Raoul Koczalski Vidéos
pianiste polonais
Commémorations 2024 (Naissance: Raoul Koczalski)
- piano
- opéra, musique classique
- Pologne
- pianiste, compositeur ou compositrice
Dernière mise à jour
2024-05-12
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Ingolf Wunder Scarlatti Chopin Raoul Koczalski Liszt Rachmaninov Scriabin Moszkowski Horowitz Volodos Debussy
Programme: 00:23 Scarlatti Sonata L.33 06:32 Mozart Sonata KV333 - Movement 1 14:00 Mozart Sonata KV333 - Movement 2 20:30 Mozart Sonata KV333 - Movement 3 27:10 Chopin Ballade No.1 36:53 Raoul von Koczalski Valse fantastique Op.49 40:10 Liszt Csárdás Macabre 48:22 Rachmaninov Prelude in G Minor Op. 23 No. 5 52:11 Scriabin Étude in D-sharp minor, Op. 8, No. 12 54:44 Moszkowski Etincelles, Op. 36, No. 6 57:49 Horowitz Danse Excentrique 1:00:25 Mozart Rondo a la turca (Volodos) 1:05:45 Debussy Clair de Lune IW Official Website: (http•••) Follow IW on Instagram: (http•••) Follow IW on Facebook: (http•••) Follow IW on Twitter: (http•••)
Chopin Liszt Rosenthal Koczalski Mikuli 1929 1942
This and the Chopin Tarantelle,both recorded on 3/18/1942, were the last recordings that Rosenthal,then nearly 80,ever made.As one would expect, there is some falling off in technique but it does not matter.I cannot imagine a more beautiful performance--far preferable to his 1929 recording. At age 8,Rosenthal,like Koczalski,became a student of Chopin's pupil,Karl Mikuli and studied with him for about 5 years. He later became a pupil of Liszt.This may explain the differences between Koczalski's Chopin and Rosenthal's.
Chopin Raoul Koczalski Liszt Mikuli Beethoven Cortot Backhaus Moriz Rosenthal 1885
Before this year's observance of the Bicentennial of Chopin's birth is over, I am posting Raul Koczalski's recordings of the Etudes Opus 10 and 25. Raoul Koczalski was born on January 3, 1885 in Warsaw Poland. His first teachers were his mother and later, Julian Gadowski and the Liszt pupil, Ludwig Marek. After Marek's death, the seven year old prodigy began his studies with Karl Mikuli, a student of Chopin. These studies continued until Koczalski's eleventh year. Mikuli became Koczalski's last teacher. As a pupil of a student of Chopin, Koczalski was closely associated with the music of the Polish master. However, his recitals often included works by other composers. Among his last recitals before his death, three were devoted entirely to Beethoven's music. In these recordings of the Chopin Etudes, the listener will notice a different interpretative style as compared to those of two other historical complete recordings performed by Cortot and Backhaus. This includes individual Chopin Etude recordings by other pianists of this period. For example, there is little in common with Koczalski's performance of the Op 10 no1 and that of Moriz Rosenthal who was also a pupil of Mikuli. Koczalski's performance of the Op 25 no 6 (thirds) has often been compared favorably with that of Josef Lhevinne , but other than the tempi, the interpretation and articulation is entirely different as it is with the Op 25 no 11, "Winter Winds". And there are textual divergences as in the Op 10 no 2 where one measure is left out. One could go on and on. However, connisours of Romantic period performance practice will relish these recordings.
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