Miguel Azguime Vidéos
compositeur portugais
- opéra
- Portugal
- compositeur ou compositrice, percussionniste, poète ou poétesse
Dernière mise à jour
2024-05-03
Actualiser
Pinto António Saiote Alain Damiens Walter Boeykens Alois Brandhofer António Vitorino Almeida Melo Sérgio Azevedo Lopes Nuno Côrte Real Moody Sousa Miguel Azguime Moritz Eggert Eggert Antunes Ribeiro Grupo Música Nova Orquestra Gulbenkian 2006 2007
Nuno Pinto clarinet masterclass Lesson on Jacob Bittencourt Noites Cariocas Nuno Pinto studied clarinet with Saul Silva, António Saiote, Michel Arrignon and Alain Damiens in Portugal and France. Took master-classes directed by the clarinettists Guy Dangain, Walter Boeykens, Howard Clug, Robert Fontaine and Alois Brandhofer. Dedicated a significant part of his work to chamber music and to contemporary music, being one of the founding members of the chamber music groups Camerata Senza Misura, Trivm de Palhetas and Clarinetes Ad Libitum, also collaborating, among others, with the Moscow Piano Quartet, the Ensemble Contrapuctus, the Ensemble Português de Clarinetes and the String Quartets from Lisbon, Aveiro and Lyra. Nuno Pinto is also member of the OrchestrUtopica, of Grupo Música Nova and of Sond'Ar-te Electric Ensemble. As a clarinettist, Nuno Pinto participated in the premieres of the works of composers such as Cândido Lima, Christopher Bochmann, António Vitorino d'Almeida, Carlos Guedes, Virgílio Melo, Carlos Azevedo, Fernando C. Lapa, José Júlio Lopes, Nuno Côrte-Real, Ivan Moody, Carlos Caires, António Sousa Dias, Miguel Azguime, Moritz Eggert, João Madureira, Johannes Motschmann, Luís Antunes Pena, among others, and is the dedicatee of works by Cândido Lima, Luís Tinoco, Sérgio Azevedo, Ricardo Ribeiro, Telmo Marques, Virgílio Melo and Miguel Azguime. Soloist with the Orquestra Clássica do Porto, Orquestra do Norte, Solistas do Porto, Orquestra de Câmara de Cascais and Oeiras, Orquestra de Câmara Musicare, Orquestra Artave and European Medical Students Orchestra. Also collaborated with the Orquestra Gulbenkian, Orquestra Sinfónica Portuguesa and the Orquestra Nacional do Porto. Participated in several International Music Festivals in countries such as Portugal, Spain, France, Belgium, Germany, Austria, England, Italy, Slovenia, Hungary, Poland, United States and China. Together with the group Clarinetes Ad Libitum, in 2006, Nuno Pinto recorded Contradanza and, in 2007, participated in the film A Terra antes do Céu by João Botelho, with the group Camerata Senza Misura and in the album Torga / Retratos e Paisagens. Nuno Pinto is professor of Clarinet and Chamber Music at Escola Superior de Música e Artes do Espectáculo, in Oporto. He is sponsored by Buffet Crampon and Rico. (http•••)
Miguel Azguime Pinto 2008 2009
MIGUEL AZGUIME composition No Oculto Profuso (medidamente a desmesura) - +••.••(...)) Nuno Pinto - clarinet Miguel Azguime - electronics Miguel Azguime Funds & Supports: Dgartes/Ministério da Cultura The editing of the video is part of of the THE EUROPEAN ART - SCIENCE - TECHNOLOGY NETWORK for Digital Creativity (EASTN-DC) project, Co-funded by the Creative Europe Programme of the European Union.
Vieira Béla Bartók António Chagas Rosa Miguel Azguime Matosinhos Pedro Burmester Burmester Coelho Carneiro Barbosa Ribeiro Fux Schmidt Alban Berg Lasalle John Adams Sérgio Azevedo Vasco Mendonça Vargas Salazar Ferreira Lopes Valente Pelo Concertgebouw Musikverein Orquestra Gulbenkian 1300 2014
FORMAÇÕES & INTÉRPRETES EXTRAORDINÁRIOS Programa Béla Bartók – “Sonata para Violino Solo” António Chagas Rosa – “Recifes” Miguel Azguime – “Point Vermeil” * * - estreia absoluta Vitor Vieira é membro do Quarteto de Cordas de Matosinhos (QCM) e professor na Escola Superior de Música, Artes e Espetáculo do Porto e na Academia de Música de Lisboa. Com o QCM tem vindo a apresentar-se nas principais salas e festivais de música em Portugal e a colaborar com destacados instrumentistas, como os pianistas Pedro Burmester, António Rosado e Miguel Borges Coelho, o percussionista Pedro Carneiro, os violetistas Tatjana Masurenko e Máté Szucs e os violoncelistas Paulo Gaio Lima e Lázló Fenyo. Seleccionado pela European Concert Hall Organization como Rising Star da temporada 2014/15, o QCM apresentou-se numa tournée de 16 concertos em algumas das mais importantes salas de concerto europeias, como o Barbican Center em Londres, o Concertgebouw em Amsterdão e o Musikverein em Viena. Os seus alunos têm sido premiados em concursos como o Prémio Jovens Músicos, Concurso Vasco Barbosa, Concurso Capela e Concurso Internacional Cidade do Fundão. Vitor Vieira estudou com os professores Alberto Gaio Lima, Aníbal Lima e Gerardo Ribeiro, do qual foi também assistente na Northwestern University (Chicago). Trabalhou também com professores como Alexei Mikhline, Sergey Kravchenko, Eduard Wulfson e Mauricio Fux. Realizou estudos especializados de quarteto de cordas com Rainer Schmidt, violinista do Quarteto Hagen, e trabalhou com membros dos quartetos Alban Berg, Lasalle, Melos, Emerson e Vermeer. Foi bolseiro da Fundação Calouste Gulbenkian. Obteve o 1º Prémio de Violino em nível médio e superior no concurso Prémio Jovens Músicos da RDP. Foi também vencedor do concurso para cordas Samuel Thaviu, em Evanston, e da Concerto Competition da NU. Apresentou-se a solo em algumas das principais salas do país, nomeadamente os grandes auditórios da Fundação Calouste Gulbenkian, Centro Cultural de Belém, Culturgest e Casa da Música com a Orquestra Gulbenkian, Orquestra Nacional do Porto, Orquestra Metropolitana de Lisboa e Orquestra de Câmara Portuguesa. Vitor Vieira é um entusiasta da música contemporânea, tendo trabalhado diretamente com compositores como John Adams e Karin Renquist. Como membro do QCM estreou obras de vários compositores portugueses: Carlos Azevedo, Carlos Guedes, Fernando Lapa, Vasco Mendonça, Miguel Azguime, Eurico Carrapatoso, António Chagas Rosa, Nuno Corte-Real, António Pinho Vargas, Álvaro Salazar, Sérgio Azevedo, Paulo Ferreira-Lopes, Eduardo Patriarca, Telmo Marques, Fernando Valente, Igor Reina, Filipe Lopes, Luis Soldado, Adérito Valente, Francisco Monteiro e Daniel Martinho. É também membro permanente do Sond’Ar-te Electric Ensemble. Apoio: EGEAC O'CULTO DA AJUDA Miso Music Portugal art music centre because sound matters misomusic.me Travessa das Zebras, nº 25 (à Calçada da Ajuda) 1300-589 Belém, Lisboa, Portugal GPS Latitude=38.699070 Longitude=-9.198810 Estrutura financiada pelo Ministério da Cultura/ DgArtes Co-funded by the Creative Europe Programme of the European Union partner of the THE EUROPEAN ART - SCIENCE - TECHNOLOGY NETWORK for Digital Creativity (EASTN-DC) project.
A Laugh to Cry is a contemporary opera about human dignity. A Laugh to Cry explores some primary concerns, which have always haunted human beings, and reveals them from the perspective of our contemporary globalized world. The opera is shaped like a meditation on the hegemonic power of the destruction of memory, the devastation of the Earth and even the collapse of humanity. It evolves in the fringes between dream and reality, between the visible and invisible, being divided in several acts where five characters, two sopranos, one bass and two narrators (a female and a male voice), live and dwell constantly between these two parallels. The opera also involves seven acoustic instruments: flute, clarinet, percussion, piano, violin, viola, cello, as well as live electronics and extended video staging & scenography and real-time processed images. A Laugh to Cry is a metaphysical theatre embodying eternal archetypes. A Laugh to Cry pursues Miguel Azguime's goal, as poet and composer, to grasp an ideal balance between language and music, to merge the language's semantic and metaphorical components with its sonic values, in order to achieve his concept of “speech as music and music as speech". A Laugh to Cry extends Miguel Azguime's research on voice analysis, re-synthesis and processing, aiming at creating a dynamic continuum between timbre, harmony, rhythm and voice spectra. Paula Azguime focuses for the video staging & scenography of A Laugh to Cry upon her quest on proliferate emotions out of the relations created between music, text and acting, binding her artistic expression to the metaphysical realm of each project. A LAUGH TO CRY CAST LIST Miguel Azguime music & text composition; libretto & concept Paula Azguime stage director, scenography, video composition, concept & sound projection Frances M. Lynch soprano Marina Pacheco soprano Nicholas Isherwood bass baritone Agata Mandillo speaker Miguel Azguime speaker Petter Sundkvist conductor Norrbotten NEO: Ann Elkjar Gustafsson flute Robert Ek clarinet Daniel Saur percussion Johan Ullen piano Christian Svarfvar violin Kim Hellgren viola Chrichan Larson cello Elsa Silva and Marten Landstrom repetiteurs Andre Perrotta technology director, programming (CITAR researcher) Perseu Mandillo VFX, 3D effects, photography & video Andre Bartetzki live electronics software development Andre Baltazar motion capture, programming (CITAR researcher) Silvia Real clements of choreography Atalaia 31 costumes Miso Studio sound technology CO-COMMISSIONED BY the WARSAW AUTUMN & the ERNST VON SIEMENS FOUNDATION
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