Francesco Antonio Urio Vidéos
compositeur italien
- Italie
- compositeur ou compositrice
Dernière mise à jour
2024-04-26
Actualiser
Francesco Antonio Urio George Frideric Handel Assisi Friar Arcangelo Corelli Benedetti Lippi Reinhard Goebel Scheen Franziska Gottwald Uffizi Museum 1450 1465 1650 1666 1667 1670 1679 1690 1693 1695 1697 1700 1701 1710 1711 1712 1719 1796
Composition Year: ca.1700 Composition: Te Deum Composer: Franscesco Antonio Urio (c.1650 – c.1719) Lyrics origin: Te Deum laudamus "Thee, O God, we praise". Authorship is traditionally ascribed to Saint Ambrose (d. 397) or Saint Augustine (d. 430). Used by: George Frideric Handel reused parts from this Urio's composition for his four works. Pleni sunt cæli et terra majestátis glóriæ tuæ. Heaven and earth are full of the Majesty : of thy glory. Franscesco Antonio Urio was born in Milan around 1650. In May 1666 he was admitted to the Franciscan convent of Assisi (the minimum age to enter was set at fifteen), where he professed on May 27, 1667. He was taught by Fra Franceschino d'Assisi. He was admitted to the conventual minority order on 23 May with fifty-four votes in favor out of fifty-five voters. Urio was frequently visiting cathedral of Albano, near Rome, and in December 1670 he met the friar was choirmaster in the cathedral of Albano, and he learned from him about its musical activity. In Umbria Urio had his first musical assignment in Spello, as choirmaster with agreement to provide on all the feasts musical support with the presence of the choir one week a month. On June 16, 1679, Urio was unanimously elected chapel master in the cathedral of Spoleto. In 1690 his first printed work, Motetti di concerto for two, three and four voices with violins and without saw the light in Rome. The title page shows that the Urio was then choirmaster in the basilica of the S. XII Apostoli in Rome. The dedication to Cardinal Pietro Ottoboni suggests that Urio was well introduced to Roman musical life and to the entourage of the cardinal, including Arcangelo Corelli. On 5 October 1693, following the resignation of Francesco Passarini, he ran for the direction of the musical chapel in the cathedral of Pistoia: he obtained the position with eighteen votes in favor and three against. He stayed there for less than two years: on 25 September 1695, having alleged "urgent business", his resignation was accepted. In 1697 Urio had the second work printed by Marino Silvani in Bologna, Psalms concertati for three voices with violins with approval, dedicated to Filippo Antonio Spinola Colonna, son of a former governor of Milan, Duke of Sesto and future Marquis de los Balbases. The title page shows that he was then choirmaster in the Frari church in Venice. There he composed the oratory Samson blinded by 'Filistei (text by Bernardo Sandrinelli), performed in S. Maria della Fava. He held the post until 1701, when he moved to S. Francesco in Turin in the same quality. From the indexes of the music books printed by the Bolognese Marino Silvani it appears that the friar also published a collection of church sonatas for two violins, violone and the organ, with a Christmas pastoral as an appendix. In 1710 he was back in Assisi for a year. On 1 October 1711 he assisted Francesco Maria Benedetti, his successor, in preparing and directing the music for the feast of St. Francis. It is assumed that he had renounced the post due to age and poor health. He spent the last part of his life in the Franciscan convent of his hometown: on 17 January 1712 he attended a convent chapter in S. Francesco Grande in Milan. He set to music in those years for the Milanese basilica famous basilica in honor of St. Anthony of Padua. Urio died in Milan on an unspecified date, after June 1719. Cover art: Filippo Lippi (1406–1469): "Madonna with child and two Angels" (Italian: Madonna col Bambino e angeli or Lippina) Current Location: Uffizi Gallery, room 08 The date in which it was executed is unknown, but most art historians agree that it was painted during the last part of Lippi's career, between 1450 and 1465. It is one of the few works by Lippi which was not executed with the help of his workshop and was an influential model for later depictions of the Madonna and Child, including those by Sandro Botticelli. The Madonna is traditionally identified with Lucrezia Buti, as for most of Fra Filippo's Madonnas. An 18th-century inscription in the rear of the panel testifies the presence of the painting in the Medici Villa del Poggio Imperiale at the time. On 13 May 1796 it entered the Gran Ducal collections in Florence, which formed the base of the future location in the Uffizi museum. The picture is commonly called “The Uffizi Madonna” among art historians. Performed by: VokalEnsemble Köln, Musica Antiqua Köln Reinhard Goebel, directior Celine Scheen [soprano] Franziska Gottwald [mezzosoprano] #RecordareDomine
Francesco Antonio Urio Scheen Franziska Gottwald Marcel Beekman Raimund Nolte Reinhard Goebel 1631 1719
Francesco Antonio URIO ca.1631 — ca.1719 «Te Deum» Celine Scheen [soprano] Franziska Gottwald [mezzosoprano] Marcel Beekman [tenor] Max Ciolek [tenor] Raimund Nolte [bass] VokalEnsemble Köln Musica Antiqua Köln Reinhard Goebel [direction]
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