Joseph Christoph Kessler Vidéos
musicien allemand
- piano
- Empire allemand
- pianiste, compositeur ou compositrice
Dernière mise à jour
2024-05-06
Actualiser
Frédéric Chopin Bach Liszt Schumann Bülow Tolling Camille Pleyel Pleyel Joseph Christoph Kessler 1835 1839
Frédéric Chopin wrote his Preludes, Op. 28, between 1835 and 1839, the year when the set was published. The cycle consists of 24 pieces for solo piano, one in each of the 24 keys (much like Bach's Well Tempered Clavier), and organized according to the circle of fifths. Chopin's preludes are carefully planned, self-contained miniatures which avoided the improvisatory feeling associated with the 'prelude' name. This led some critics to consider them incomplete pieces. Liszt, however, saw them as innovative and poetic. Although each work can stand alone, some scholars have suggested that the collection is one large work with twenty-four pieces, citing motivic connections among the preludes, and even musical connections from the ends of some preludes to the beginnings of others. Chopin never played all twenty-four in a row in a public performance. In fact, he never played more than four in concert. Neither did he give them evocative names, like Schumann and Liszt did for some of their pieces that were of a similar character. Hans von Bülow suggested some names for the preludes like Reunion, Tolling Bells, The Polish Dancer, and Raindrop. The preludes were dedicated to Camille Pleyel and Joseph Christoph Kessler. If you like my video please like,comment and subscribe to my channel! Thank you!
Frédéric Chopin Bach Liszt Schumann Bülow Tolling Camille Pleyel Pleyel Joseph Christoph Kessler 1835 1839
Frédéric Chopin wrote his Preludes, Op. 28, between 1835 and 1839, the year when the set was published. The cycle consists of 24 pieces for solo piano, one in each of the 24 keys (much like Bach's Well Tempered Clavier), and organized according to the circle of fifths. Chopin's preludes are carefully planned, self-contained miniatures which avoided the improvisatory feeling associated with the 'prelude' name. This led some critics to consider them incomplete pieces. Liszt, however, saw them as innovative and poetic. Although each work can stand alone, some scholars have suggested that the collection is one large work with twenty-four pieces, citing motivic connections among the preludes, and even musical connections from the ends of some preludes to the beginnings of others. Chopin never played all twenty-four in a row in a public performance. In fact, he never played more than four in concert. Neither did he give them evocative names, like Schumann and Liszt did for some of their pieces that were of a similar character. Hans von Bülow suggested some names for the preludes like Reunion, Tolling Bells, The Polish Dancer, and Raindrop. The preludes were dedicated to Camille Pleyel and Joseph Christoph Kessler. If you like my video please like,comment and subscribe to my channel! Thank you!
Frédéric Chopin Valldemossa Bach Joseph Christoph Kessler Wessel Camille Pleyel Pleyel Satie Tchaikovsky Beethoven Haydn Ravel Debussy Verdi Vivaldi Brahms Liszt Schubert Mendelssohn Rachmaninoff Handel 1835 1838 1839
Subscribe to the ClassicalHub channel for constant music video updates. Hit 'LIKE' if you ️ this song and 'SHARE' with a friend. (http•••) Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838–39 and where he had fled with George Sand and her children to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's The Well-Tempered Clavier, and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. The manuscript, which Chopin carefully prepared for publication, carries a dedication to the German pianist and composer Joseph Christoph Kessler. The French and English editions (Catelin, Wessel) were dedicated to the piano-maker and publisher Camille Pleyel, who had commissioned the work for 2,000 francs (equivalent to nearly $30,000 in present day). The German edition (Breitkopf & Härtel) was dedicated to Kessler, who ten years earlier had dedicated his own set of 24 Preludes, Op. 31, to Chopin. ——— LEARN PIANO (http•••) LEARN VIOLIN (http•••) LEARN GUITAR (http•••) ——— PLAYLIST The Best of Chopin (http•••) ——— ABOUT US Welcome to the ClassicalHub! Visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! Thanks for watching this video by ClassicalHub, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. ——— ️ FOLLOW US YouTube: (http•••) ——— ️ DISCLAIMER Links included in this description might be affiliate links. If you purchase a product or service with the links that I provide I may receive a small commission. There is no additional charge to you! Thank you for supporting ClassicalHub so I can continue to provide you with free content each week! ——— HASHTAGS #Chopin #FrédéricFrançoisChopin #ClassicalMusic #ClassicalHub
Chopin Brevi Liszt Camille Pleyel Pleyel Joseph Christoph Kessler Schumann Bülow Tolling 1835 1839
Obrigado por assistir esse vídeo. :) inscreva-se Il termine Preludio suggerisce un brano di apertura che forse introduce un'opera più ampia che segue. Nel regno dei pezzi romantici, il Preludio era un lavoro autonomo che può esibire una varietà di stati d'animo. I preludi di Chopin erano brevi, nessuno di loro più di novanta misure. Il più piccolo della collezione aveva solo 12 battute, portando alcuni critici a considerarle in qualche modo. Liszt, invece, li considerava innovativi e poetici. Chopin compose ventiquattro Preludi tra il 1835 e il 1839, dedicandoli a Camille Pleyel e Joseph Christoph Kessler. Sebbene ogni opera possa essere isolata, alcuni studiosi hanno suggerito che la raccolta sia una grande opera con ventiquattro pezzi, citando connessioni motivazionali tra i preludi e persino connessioni musicali dalla fine di alcuni preludi all'inizio di altri. Chopin non ha mai suonato i ventiquattro anni consecutivi in una rappresentazione pubblica. In effetti, non ha mai suonato più di quattro al concerto. Chopin non ha dato loro nomi evocativi, poiché Schumann e Liszt hanno dato alcuni dei suoi pezzi che erano simili personaggio. Hans von Bülow ha suggerito alcuni nomi per i preludi come Reunion, Tolling Bells, The Polish Dancer e Raindrop. Grazie per aver guardato questo video. :) Iscriviti The term Prelude suggests an opening piece that introduces perhaps a larger work that follows. In the realm of Romantic character pieces, the Prelude was a stand-alone work that could display a variety of moods. Chopin's preludes were short, none of them more than ninety measures long. The shortest of the collection was just twelve bars, leading some critics to view them as somehow in. Liszt, however, saw them as innovative and poetic. Chopin composed twenty-four Preludes between 1835 and 1839, dedicating them to Camille Pleyel and Joseph Christoph Kessler. Although each work can stand alone, some scholars have suggested that the collection is one large work with twenty-four pieces, citing motivic connections among the preludes, and even musical connections from the ends of some preludes to the beginnings of others. Chopin never played all twenty-four in a row in a public performance. In fact, he never played more than four in concert. Chopin didn't give them evocative names, like Schumann and Liszt did for some of their pieces that were of a similar character. Hans von Bülow suggested some names for the preludes like Reunion, Tolling Bells, The Polish Dancer, and Raindrop. Thank you so much for watching this video :) Sign up Der Begriff Präludium schlägt ein Eröffnungsstück vor, das vielleicht ein größeres Werk einführt, das folgt. Im Bereich der romantischen Charakterstücke war das Präludium ein eigenständiges Werk, das eine Vielzahl von Stimmungen zeigen konnte. Chopins Präludien waren kurz, keiner von ihnen länger als neunzig Takte. Der kürzeste Teil der Sammlung war nur zwölf Takte, was einige Kritiker dazu veranlasste, sie als irgendwie zu betrachten. Liszt sah sie jedoch als innovativ und poetisch an. Chopin komponierte zwischen 1835 und 1839 vierundzwanzig Präludien, die er Camille Pleyel und Joseph Christoph Kessler widmete. Obwohl jedes Werk für sich allein stehen kann, haben einige Wissenschaftler vorgeschlagen, dass es sich bei der Sammlung um ein großes Werk mit vierundzwanzig Stücken handelt, in dem motivische Verbindungen zwischen den Präludien und sogar musikalische Verbindungen von den Enden einiger Präludien zu den Anfängen anderer angeführt werden. Chopin spielte nie alle vierundzwanzig hintereinander in einer öffentlichen Aufführung. Tatsächlich spielte er nie mehr als vier im Konzert. Chopin gab ihnen keine eindrucksvollen Namen, wie es Schumann und Liszt für einige ihrer Stücke mit ähnlichem Charakter taten. Hans von Bülow schlug einige Namen für die Präludien vor, wie Reunion, Tolling Bells, The Polish Dancer und Raindrop. ÜBERSETZT VON GOOGLE Vídeo criado no software vídeo suíte movavi (http•••) Stock Media provided by 6@PublicDomain / Pond5 - www.pond5.com
ou
- chronologie: Compositeurs (Europe). Interprètes (Europe).
- Index (par ordre alphabétique): C...