Franck Yeznikian Vidéos
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2024-05-05
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Josquin Desprez Jean Richafort Yeznikian Klaus Lang Antonenko 1480 1532 1547 2017
Requiem in memoriam Josquin Desprez. Jean Richafort (с.1480 - c.1547) and 21st Century Composers Jean Richafort's Requiem (1532) augmented with the missing parts of the canonical Requiem Mass by contemporary composers – Arman Gushchyan, Vladimir Rannev, Alexey Sysoev, Klaus Lang and Franck Christoph Yeznikian Idea and Artistic Direction – Arman Gushchyan The world premier of the «Requiem in memoriam of Josquin Desprez» was performed by the INTRADA Vocal Ensemble under direction of Ekaterina Antonenko, accompanied by soloists – Aylen Pritchin (violin), Sergey Poltavsky (viola), Sergey Suvorov (cello), Carlos N. Herrero (double bass). The concert took place in the framework of the IV International Opera Apriori Festival for Vocal Music on the 25th of March 2017 in the Cathedral of the Immaculate Conception of the Holy Virgin Mary in Moscow, Russia. More about the project: (http•••) • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Реквием памяти Жоскена Депре. Жан Ришафор (с.1480 - c.1547) и композиторы ХХI века: Арман Гущян, Владимир Раннев, Алексей Сысоев, Клаус Ланг и Франк Кристоф Езникян Реквием Жана Ришафора (1532), расширенный недостающими частями канонической римско-католической заупокойной мессы. Автор идеи и художественный руководитель — Арман Гущян Мировую премьеру «Реквиема памяти Жоскена Депре» исполнил Вокальный ансамбль INTRADA под управлением Екатерины Антоненко, в сопровождении солистов – Айлена Притчина (скрипка), Сергея Полтавского (альт), Сергея Суворова (виолончель) и Карлоса Наварро Эрреро (контрабас). Концерт прошел в рамках IV Международной фестиваля вокальной музыки «Опера Априори» 25 марта 2017 года в Кафедральном соборе на Малой Грузинской. Больше о проекте: (http•••) #ТраекторияМузыки #Реквием #TrajectoryOfMusic
Franck Yeznikian Burton 2010 2013
Performance by Wilhem Latchoumia at CCRMA. October 15, 2013 Max Bruckert, electronics. Part of a US tour organized by GRAME (www.grame.fr), supported by FACE Council. Info and program notes: (http•••) - Commissioned by the Festival of contemporary music of Badajoz (Spain), 2010. This miniature for a solo piano was first written in 2010 in the frame of a project, led by a Spanish festival director, Daniel Hugo Sprintz. Each of the selected composers had to work with an imposed ensemble and a given color (for me, black). During the performance, four or five painters from Badajoz would improvise on their canvas, as if seismically recording their listening. This commission came to me at the right time, since I was studying the black color and its place in the arts history, and also interacting with the artist Pierre Masbanaji, who has been working for long with India ink. His Armenian origins crossing mine, we also found a link with a dark cloth's gleam, in which still shines undoubtedly this stone or volcanic glass that one can find in Armenia, which is obsidian; a kind of black crystal that still produces its magic on me. This miniature's subtitle, "The anatomy of..." comes from Robert Burton's work. That makes its part of a cycle, even informal, whose framework is to follow some given proportions inside a magic square, drawn in a famous engraving on which stands an enigmatic polyhedron. Darkness is this cave through which I weave and raises the growth of some fiber lights without forgetting the presence of this healthy song, sometimes devoted to dance by some resistant fireflies. We often forget that our origin takes shape inside a dark nucleus. So there is something fundamental in this place where we come to life, then doomed to blindness and bellow, to accelerating frenzy of ambition, getting to its decay without any doubt.
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