Gaston Carraud Vidéos
critique musical et compositeur français
Commémorations 2024 (Naissance: Gaston Carraud)
- France
- compositeur ou compositrice, critique de musique
Dernière mise à jour
2024-05-08
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Carraud Esnaola Fernandez Dominguez Garrido
DIRECCIÓN PRODUCCIÓN Y GUIÓN: - Simón Carraud - Iñaki Esnaola - Ivana Fernandez - Santiago Ledesma MONTAJE - Simón Carraud ACTUACIONES: - Julian Sabattella como Dominguez - Alberto Daniel Rosatto como Garrido - Iñaki Esnaola como Comisario Trabajo Final de Narrativas Audiovisuales Agradecimiento a Matias Pinal por la locación
Souza Carraud Oliva 1961 1993 2003 2005 2006 2010
Nessa aula, dando sequência, falaremos sobre a ideia de natureza humana (medieval) e de natureza decaída que fundamentou o existencialismo pascaliano, sobre os pontos de intersecção com o existencialismo contemporâneo de Kierkegaard, Heidegger e Sartre, guardadas as devidas contextualizações. "O CORAÇÃO TEM RAZÕES QUE A PRÓPRIA RAZÃO DESCONHECE!" (PASCAL) Referências Bibliográficas ARMOGATHE, Jean-Robert. Pascal e o amor-próprio. Kriterion, Belo Horizonte , v. 47, n. 114, p. 223-236, Dec. 2006 . BIRCHAL, Telma de Souza. A marca do vazio: reflexões sobre a subjetividade em Blaise Pascal. Kriterion : Revista de Filosofia, Belo Horizonte , v. 34, n. 88, p.50-69, ago. 1993. CARRAUD, Vincent. L'invention du moi. Paris: Presses Universitaires de France, 2010. GOUHIER, Henri Gaston. Blaise Pascal: conversão e apologética. São Paulo: Discurso: Paulus, 2005. PARRAZ, Ivonil. O existencialismo em Pascal. Trans/Form/Ação, Marília , v. 26, n. 1, p. 115-128, 2003 . Available from OLIVA, Luís C. G.. Antecedentes filosóficos e teológicos do conceito pascaliano de natureza humana. Kriterion, Belo Horizonte , v. 47, n. 114, p. 367-408, Dec. 2006 . Available from PASCAL, Blaise; MILLIET, Sergio. Pensamentos. São Paulo: Abril Cultural, 1961.
Maurice Ravel Claude Debussy Édouard Colonne Gaston Carraud Henry Wood Concerts Colonne Théâtre Châtelet Proms 1895 1903 1907 1908 1909
Maurice Ravel - Rapsodie espagnole Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the international repertoire. The piece draws on the composer's Spanish heritage, and is one of several of his works set in or reflecting Spain. The genesis of the Rapsodie was a Habanera, for two pianos, which Ravel wrote in 1895. It was not published as a separate piece, and in 1907 he composed three companion pieces. A two-piano version was completed by October of that year, and the suite was fully orchestrated the following February. At about this time there was a distinctly Spanish tone to Ravel's output, perhaps reflecting his own Spanish ancestry. His opera L'heure espagnole was completed in 1907, as was the song "Vocalise-Etude en forme de habanera". In the interval between the composition of the original Habanera and the completion of the four-movement Rapsodie, Claude Debussy had published a piano suite, Estampes (1903), of which the middle section, "Soirée dans Grenade", had a Spanish theme. To counter any accusations of plagiarism, Ravel made certain that the date 1895 was clearly printed for his Habanera in the published score of the Rapsodie. The première of the Rapsodie was given by the Orchestre des Concerts Colonne, conducted by Édouard Colonne, at the Théâtre du Châtelet on 15 March 1908. The critical reception was generally favourable. Dissenting voices were Pierre Lalo, who habitually disliked Ravel's music, and Gaston Carraud, who called the score "slender, inconsistent and fugitive". Otherwise there was much praise for the subtle and fresh orchestration and the picturesqueness of the music. The work was soon taken up internationally. Henry Wood gave the British premiere in October 1909 to a capacity audience at the Proms, and the following month the work was first given in New York. For more: (http•••) #MusicHistory #ClassicalMusic #Ravel
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