Pavel Josef Vejvanovský Vidéos
compositeur, trompettiste et copiste
- orgue
- musique classique, musique liturgique
- République tchèque
- compositeur ou compositrice, trompettiste, chef ou cheffe d'orchestre, organiste
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Dernière mise à jour
2024-05-01
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Vinyl Album Artist: Various Label: Supraphon Date: 1971 Country: Czechoslovakia Tracklist A1 Sonata Vesperina In C A 8 A2 Sonata In G A 4 A3 Sonata In D A 5 A4 Offertur Ad Duos Choros In A Serenada In C B1a Ingressus B1b Sarabanda B1c Gavotte B1d Minuett B1e Gigue B2 Sonata Natalis B3 Sonata Venatoria In D Other our channels: (http•••) Prodej xenonů ČR a SR : (http•••)
Pavel Josef Vejvanovský Libor Pešek Secunda Paschalis Czech Philharmonic 1970
1.Serenade in C 0:00 2.Sonata secunda in C a 6 4:50 3.Sonata in C a 10 10:08 4.Sonata in C a 7 16:25 5.Serenade in C 21:00 6.Sonata paschalis in C 30:43 7.Sonata in C La posta 35:41 8.Sonata in C a 7 37:44 Jiří Horák & Jaroslav Mičaník - Clarini Milan Šlechta - Organ, Harpsichord Prague Chamber Soloists Czech Philharmonic Members FOK Orchestra Prague Members Libor Pešek Vinyl, 1970
Vejvanovsky Rhode 1633 1693 2017
2017 Rhode Island College Early Music Ensemble Spring Concert Performance of Pavel Josef Vejvanovsky's Sonata a 4 be mollis Piccolo trumpet: Rachel Long
Pavel Josef Vejvanovský Philipp Jakob Rittler Heinrich Ignaz Franz Biber Gottfried Finger 1633 1639 1693
PAVEL JOSEF VEJVANOVSKÝ was born in Moravia (Hukvaldy or Hlucin) in either 1633 or 1639. He received an education at the Jesuit university in Opava, where he also began composing. Moravia had been devastated during the Thirty Years War and much of it was in desperate need of rebuilding. The Habsburg authorities appointed the influential and ambitious Karl Leichtenstein-Castelcorno as Prince-Bishop of Olomouc who set about to rebuild much of the region. This included building himself a grand palace in Italian Renaissance style with elaborate gardens in the nearby town of Kromeriz and employing a large group of musicians drawn from throughout Europe to play at his court and churches. In the 1650s the job of running and directing this prestigious ensemble fell to Vejvanovsky, who was regularly singled out for praise by the Bishop. His own compositions circulated throughout central Europe, appearing in other Czech collections as well as in Germany and Austria. He seems to have made at least one visit to Austria with the purpose of copying and collecting music and it is largely thanks to Vejvanovsky that so much central-European music from the time is preserved in what is widely regarded as one of the most important collections of late seventeenth century music on the Continent. Vejvanovsky must have been one of the greatest trumpet virtuosos of the age and his numerous compositions attest to his virtuosity. One of his more remarkable talents was the ability to play certain chromatic passages on the trumpet, which is not normally possible on the largely diatonic natural trumpet. Under Vejvanovsky's direction the Bishops ensemble saw its heyday. Other musicians at court included Philipp Jakob Rittler, Heinrich Biber, and Gottfried Finger, the latter two employing certain characteristics of Vejvanovsky's trumpet writing in their own compositions. He was a contemporary and associate of Heinrich Ignaz Franz von Biber.
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