Sadao Bekku Vidéos
compositeur japonais
- opéra, symphonie
- Japon
- compositeur ou compositrice
Dernière mise à jour
2024-05-10
Actualiser
Yuriko Kuronuma Sadao Bekku Yuji Takahashi Irino Hiroshi Wakasugi Nhk Symphony Orchestra 2014
Provided to YouTube by NAXOS of America Violin Concerto · Yuriko Kuronuma Sadao Bekku: Violin Concerto - Yuji Takahashi: Contradiction - Yoshiro Irino: Wandlungen ℗ 2014 Naxos Japan Released on: 2014-09-01 Artist: Yuriko Kuronuma Conductor: Hiroshi Wakasugi Orchestra: NHK Symphony Orchestra Composer: Sadao Bekku Auto-generated by YouTube.
Toshiro Mayuzumi Cobra Koizumi Ryo Noda Yamaguchi Mori Bentzon Nadia Boulanger Roman Palester Ikenouchi Messiaen Jolivet Ifukube Stravinsky Ravel Sadao Bekku 1929 1950 1951 1987 1997 2017
Toshiro Mayuzmi [黛敏郎] (1929~1997, Japan) スフェノグラム [楔形文字] Sphénogrammes 00:00 I. Prologue 04:50 II. Chanson javanaise 09:21 III. Slendoro 13:20 IV. Be-bap du cobra enchanté 18:49 V. Liturgie hindoue text: II. Chanson javanaise hmat ka mo pra ku i Pra ma mi-yo-da-ki a-to-ba-ya-wa pra po to--o en-wa-puto hwan to mi----i an-be-sa--Wa Sa pel mo---o hwan-gaon doken-om-mi so- i-m Pra ma mmi ro / da a-ki a to ba ga-wa pra po to en wa-lu to hwan to mi i---i an-be-sa--Wa Sa pel mo---o hwan-ga--an doken-om mi-so--- hma wa - to ka mo pra / ku i-m pra ma mi ro / da a ki a to ba ya- -wa pra po to em wa-lu to hwan to mi i----i an be sa -a / wa sa pe-i mo hwan ga / an do o om mi-so--- IV. Be-bap du cobra enchanté e-i-au-i-awe-i a-u-wa t-u-i a-pa-pa tu-i-yo i-a u-i-a wo-i a-u-wa e-i-au-i-awe-i a-u-wa t-u-i a-pa-pa tu-i-yo i-a u-i-a wo-i a-u-wa e-i-au-i-awe-i a-u-wa t-u-i a-pa-pa tu-i-yo i-a u-i-a wo-i a-u-wa Pyu wi chu i-a-u-wa -u-i-a i o-i-a ui ya -e-j-a putu-pi i-pi ya boti- yeji yeni-- yeji-pua-ta bo wi-ea-i o-e-a se mye i pyu-wi chu-i-a-u wa u-i-a- e-i-au-i-awe-i a-u-wa t-u-i a-pa-pa tu-i-yo i-a u-i-a wo-i a-u-wa e-i-a u-i a wo-i-a u-wa tu-ia-pa-pa-ta-i-yo i-a u-i-a wo-i a-u-wa V. Liturgie hindoue un ga ya-mi jaja le-gi vp se un ga ya-umi-re unga ya mi-re yu di au kla ku-a-ntusu te wa-kn-da-ki-yo -i i / i a-----a-----a-----ya un ga ya-mi ja ya le-gi vo re un ga ya-mi-re-e un ga ya-mi ja ya le-gi vo re un ga ya-mi-re-e yu di au kla ku-a-ntu ru te ma-ku da ki yo-i i -a-----------ya---------- un ga ya-mi ja ya le-gi vo re un ga ya-mi-re-e un ga ya-mi ja ya le-gi vo re un ga ya-mi-re-e un ga ya-mi ja ya le-gi vo re un ga ya-mi-re-e Emi Nishina, vocal Hiroshi Koizumi, flute Ryo Noda, saxophone Yasunori Yamaguchi, marimba Kishiko Suzumi, violin Hakuro Mori, cello Kayako Matsunaga, piano Reiko Ebisuta, piano Toshiro Mayuzumi, conducting Recorded: 1987 (Live) at Dai-ichi Seimei Hall (former) From NHK FM "Kurasikku No Meikyu (Labyrinth of Classical Music)" "Sphénogrammes" (Completed in Yokohama in 1950) was selected for the 25th ISCM International Festival of Contemporary Music (Frankfurt, 1951), and was the work that brought Toshiro Mayuzumi's name worldwide recognition. The jury at that time consisted of Johan Bentzon, Nadia Boulanger, Roman Palester, Alan Rawshorne and Hans Heinz Stuckenschmidt. The previous year, his graduation work, "Divertissment pour 10 instruments," was also submitted to ISCM with the recommendation of Tomojiro Ikenouchi, but it was not selected, so this was his second attempt. In contrast to "Divertissment," which was in a sense sophisticated, stylish, and un-Japanese, "Sphénogrammes" strongly expressed his assertion as an Asian composer, and his primitive energy and orientation toward ritual, which were close to Messiaen and Jolivet, the most advanced composers of the time, were also highly evaluated. For Mayuzumi, this was a work from the period when he met Ifukube and expanded his musical orientation toward Asia. While Ifukube's music was based on the northern regions of Japan, Mayuzumi's music was a longing for the south, a fusion of gamelan, kecak, Southeast Asian-derived materials and folk songs, as well as jazz, contemporary music, Stravinsky, Ravel, and other composers. This exquisite balancing act of "remixing" can be heard in his subsequent creations. Sadao Bekku wrote in his obituary for Mayuzumi, "He was a sensuous composer," and Mayuzumi's keen musical sense led him to jazz, electronic music, and temple bells. In this way, he was always in search of his own ideal sound. by Koichi Nishi from 3SCD-0031 "Solo Exhibition of Toshiro Mayuzumi: The Road to Nirvana Symphony" booklet [...] Now I would like you to listen to the "Sphénogrammes," from 1950. This piece was written for soprano solo voice, flute, saxophone, marimba, violin, cello, and four-handed piano. The entire work is in five movements. Let us now listen to a live recording of this work, conducted by Toshiro Mayuzumi himself at the "Spring Contemporary Music Exhibition" organized by the Japan Contemporary Music Society in 1987... ... As you can hear from the sound of the applause, the number of audience members was unfortunately very small. Despite the fact that it was a long time since the "Sphénogrammes" was performed again, the venue was a rattling place with only 3-40 or 4-50 people. The piece was played at the very end of the program, however, Mr. Mayuzumi was conducting very happily, and the ensemble, as you have just heard, was very groovy, and especially the vocalist, Emi Nishina, is a member of the "Geinoh Yamashirogumi," so she was able to handle the Asian ethnic vocals very well and fit the piece perfectly. After the performance, Mr. Mayuzumi looked so happy that he shook hands with her and hugged her... I was listening to the music while recalling those pleasant memories. by Morihide Katayama, commentary in NHK FM "Kurasikku No Meikyu," broadcast on April 29, 2017
Sadao Bekku Hiroshi Wakasugi Vaillant Tokyo Metropolitan Symphony Orchestra 1922 1956 2012
別宮貞雄 Sadao Bekku +••.••(...)) Deux Prières pour Orchestre (1956) I. Douloureux [7:15] II. Vaillant [5:13] Tokyo Metropolitan Symphony Orchestra Hiroshi Wakasugi, conductor
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