Helmut Walcha Vidéos
organiste et claveciniste allemand
- orgue
- musique baroque
- Allemagne
- organiste, compositeur ou compositrice, professeur ou professeure d'université, claveciniste
Dernière mise à jour
2024-04-28
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Bach Demus Kipnis Karl Haas Sørensen Schweitzer Busoni Paul Jacobs Jacobs Heiden Edith Picht Axenfeld Kenneth Sillito Eduard Van Beinum Marie Claire Alain Helmut Walcha Elsner Haskil Ralph Kirkpatrick Michel Chapuis Wanda Landowska London Baroque 1949 1950 1951 1952 1954 1955 1956 1957 1958 1959 1960 1961 1962 1964 1966 1968 1974 1975 1979
#Bach #JSBach #Baroque #ClassicalMusic More Bach: Gyorgy Sandor, 1949: Ouverture in the French Manner, BWV 831 - Complete: (http•••) JS Jose Echaniz, 1962: Three Part Inventions No. 1 in C major, No. 2. in C Minor: (http•••) JS Kipnis / Munchinger, 1975: Harpsichord Concerto in A-moll BWV 1065: (http•••) Karl Haas / London Baroque Ensemble, 1951: Brandenburg Concerto No. 4, BWV 1049: (http•••) JS George Malcolm, 1966: Inventions, BWV 775, 776 and 777: (http•••) JS Sylvia Marlowe: Concerto for Two Harpsichords in C major, BWV 1061 - Adagio - 1960: (http•••) Finn Viderø / Søren Sørensen, 1954: Concerto for Two Harpsichords in C Minor, BWV 1060: (http•••) JS Malcolm Hamilton, 1964: WTC, Book I, Prelude and Fugue No. 1 in C major, BWV 846: (http•••) Albert Schweitzer, 1952: Prelude in D Major - Original Columbia Masterworks LP: (http•••) Busoni / Paul Jacobs, 1979: Nun komm' der Heiden Heiland: (http•••) JS Edith Picht-Axenfeld, 1968: Goldberg Variations, BWV 988 - Variations 13, 14, 15: (http•••) Zuzana Ruzickova, 1964: Fantasia in C minor, BWV 906: (http•••) JS Malcolm Hamilton, 1964: WTC, Book I, Prelude and Fugue No. 10 in E minor, BWV 855: (http•••) Brigitte Zaczek, 1968: Suite in G major (after the Cello Suite No. 3, BWV 1009) - Part 3 of 3: (http•••) Susanne Lautenbacher, 1962: Brandenburg Concerto No. 2 in F Major, BWV 1047: (http•••) Solisti Di Zagreb, 1957: Concerto in D minor for Violin, Oboe and Strings (3): (http•••) JS Kenneth Sillito / Hugh Bean, 1974: Concerto for 2 Violins in D Minor, BWV 1043: (http•••) JS Malcolm Hamilton, 1964: WTC, Book I, Prelude and Fugue No. 11 in F major, BWV 856: (http•••) JS Eduard Van Beinum, 1956: Suite For Orchestra in C Major BWV 1066: (http•••) JS Malcolm Hamilton, 1964: WTC, Book II, Prelude and Fugue No. 15 in G major, BWV 884: (http•••) JS Jose Echaniz, 1962: Three Part Invention No. 3 in D Major, BWV 789: (http•••) Bach: Subtle Variations in the Italian Concerto, Movement 3: (http•••) Finn Viderø / Søren Sørensen, 1954: Concerto for Two Harpsichords in C Major, BWV 1061: (http•••) JS Marie-Claire Alain, 1960: Passacaglia & Fugue in C minor, BWV 582: (http•••) JS Kipnis / Munchinger, 1975: Harpsichord Concerto in C-moll BWV 1060: (http•••) JS H Walcha, 1964: English Suite No. 1 in A Major, BWV 806: (http•••) JS Helma Elsner, 1961: Toccata and Fugue in C Minor, BWV 911: (http•••) JS Malcolm Hamilton, 1964: WTC, Book II, Prelude and Fugue No. 2 in C minor, BWV 871: (http•••) Haskil / Anda, 1955: Concerto For Two Pianos in C Major - Movement 1 - Angel 35380: (http•••) JS Helmut Walcha, 1959: Kommst du nun, Jesu, von Himmel, BWV 650: (http•••) JS Marie-Claire Alain, 1962: Alla Breve in D Major, BWV 589: (http•••) Fine Arts String Quartet, 1962: Contrapunctus II, Art of the Fugue - Trans. Samuel Baron: (http•••) JS Ralph Kirkpatrick, 1958: Harpsichord Concerto in D Minor, BWV 1052: (http•••) JS Michel Chapuis, 1961: Prelude in A Minor, BWV 569: (http•••) JS Malcolm Hamilton, 1964: WTC, Book I, Prelude and Fugue No.2 in C minor, BWV 847: (http•••) Sylvia Marlowe, 1955: Harpsichord Concerto in D Minor, BWV 1052 - Complete: (http•••) JS Edith Picht-Axenfeld, 1968: Goldberg Variations, BWV 988 - Variations 4, 5, 6: (http•••) Wanda Landowska, 1950: Prelude and Fugue No. 11 in F - WTC, Book 1: (http•••) JS Malcolm Hamilton, 1964: WTC, Book I, Prelude and Fugue No. 5 in D major, BWV 850: (http•••)
Johann Sebastian Bach Helmut Walcha 1947 1952 1954 2003
Provided to YouTube by Universal Music Group J.S. Bach: Prelude (Fantasy) and Fugue in G minor, BWV 542 - "Great" · Helmut Walcha Bach: Organ Works / The 1947 - 1952 Recordings ℗ 1954 Deutsche Grammophon GmbH, Berlin Released on: 2003-01-01 Producer, Executive Producer, Recording Producer: Dr. Erich Thienhaus Composer: Johann Sebastian Bach Auto-generated by YouTube.
Johann Sebastian Bach Helmut Walcha Reiser Behrens 1971 2000
Provided to YouTube by Universal Music Group J.S. Bach: Aus tiefer Not schrei ich zu dir, BWV 686 · Helmut Walcha · Johann Sebastian Bach · Johann Sebastian Bach · Johann Sebastian Bach · Johann Sebastian Bach Bach, J.S.: Organ Works ℗ 1971 Deutsche Grammophon GmbH, Berlin Released on: 2000-01-01 Producer, Recording Producer: Dr. Gerd Ploebsch Studio Personnel, Balance Engineer: Hansjoachim Reiser Studio Personnel, Recording Engineer: Klaus Behrens Studio Personnel, Editor: Volker Martin Composer: Johann Sebastian Bach Auto-generated by YouTube.
Johann Sebastian Bach Helmut Walcha Arthur Nikisch Günther Ramin Michèle Auclair Marie Claire Alain Leipzig Gewandhaus Orchestra Gewandhaus 1603 1685 1750 1907 1956 2017 2022
Johann Sebastian Bach +••.••(...)) The Art of Fugue by Master Helmut Walcha. Qobuz (http•••) Tidal (http•••) Spotify (http•••) Youtube Music (http•••) Apple Music (http•••) Amazon Music (http•••) Deezer (http•••) Amazon Store (http•••) Napster (http•••) Soundcloud (http•••) LineMusic日本 (http•••) Awa日本 (http•••) Click to activate the English subtitles for the presentation (00:00-08:55) 00:00 The Art of Fugue in D minor, BWV 1080 - Contrapunctus 1 03:52 BWV 1080 - Contrapunctus 2 07:08 BWV 1080 - Contrapunctus 3 10:31 BWV 1080 - Contrapunctus 4 16:03 BWV 1080 - Contrapunctus 5 20:17 BWV 1080 - Contrapunctus 6, a 4 in Stylo Francese 24:30 BWV 1080 - Contrapunctus 7, a 4 per Augmentationem et Diminutionem 28:30 BWV 1080 - Contrapunctus 8, a 3 35:12 BWV 1080 - Contrapunctus 9, a 4 alla Duodecima 39:32 BWV 1080 - Contrapunctus 10, a 4 alla Decima 43:51 BWV 1080 - Contrapunctus 11, a 4 51:31 BWV 1080 - Canon alla Ottava 54:38 BWV 1080 - Canon alla Duodecima in Contrapunto alla Quinta 57:13 BWV 1080 - Canon alla Decima in Contrapunto alla Terza 1:02:04 BWV 1080 - Canon per Augmentationem in contrario motu 1:06:17 BWV 1080 - Contrapunctus 12, Rectus, a 4 1:09:08 BWV 1080 - Contrapunctus 12, Inversus, a 4 1:12:04 BWV 1080 - Contrapunctus 13, Rectus, a 3 1:15:08 BWV 1080 - Contrapunctus 13, Inversus, a 3 1:18:16 BWV 1080 - Fuga a 4 Soggetti - Unfinished Organ: Helmut Walcha Große (Frans-Caspar-Schnitger) Orgel der St. Laurenskerk, Alkmaar Recorded in 1956 New mastering in 2022 by AB for CMRR FOLLOW US on SPOTIFY (Profil: CMRR) : (http•••) Download CMRR's recordings in High fidelity audio (QOBUZ) : (http•••) ️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) (http•••)/ FULL PRESENTATION: READ FIRST PINNED COMMENT*** Helmut Walcha has made it known more than once how unnecessary he considers any reference to the fact that he has been incurably blind since his childhood. He wants his intentions to be understood and his achievements to be recognized, exactly like any other musician. It would therefore be right and proper to make no mention of his blindness but for the fact that Walcha himself indicated in a broadcast talk that the disease which cut him off permanently from the visible world also opened up and smoothed for him the way to inner perception. Helmut Walcha, who was born in Leipzig on 27 October 1907, the son of a postal official, and who grew up in a milieu not greatly influenced by music, arrived when he was only 13 at the crossroads which led him to Bach. It was by chance, not thanks to a teacher's plan, that he came across Bach's F major Invention. This is laid out as a canon, and indeed it became a symbol, a "canon" to the youth engrossed in music. Arthur Nikisch, world-famous as conductor of the Leipzig Gewandhaus Orchestra, recognized the boy's gifts and recommended a thorough musical education. After only a year of private instruction he was admitted to the Leipzig Conservatoire, with the organ as his principal subject, and the young Günther Ramin as his revered teacher. The same inner logic which made Walcha an authority on Bach also led him to the organ which is the ideal tonal and performing medium for his concept of Bach. He rejected absolutely the giant symphonic organ of the late Romantic era with its tonal illusions. The way back to the Baroque organ proved in actual fact to be a move towards the future. The works of Bach which Helmut Walcha have been played on historic instruments in their original settings. Fidelity to the music and fidelity of sound to Helmut Walcha these two factors form an indivisible unity. Bach - 6 Sonatas for Violin and Organ BWV 1014-1019 (Ct.rec.: Michèle Auclair, Marie-Claire Alain): (http•••) Johann Sebastian Bach PLAYLIST (reference recordings): (http•••)
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