Hina Spani Vidéos
chanteuse et professeur de musique argentine
- soprano
- Argentine
- artiste lyrique
Dernière mise à jour
2024-04-27
Actualiser
Giuseppe Verdi Hina Spani 1813 1901 1928
Giuseppe Verdi +••.••(...)) Otello Piangea cantando Hina Spani, soprano 1928
Gioachino Rossini Selva Hina Spani 1792 1868 1931
Gioachino Rossini +••.••(...)) Guglielmo Tell Selva opaca Hina Spani, soprano Milano, 1931
Giuseppe Verdi Hina Spani Teatro Scala 1813 1901 1927
Giuseppe Verdi +••.••(...)) Il Trovatore Tacea la notte Hina Spani, soprano Carlo Sabajno, direttore Orchestra del Teatro alla Scala Milano, 1927
Hina Spani Maschera Giuseppe Verdi Catalani Meyerbeer Zandonai Boito Angelis Pertile Arangi Lombardi Lombardi Toscanini Teatro Scala Teatro Colón 1896 1915 1919 1924 1926 1927 1940 1946 1969
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Hina Spani--soprano Carlo Sabajno--conductor Orchestra del Teatro alla Scala, Milano 1927 / "Argentine soprano, 1896 - 1969 Her real name was Higinia Tunon. She started to take singing lessons at the age of eight and gave her first public concert in Cordoba at the age of 12. Her first teacher was Amanda Campodonico in Buenos Aires. She left for Italy to continue her studies with Vittorio Mortatti in Milan. She made her début as Anna in Catalani’s Loreley at La Scala in 1915. Soon after she appeared at the Teatro Colón in Buenos Aires as Micaela, Nedda and Ines in Meyerbeer’s L’Africana. World War I disrupted her career but she gave many recitals in which she often sang German Lied repertoire. This preference for German music continued to the end of her career. In 1919 she returned to Italy and appeared in various opera houses. She sang her first Elsa in Wagner’s Lohengrin in the same year, this was one of her most famous roles. She also appeared as Elisabeth in Tannhäuser, as Maddalena, Desdemona, Mimì, Marina, Sieglinde, Santuzza and Wally. In 1924 she added Aida, Amelia and Giulietta (Zandonai). She sang Margherita in Boito’s Mefistofele opposite de Angelis, Pertile and Arangi-Lombardi, conducted by Toscanini. In 1926 she sang recitals in Italy (often Wagner’s Wesendonck-Lieder!) and appeared in all Italian, Spanish and South American opera houses. She declared that she preferred song to opera and that the expressive power of the Lied was to her the greatest source of satisfaction. She also appeared in Australia and Switzerland. She added further roles to her repertoire: Leonora (Trovatore), Madame Butterfly, Marguerite in Faust and Tosca. During her final years she mostly sang dramatic roles such as Turandot and Lady Macbeth. Nevertheless she continued to sing lyric roles. She terminated her operatic career in 1940 but continued to give recitals until 1946. She became a highly esteemed professor at the Music High School of the University of Buenos Aires. For some years Hina Spani was the Director of that institute."; cantabile-subito.de
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