Teresa Imer Vidéos
salonnier ou salonnière, acteur ou actrice, artiste lyrique
- soprano
- république de Venise
Dernière mise à jour
2024-05-11
Actualiser
Carl Friedrich Abel Robert Rønnes Christian Ferdinand Abel Johann Sebastian Bach Johann Adolph Hasse Merlin Johann Christian Bach Haydn Theresa Cornelys Wolfgang Amadeus Mozart 1723 1725 1748 1758 1759 1762 1764 1765 1775 1782 1785 1787 2013
+••.••(...)) Carl Friedrich Abel: Sonata in e minor for Bassoon and Harp. (Original for Viola Da Gamba) Arranged and performed for Bassoon and Mac Playback Harp by Robert Rønnes, 1st June 2013. / About the composer: ( From Wikipedia) Carl Friedrich Abel (22 December 1723 / 20 June 1787)[1] was a German composer of the Classical era. (The Chambers Biographical Dictionary gives his year of birth erroneusly as 1725.)[2] He was a renown player of the viola da gamba, and composed important music for that instrument. Abel was born in Köthen, the son of Christian Ferdinand Abel, the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomaschule, where he was taught by Bach. On Bach's recommendation in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for ten years. In 1759 (or 1758 according to Chambers),he went to England and became chamber-musician to Queen Charlotte. He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin. In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart—evidently for study purposes—while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7.
Massa Imer Aguilar Hernández Esquivel Orfeó Català 2022
Festival "Ella es Música". IMER, Opus 94. Massa Coral del Orfeó Català de Mèxic, sección sopranos y mezzosopranos. Paúl Alberto Aguilar De Azcué, Director. Martín de la Rosa Hernández, pianista. Adriana Pimente Esquivel, pianista. Elvia Castro, flautista. Citlali Rosas, clarinetista. Marzo 2022
Carl Friedrich Abel Eckert Christian Ferdinand Abel Johann Sebastian Bach Johann Adolph Hasse Merlin Johann Christian Bach Haydn Theresa Cornelys Wolfgang Amadeus Mozart Breitkopf 1723 1743 1758 1759 1762 1764 1765 1775 1776 1782 1785 1787 2018
1: Siciliano 00:06 2: Allegro 02:27 3: Presto 05:39 Viola da Gamba. Simone Eckert Theorbe. Ulrich Wedemeier Carl Friedrich Abel (22 December 1723 – 20 June 1787)was a German composer of the Classical era. He was a renowned player of the viola da gamba, and composed important music for that instrument. Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. The young Abel later boarded at St. Thomas School, Leipzig, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years. In 1759 (or 1758 according to Chambers), he went to England and became chamber-musician to Queen Charlotte, in 1764. He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin. In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. He was buried in the churchyard of St Pancras Old Church. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart—evidently for study purposes—while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. In 2018, New manuscripts of Viola da gamba music have been found in Poland, in the Library of the Adam Mickiewicz University in Poznań, in a collection originating from the Maltzahn family palace in Milicz.
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