Nancy Maultsby Vidéos
artiste lyrique
- mezzo-soprano
- États-Unis
Dernière mise à jour
2024-05-09
Actualiser
Santa Fe Opera Lawrence Renes Amon Miyamoto Matsui Roger Honeywell Nancy Maultsby 2007 2008
A montage of the work of Oscar and Grammy-winning composer Tan Dun, winner of the Grawemeyer Award for Classical Composition and Musical America's Composer of the Year. Footage (in order of appearance) from Tan Dun's "THE MAP: A Multimedia Event in Rural China," produced by Parnassus Productions and available for sale on DVD; the Beijing Olympics' 2008 orchestral rehearsal; and the YouTube Symphony Project, with special thanks to all participants. Final footage of TEA: A MIRROR OF SOUL provided courtesy of Santa Fe Opera's 2007 American Premiere. Conductor: Lawrence Renes, Director: Amon Miyamoto, Scenic Design: Rumi Matsui, Costume Design: Masatomo Ota, Lighting Design: Rick Fisher. Featuring Haijing Fu, Kelly Kaduce, Roger Honeywell, Nancy Maultsby and the Santa Fe Opera Chorus and Orchestra.
Wolfgang Amadeus Mozart Robert Levin Levin Franz Xaver Sussmayer Ruth Ziesak Nancy Maultsby Richard Croft Croft Boston Baroque 1791 1792
Introit: 0:00 - Reqiem 4:38 - Kyrie Sequence: 6:58 - Dies Irae 8:46 - Tuba mirum 11:38 - Rex tremendae 13:28 - Recordare 17:32 - Confutatis 19:33 - Lacrimosa 22:10 - Amen Offeratory: 23:38 - Domine Jesu 26:52 - Hostias Sanctus: 30:01 - Sanctus 32:15 - Benedictus Agnus Dei: 37:32 - Agnus Dei Communion: 40:44 - Lux aeterna 43:46 - Cum sanctus tuis Wolfgang Amadeus Mozart's Requiem, K626, was the classical composer's final composition. When he began writing the piece, Mozart was already sick with the illness that would ultimately kill him less than a year later. Although the piece was written on commission, as Mozart continued working on it, he began to believe that he was writing his own reqiuem. At the time of Mozart's death in December of 1791, the Requiem was still incomplete. Wikipedia states the following on the subject: "At the time of Mozart's death on 5 December 1791, only the opening movement (Requiem aeternam) was completed in all of the orchestral and vocal parts. The following Kyrie and most of the sequence (from Dies Irae to Confutatis) were complete only in the vocal parts and the continuo (the figured organ bass), though occasionally some of the prominent orchestral parts were briefly indicated, such as the violin part of the Confutatis and the musical bridges in the Recordare. The last movement of the sequence, the Lacrimosa, breaks off after only eight bars and was unfinished. The following two movements of the Offertorium were again partially done; the Domine Jesu Christe in the vocal parts and continuo (up until the fugue, which contains some indications of the violin part) and the Hostias in the vocal parts only." The most immediate, most frequently performed, and most well-known completion of the work is Franz Xaver Sussmayer's 1792 completion. Sussmayer was a friend of Mozart's, having worked for him as a copyist and studied composition with him The completion represented here, however, is a more modern one - done by Robert Levin in the second half of the 20th century. While it honors a lot of Sussmayer's suggestions, Levin's edition also revisits and dissects a lot of Mozart's original sketches, taking great pains to emulate Mozart's style as accurately as possible. One of the most striking features of Levin's completion is the Amen fugue at the end of the Lacrimosa. Boston Baroque, under the direction of Martin Pearlman, with soloists Ruth Ziesak, Nancy Maultsby, Richard Croft and David Arnold, deliver the world premiere of Levin's completion of the Requiem in this superb recording. The period ensemble plays in what we accept to be the musical style of the classical era. As a result, their recording is one of the richest available of any of the piece's completions - it is more dynamic, more intimate and has more momentem than most modern performances. This recording can be purchased on CD here: (http•••) Thank you for listening, and enjoy!
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