Heinrich Kafka Vidéos
compositeur ou compositrice, pédagogue, violoniste, organiste
Commémorations 2024 (Naissance: Heinrich Kafka)
- musique classique, opéra
- République tchèque
Dernière mise à jour
2024-04-28
Actualiser
Lazare Saminsky Nemtsov Rimsky Korsakov Lyadov Schoenberg Stravinsky Serge Koussevitsky Pierre Monteux Willem Mengelberg Walter Damrosch Busch Kafka 1882 1910 1919 1940 1959 1999
Lazare Saminsky +••.••(...)) Ritual Dance on the Sabbath, Op. 26, No. 1 Composed in 1919 Performed by Jascha Nemtsov (http•••)/ “Saminsky, a former fellow-student at St. Petersburg conservatory under Rimsky-Korsakov and Lyadov, officially banned from Moscow for participating in student protests, had a plentiful life. Blessed with inexhaustible energy, an enthusiastic temperament and exceptional versatility, he was a scholar, well-versed in mathematics, philosophy and languages, several of which he spoke fluently. He was a founding member of the Society for Jewish Music. He also took part in expeditions to collect folk songs and liturgical singing of the Caucasian Jews. An avid traveler, he stayed in Jerusalem before emigrating to the United States. There, shortly after his arrival, he founded the League of Composers. He was responsible for the American premiere performances of Schoenberg's Pierrot Lunaire and Stravinsky's Les Noces. Very committed to the music of younger American and Russian composers, he established the "New York Polyhymnia", an international concert association which goal was to "foster international exchange of unknown musical cultures and of unknown works, old and new." His own works, performed in the 20's under such conductor as Serge Koussevitsky, Pierre Monteux, Willem Mengelberg, Walter Damrosch, and Allan Busch, languished later on living an increasingly shadowy existence. Most of them are conspicuously programmatic in character. This is not always the result of a definite literary model, but is often the consequence of the unusually plastic and gestural quality of the music, whose freely rhapsodic language suggests the presence of a musical protagonist. After the Second World War, when a new generation of composers successfully raised their claims to avant-garde status, his music was dismissed as "not-up-to-date". Only now, at the turn of the century, it has become increasingly obvious that the creative impulses of early Modernism +••.••(...)) were often more original and fertile than any number of fashionable manifestations appearing during the subsequent era. Saminsky stayed in the US until his death in 1959. Although not expressly mentioned in the title, "Danse rituelle du Sabbath" (or "Ritual Dance on the Sabbath") in unquestionably about a Hassidic Sabbath celebration for it is not customary to celebrate the Holy Sabbath by dancing. However, in Hasidism, prayer is an expression of joy and thus singing and dancing play an important role in worship. The Hasidim are especially well-known for their musicality. "Melodies are created... A miracle-working rabbi suddenly put his head down on his arms resting on the table and stayed like that for three hours while everyone else remained silent. When he woke up, he wept and then sang us a completely new and merry march." (Franz Kafka, Diaries) It is a "merry march" such as this in the "Aavo rabo" modus with the characteristic augmented second which the Hasidim are so fond of that one can hear as the theme in Saminsky's piece. This theme is varied several times whereby it alternates between pounding with heavy chords and shooting up like the tongues of flames.” Jascha Nemtsov. Liner notes for ACROSS BOUNDARIES: DISCOVERING RUSSIA 1910-1940, VOL. 2: THE NEW JEWISH SCHOOL, Jascha Nemtsov, EDA Records EDA 14-2, 1999, compact disc.
Neues Theater Kafka Wunder Burg Hanke Erhardt Bucher 2021
Premiere: 7. Oktober 2021 | neues theater - Kammer Das Urteil nach Franz Kafka Trailer: Lutz Kretschmann Besetzung: Konzept und Organisation Hauke Pockrandt Ausstattung Raumbühne Kammer Marina Stefan Licht- und Videodesign Hagen Dittmer Tondesign Andreas Wunder Dramaturgie Ronny Jakubaschk Animationen Paula-Rahel Cyriaks (Studentin der Burg Giebichenstein) Videobearbeitung Judith Hanke (Studentin der Burg Giebichenstein) Skizzenzeichnungen Karen Rosas Jaspi (Studentin der Burg Giebichenstein) Bühnenperformance Nils Andre Brünnig Künstlerische Mitwirkung und Beiträge in Video und Ton: Nora Schulte Cynthia Cosima Erhardt Aline Bucher Bettina Schneider Martin Reik
Klaus Karl Hübler Kafka Igor Strawinsky 1978
+••.••(...)Kafka Studie) für Klarinette in B, Violoncello und Klavier (Dirk Schultheis, Klarinette / Susanne Eychmüller, Violoncello / Michael Allan, Klavier) (http•••) (http•••) Philippe (S) Ivanejev, Fenêtre sans images (Window Without Images) "I have always had a horror of listening to music with my eyes shut, with nothing for them to do." (Igor Strawinsky) "(...) ich habe immer einen Abscheu davor gehabt, Musik mit geschlossenen Augen zu hören, also ohne dass das Auge aktiv daran teilnimmt. " "J'ai toujours eu horreur d'écouter la musique les yeux fermés, sans une part active de l'œil" (Igor Strawinsky)
hereda la vocación artística de sus padres y abuelos. Actor infantil de innumerables películas como Sed de amor, El gato con botas y los cuentos de Pancho Villa, entre otras: Estudió actuación en la Academia Andrés Soler e incursiona en el mundo de la televisión en donde ha participado en numerosas telenovelas como El Padre Gallo y la Antorcha encendida, pero es en el teatro donde alcanza la madurez como actor y el reconocimiento a su gran calidad histriónica. En 1983 obtuvo el premio Emilio Brillas, que otorga la Asociación Mexicana de Críticos de Teatro, como el mejor actor de comedia. Ha participado con gran éxito en más de 100 obras de teatro al lado de grandes actores, y es reconocido como un primer actor de la comedia, tanto por sus compañeros como por la crítica y el público. Un hombre que Lucha por la vida día a día. Sus manos salpicadas por los años y su rostro marcado por el tiempo, sigue sufriendo los embates de una difícil enfermedad, la esclerosis múltiple. Con mucha dificultad para caminar, llega todas las noches para cumplir su gran la cita con el público. Como él mismo lo dice, no por fama, sino por convicción, por amor a su oficio sigue activo, trabajando. Pero tal padecimiento, hace estragos en su cuerpo, si bien no en su alma. Un actor excepcional que inicia su carrera en los escenarios a los 3 años, y que hasta nuestros días triunfa en los escenarios pues su motor es despertar conciencias y sentimientos en el público. Humberto sabe que su vida peligra, pero está seguro de que puede sobrevivir con los aplausos “El Gorila”, un monólogo de Kafka, se presenta en el Teatro Orientación del Centro Cultural del Bosque, detrás del Auditorio Nacional, los lunes y martes a las 8 de la noche, cumple ya 23 años de representarse y por tanto es todo un record importantísimo
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