 1967 1968
Few Landscapes Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and reissued by MGM's Verve Records on May 13, 1968. It consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Later it was re-edited by Zappa as part of a project called No Commercial Potential, which included three other albums: We're Only in It for the Money, Cruising with Ruben & the Jets and Uncle Meat. This became Official Release #3. Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus Victor Feldman – percussion, drums Bunk Gardner – woodwind James Getzoff – strings Philip Goldberg – strings John Guerin – drums Bruce Hampton – chorus Jimmy "Senyah" Haynes – guitar Harry Hyams – strings Jules Jacob – woodwind Pete Jolly – piano, celeste, harpsichord Harold Kelling - vocals Ray Kelly – strings Jerome Kessler – strings Alexander Koltun – strings Bernard Kundell – strings William Kurasch – strings Michael Lang – piano, celeste, harpsichord Arthur Maebe – French horn Leonard Malarsky – strings Shelly Manne – drums Lincoln Mayorga – piano, celeste, harpsichord Ted Nash – woodwind Richard Parissi – French horn Glenn Phillips - vocals Jerome Reisler – strings Emil Richards – percussion Tony Rizzi – guitar John Rotella – percussion, woodwind Joseph Saxon – strings Ralph Schaeffer – strings Leonard Selic – strings Kenny Shroyer – trombone Paul Smith – piano, celeste, harpsichord Tommy Tedesco – guitar Al Viola – guitar Bob West – bass Tibor Zelig – strings Jimmy Zito – trumpet
Teatro Massimo Amartuvshin Giacomo Puccini Galli Zito
Giacomo Puccini Tosca Melodramma in tre atti Scarpia Amartuvshin Enkhbat Direttore Valerio Galli Regia Mario Pontiggia Scene e costumi Francesco Zito Luci Bruno Ciulli Assistente alla regia Angelica Dettori Assistente alle scene Antonella Conte Allestimento del Teatro Massimo Orchestra, Coro e Coro di voci bianche del Teatro Massimo Maestro del Coro Ciro Visco Maestro del Coro di voci bianche Salvatore Punturo
Eleonora Buratto Giacomo Puccini Zito Francesca Dotto Alessio Verna Verna Teatro San Carlo Teatro Regio Teatro Massimo 1844 1896 2018
Serena conduce operaclassica La mia intervista al soprano di fama internazionale Eleonora Buratto impegnata dall'11 al 16 Gennaio 2018 al teatro San Carlo di Napoli nel ruolo di Mimì della boheme di Puccini su libretto di Illica e Giacosa. Dopo l'intervista una video gallery sulle note del valzer di Musetta. 9 Gennaio 2018 / Opera Giacomo Puccini / LA BOHÈME Opera in quattro atti Libretto di Giuseppe Giacosa e Luigi Illica dal romanzo di Henri Murger Scènes de la vie de bohème Prima rappresentazione: Torino, Teatro Regio, 1 Febbraio 1896. Direttore | Stefano Ranzani Regia | Mario Pontiggia Scene e Costumi | Francesco Zito Luci | Bruno Ciulli Assistente alla Regia | Angelica Dettori Assistente alle Scene | Antonella Conte Assistente ai Costumi | Chicca Ruocco Interpreti Mimì, Eleonora Buratto (11 gennaio, 13 gennaio ore 17.00 e 14 gennaio) / Elena Mosuc (12 gennaio, 13 gennaio ore 21.00 e 16 gennaio) Rodolfo, Jean-François Borras (11 gennaio, 13 gennaio ore 17.00, 14 gennaio e 16 gennaio) / Massimiliano Pisapia (12 gennaio e 13 gennaio ore 21.00) Musetta, Francesca Dotto (11 gennaio, 13 gennaio ore 17.00, 14 gennaio e 16 gennaio) / Gladys Rossi (12 gennaio e 13 gennaio ore 21.00) Marcello, Mario Cassi (11 gennaio, 13 gennaio ore 17.00, 14 gennaio e 16 gennaio) / Vincenzo Nizzardo (12 gennaio e 13 gennaio ore 21.00) Schaunard, Leon Kim (11 gennaio, 13 gennaio ore 17.00, 14 gennaio e 16 gennaio) / Alessio Verna (12 gennaio e 13 gennaio ore 21.00) Colline, Fabrizio Beggi (11 gennaio, 12 gennaio, 13 gennaio ore 17.00, 14 gennaio e 16 gennaio) / Laurence Meikle (13 gennaio ore 21.00) Benoît / Alcindoro, Matteo Ferrara Parpignol, Stefano Pisani Allestimento del Teatro Massimo di Palermo Orchestra, Coro e Coro di Voci Bianche del Teatro di San Carlo Giovedì 11 Gennaio 2018, ore 20 Venerdì 12 Gennaio 2018, ore 18 Sabato 13 Gennaio 2018 (doppio spettacolo), ore 17 / ore 21 Domenica 14 Gennaio 2018, ore 17 Martedì 16 Gennaio 2018, ore 20 Spettacolo Fuori Abbonamento “Io posseggo un istinto soltanto per le piccole cose e non voglio occuparmi di nient’altro se non di esse”. Così Puccini esprimeva la sua poetica, cogliendo in pieno il carattere della Bohème e rivelandone la modernità. Dal romanzo d’appendice “Scènes de la vie de bohème” di Henry Mürger, uscito a puntate a partire dal 1844 sulla rivista Corsaire, quando l’autore aveva solo 22 anni, si intuisce come il materiale della vicenda derivi dalle sue esperienze più intime e personali. Un soggetto e una partitura di straordinaria forza che ancora oggi commuove le platee di tutto il mondo. Grazie a Eleonora Buratto, soprano eco italiano
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- chronologie: Compositeurs (Europe).
- Index (par ordre alphabétique): Z...