Missy Mazzoli Vidéos
compositrice, pianiste et professeur de musique américaine
- piano
- États-Unis
- compositeur ou compositrice, professeur ou professeure de musique, pianiste
Dernière mise à jour
2024-05-01
Actualiser
Shai Wosner Domenico Scarlatti Frederic Rzewski Beethoven Schubert Ligeti Gershwin Ives Brahms Schumann Weiss David Lang Isserlis Jennifer Koh Haydn Nicholas Collon Schoenberg Missy Mazzoli Bartók Segal Barenboim Emanuel Ax Lera Auerbach Mussorgsky Konzerthaus Berlin Lincoln Center David Geffen Hall Jerusalem Symphony Orchestra Emerson Quartet New York Philharmonic Orpheus Chamber Orchestra Seattle Symphony West Eastern Divan Orchestra Frankfurt Radio Symphony Gothenburg Symphony Lso National Arts Centre Orchestra Orchestre National Belgique Staatskapelle Berlin Vienna Philharmonic 2020
Shai Wosner plays Domenico Scarlatti and Frederic Rzewski January 21, 2020 Grand Piano Series is a solo piano recital series held in Naples, Florida at Vanderbilt Presbyterian Church (http•••) Piano: Fazioli F308 Subscribe for more: (http•••) Support: (http•••) Let’s connect: Facebook – (http•••) Instagram – (http•••) Website - (http•••) Podcast - (http•••) Google Play - (http•••) Spotify - (http•••) Stitcher - (http•••) Apple Podcasts - (http•••) Soundcloud - (http•••) ARTIST BIO: Pianist Shai Wosner has attracted international recognition for his exceptional artistry, musical integrity, and creative insight. His performances of a broad range of repertoire—from Beethoven and Schubert to Ligeti and the music of today—reflect a degree of virtuosity and intellectual curiosity that has made him a favorite among audiences and critics Mr. Wosner continues his career-long, critically acclaimed engagement with Schubert’s music in his latest recital series Schubert: The Great Sonatas comprising the composer’s six final sonatas, which he describes as “thick novels, rich with insight about the human condition.” Recitals take place at the Konzerthaus in Berlin, and include a residency at Cal Performances in Berkeley as well as appearances in Buffalo, Fresno, and Cambridge (MA). He also performs works from his latest solo recording, Impromptu(Onyx Classics) featuring an eclectic mix of improvisationally inspired works by composers from Beethoven and Schubert to Gershwin and Ives in St. Paul and elsewhere. His concerto performances include appearances with the Detroit and Toronto Symphony Orchestras (Mozart’s Concerto No. 21); the Jerusalem Symphony Orchestra (Brahms’ Concerto No. 2), and the Alabama and Wichita Falls Symphony Orchestrad, Musikalische Akademie of the National Theater Orchestra Mannheim,and Syracuse’s Symphoria (Schumann’s Piano Concerto). His chamber music collaborations include a six-city U.S. tour with Orion Weiss playing works for 4-hands and two pianos by Schubert and Brahms with David Lang’s companion pieces gravity and after gravity; performances with the Emerson Quartet for CMS of Lincoln Center; New York Philharmonic musicians at David Geffen Hall; cellist Stephen Isserlis and violinist Laura Frautschi as part of Orpheus Chamber Orchestra’s Twilight at Tarisio series; and a Bridge to Beethoven concert with violinist Jennifer Koh on Baltimore’s Shriver Hall Concert Series. In addition to Impromptu, Mr. Wosner’s recordings for Onyx include concertos and capriccios by Haydn and Ligeti with the Danish National Symphony conducted by Nicholas Collon; solo works by Brahms and Schoenberg; works by Schubert, both on a solo recording and paired with new commissions from Missy Mazzoli; and Beethoven’s complete works for cello and piano with Ralph Kirshbaum. He also performs Bartók, Janáček, and Kurtág on a recording with Jennifer Koh for Cedille. Mr. Wosner is a recipient of Lincoln Center’s Martin E. Segal Award, an Avery Fisher Career Grant, and a Borletti-Buitoni Trust Award—a prize he used to commission Michael Hersch’s concerto Along the Ravines, which he performed with the Seattle Symphony and Deutsche Radio Philharmonie. He was in residence with the BBC as a New Generation Artist and is a former member of Lincoln Center'sBowers Program (formerly CMS Two). For several summers, he was involved in the West-Eastern Divan Workshop led by Mr. Barenboim and toured as soloist with the West-Eastern Divan Orchestra. In the U.S., he has appeared with the orchestras of Atlanta, Baltimore, Berkeley, Chicago, Cleveland, Dallas, Indianapolis, Los Angeles, Milwaukee, Philadelphia, Pittsburgh, and San Francisco, and St. Paul and Los Angeles Chamber Orchestras. He has also performed with the Barcelona Symphony, Bournemouth Symphony, Frankfurt Radio Symphony, Gothenburg Symphony, LSO St. Luke’s, National Arts Centre Orchestra, Nieuw Sinfonietta Amsterdam, Orchestre National de Belgique, Staatskapelle Berlin, and the Vienna Philharmonic, among others. Born in Israel, Mr. Wosner studied piano with Opher Brayer and Emanuel Krasovsky, as well as composition, theory, and improvisation with André Hajdu, and at The Juilliard School with Emanuel Ax. Share this video with a friend: (http•••) Watch next: Lera Auerbach plays Mussorgsky: Pictures at an Exhibition (http•••) Recommended Playlist: Podcasts (http•••) #shaiwosner #scarlatti #rzewski
Shai Wosner Domenico Scarlatti Frederic Rzewski Beethoven Schubert Ligeti Gershwin Ives Brahms Schumann Weiss David Lang Isserlis Jennifer Koh Haydn Nicholas Collon Schoenberg Missy Mazzoli Bartók Segal Barenboim Emanuel Ax Lera Auerbach Mussorgsky Konzerthaus Berlin Lincoln Center David Geffen Hall Jerusalem Symphony Orchestra Emerson Quartet New York Philharmonic Orpheus Chamber Orchestra Seattle Symphony West Eastern Divan Orchestra Frankfurt Radio Symphony Gothenburg Symphony Lso National Arts Centre Orchestra Orchestre National Belgique Staatskapelle Berlin Vienna Philharmonic 2020
Shai Wosner plays Domenico Scarlatti and Frederic Rzewski January 21, 2020 Grand Piano Series is a solo piano recital series held in Naples, Florida at Vanderbilt Presbyterian Church (http•••) Piano: Fazioli F308 Subscribe for more: (http•••) Support: (http•••) Let’s connect: Facebook – (http•••) Instagram – (http•••) Website - (http•••) Podcast - (http•••) Google Play - (http•••) Spotify - (http•••) Stitcher - (http•••) Apple Podcasts - (http•••) Soundcloud - (http•••) ARTIST BIO: Pianist Shai Wosner has attracted international recognition for his exceptional artistry, musical integrity, and creative insight. His performances of a broad range of repertoire—from Beethoven and Schubert to Ligeti and the music of today—reflect a degree of virtuosity and intellectual curiosity that has made him a favorite among audiences and critics. Mr. Wosner continues his career-long, critically acclaimed engagement with Schubert’s music in his latest recital series Schubert: The Great Sonatas comprising the composer’s six final sonatas, which he describes as “thick novels, rich with insight about the human condition.” Recitals take place at the Konzerthaus in Berlin, and include a residency at Cal Performances in Berkeley as well as appearances in Buffalo, Fresno, and Cambridge (MA). He also performs works from his latest solo recording, Impromptu(Onyx Classics) featuring an eclectic mix of improvisationally inspired works by composers from Beethoven and Schubert to Gershwin and Ives in St. Paul and elsewhere. His concerto performances include appearances with the Detroit and Toronto Symphony Orchestras (Mozart’s Concerto No. 21); the Jerusalem Symphony Orchestra (Brahms’ Concerto No. 2), and the Alabama and Wichita Falls Symphony Orchestrad,Musikalische Akademie of the National Theater Orchestra Mannheim,and Syracuse’s Symphoria (Schumann’s Piano Concerto). His chamber music collaborations include a six-city U.S. tour with Orion Weiss playing works for 4-hands and two pianos by Schubert and Brahms with David Lang’s companion pieces gravity and after gravity; performances with the Emerson Quartet for CMS of Lincoln Center; New York Philharmonic musicians at David Geffen Hall; cellist Stephen Isserlis and violinist Laura Frautschi as part of Orpheus Chamber Orchestra’s Twilight at Tarisio series; and a Bridge to Beethovenconcert with violinist Jennifer Koh on Baltimore’s Shriver Hall Concert Series. In addition to Impromptu, Mr. Wosner’s recordings for Onyx include concertos and capriccios by Haydn and Ligeti with the Danish National Symphony conducted by Nicholas Collon; solo works by Brahms and Schoenberg; works by Schubert, both on a solo recording and paired with new commissions from Missy Mazzoli; and Beethoven’s complete works for cello and piano with Ralph Kirshbaum. He also performs Bartók, Janáček, and Kurtág on a recording with Jennifer Koh for Cedille. Mr. Wosner is a recipient of Lincoln Center’s Martin E. Segal Award, an Avery Fisher Career Grant, and a Borletti-Buitoni Trust Award—a prize he used to commission Michael Hersch’s concerto Along the Ravines, which he performed with the Seattle Symphony and Deutsche Radio Philharmonie. He was in residence with the BBC as a New Generation Artist and is a former member of Lincoln Center'sBowers Program (formerly CMS Two). For several summers, he was involved in the West-Eastern Divan Workshop led by Mr. Barenboim and toured as soloist with the West-Eastern Divan Orchestra. In the U.S., he has appeared with the orchestras of Atlanta, Baltimore, Berkeley, Chicago, Cleveland, Dallas, Indianapolis, Los Angeles, Milwaukee, Philadelphia, Pittsburgh, and San Francisco, and St. Paul and Los Angeles Chamber Orchestras. He has also performed with the Barcelona Symphony, Bournemouth Symphony, Frankfurt Radio Symphony, Gothenburg Symphony, LSO St. Luke’s, National Arts Centre Orchestra, Nieuw Sinfonietta Amsterdam, Orchestre National de Belgique, Staatskapelle Berlin, and the Vienna Philharmonic, among others. Born in Israel, Mr. Wosner studied piano with Opher Brayer and Emanuel Krasovsky, as well as composition, theory, and improvisation with André Hajdu, and at The Juilliard School with Emanuel Ax. Share this video with a friend: (http•••) Watch next: Lera Auerbach plays Mussorgsky: Pictures at an Exhibition (http•••) Recommended Playlist: Podcasts (http•••) #shaiwosner #scarlatti #rzewski
Dickie John Taylor Rutter Missy Mazzoli Kiera Duffy Binge Notre Dame Boston Lyric Opera Opera Omaha Portland Opera 2022
operaphila.org - Soul(Signs): Opera is a series of three 2022 short films exploring the intersection of opera and American Sign Language. In a queer, ASL spin on Mozart’s The Magic Flute, Dickie Hearts signs the role of Papageno and Brandon Kazen-Maddox signs the role of Papagena, with a new audio recording by baritone John Taylor Ward and countertenor Jordan Rutter. Brandon Kazen-Maddox signs the role of Emile Griffith in an ASL version of the aria "What Makes a Man?" from Terence Blanchard's opera Champion: An Opera in Jazz, also featuring Andrew Morrill and Alberto Medero, and a new audio recording by baritone Markel Reed. In an ASL reimagining of “His Name is Jan” from Missy Mazzoli and Royce Vavrek’s Breaking the Waves, Monique Holt signs the role of Bess as she confronts a chorus of church elders — signed by Seth Gore, Dickie Hearts, Andrew Morrill, and Zavier Sabio. Featuring a new audio recording by soprano Kiera Duffy and students from the University of Notre Dame. Created by Up Until Now Collective, and commissioned by Boston Lyric Opera, Opera Omaha, Opera Columbus, and Portland Opera. Opera on Film, presented from Tuesday, Sept. 27 through Sunday, Oct. 2, is a big-screen binge of the operatic art form’s cinematic possibilities, gathering both feature-length and short-form films. Audiences can enjoy the entire series for just $25 with an Opera on Film badge. Festival packages, film badges, and performance tickets are now on sale at operaphila.org. Tickets for individual film screenings will go on sale through the Philadelphia Film Center box office in September.
Gian Carlo Menotti Soraya Mafi Jonathan McGovern Stuart Stratford Missy Mazzoli Edinburgh International Festival Scottish Opera 1947 1984 2015 2019
This version of the film has an Audio Description narration, and is preceded by a brief spoken introduction to give some background information and an overview of the main visuals. If you want to skip this, you can go straight to the start of the film at 02:46 The Telephone, or L'Amour à trois, is an opera in a single act, written for two singers and a hand-picked chamber ensemble. Menotti's 1947 work, last performed at the Edinburgh International Festival in 1984 by Washington Opera, brings together piquant humour with sly nods to the classics of grand opera. Multi-award-winning soprano Soraya Mafi and celebrated baritone Jonathan McGovern make their Edinburgh International Festival debuts as Lucy and Ben – the hapless couple whose love affair is repeatedly thwarted by a telephone. Pioneering young director Daisy Evans relocates Menotti’s mismatched lovers into today’s Edinburgh, as the story unfolds in and around the King’s Theatre. The opera becomes a witty commentary on our obsession with our mobile phones, reminding us to be present in the moments that matter. International Festival audiences are given the rare opportunity to hear this charming work performed by The Orchestra of Scottish Opera, conducted by Stuart Stratford, who has been the company’s Music Director since 2015. His expansive portfolio of acclaimed performances includes the European premiere of Missy Mazzoli’s Breaking the Waves at the 2019 Edinburgh International Festival. As a part of My Light Shines On, the Edinburgh International Festival has commissioned some of Scotland’s major national artistic companies to create extraordinary works that audiences can enjoy from their own homes. In a tribute to the enduring spirit of our Festival City, they bring light and life to sites that must stay empty this year. These unique performances for film reflect on what it means to keep a hopeful light burning in dark times.
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- chronologie: Compositeurs (Amérique du Nord). Interprètes (Amérique du Nord).
- Index (par ordre alphabétique): M...