Josse Boutmy Vidéos
compositeur belge
- orgue
- Belgique
- organiste, compositeur ou compositrice, pianiste
Dernière mise à jour
2024-05-05
Actualiser
Josse Boutmy Dandrieu Rameau Duphly Handel Domenico Scarlatti 1683 1697 1719 1720 1721 1729 1736 1744 1755 1759 1777 1779
Autor: Josse Boutmy +••.••(...)) Obra: Suite in d, Op.2/3 Intèrprets: Jаn DеvIiеgеr (klavicembal) Pintura: Gezicht op het Stadhuis aan de Grote Markt te Brussel, Kaiserlich Franziskische Akademie, naar Bergmüller +••.••(...)) Més info: (http•••) / Josse [Charles Joseph Judocus, Joos] Boutmy (Ghent, 1 February 1697 - Brussels, 27 November 1779) Organist, harpsichordist and composer. Both his father and grandfather were organists at Ghent churches, and his brother, Jacques (Judocus) Adrien Boutmy (1683–1719), was the organist at the collegiate church of St Michel and Ste Gudule, Brussels. Josse Boutmy arrived in Brussels before 1720, gaining citizenship there in 1729. He served the Prince of Thurn and Taxis from 1736, and from 1744 to 1777 he was the organist at the Brussels court chapel. He was also the harpsichord teacher of the Princess of Arenberg and of ‘tous les jeunes Seigneurs et Dames de la Cour’ of Charles of Lorraine, brother-in-law of Empress Maria Theresa and governor-general of the southern Netherlands. Married twice, he had 16 children. He left a Livre de raison (still extant), in which he recorded significant family events from 1721 to 1759 but did not mention his music. Boutmy is best known for his three books of harpsichord music. French influence is apparent in the first, which contains two suites comprising character-pieces (L’Agnès, La fanfarinette, La brillante, L’obstinée), personal tributes (La Dandrieux, La Saumis) and stylized movements such as overtures, allemandes, courantes, menuettes, and gigues; the music adheres closely to the later French tradition of Dandrieu, Rameau and Duphly in both harmonic language and extensive ornamentation, particularly the port de voix and coulé. He was, however, a cosmopolitan composer and frequently interspersed movements in the Italian style as well as airs and miscellaneous movements containing sequential passage-work and harmonic writing that indicates familiarity with the keyboard music of Handel. The second and third books are more dramatic, retaining the structure of the suite but having a greater number of descriptive or character titles. Some pieces are in sonata form, though rudimentary; in the third book influence of Domenico Scarlatti is evident as well as an attempt at the newer galant style.
Josse Boutmy Dulcken 1747 1748 1750 2020
The Allemande from Josse Boutmy's first Suite in his third book of Pièces de clavecin, c.1748-1750. The piece I felt most sorry for not including it on my new CD 'Grand Tour', as I already went over the normal 80 minutes of music... The complete suite can ONLY be ordered as part of the VIP bonus option or Dulcken Collector's pack through my crowdfunding campaign. recorded at Museum Vleeshuis, Antwerp, on the original Joannes Daniel Dulcken harpsichord from 1747 | October 2020. photos of Korneel by Dymphna Vandenabeele. (http•••)
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- chronologie: Compositeurs (Europe). Interprètes (Europe).
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