Gregory Stapp Vidéos
Dernière mise à jour
2024-05-09
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Carlo Guasco Giuseppe Verdi Gaetano Donizetti Ricci Federico Ricci Korchak Lombardi Veriano Luchetti Katia Ricciarelli Diletti Cavalieri Antonietta Stella Agostino Ferrin Ermanno Wolf Ferrari Cara Vasile Moldoveanu Stapp Nello Santi Mark Elder Arena Verona 1813 1841 1843 1844 1846 1876 1970 1984
Federico Ricci, Corrado d'Altamura (1841): Roggero 00:00:00 Duet “Vien - dell'atroce ingiuria” (Corrado, Roggero) 00:03:04 Final Scene (Roggero, Delizia) Dimitri Korchak (Roggero), Dimitra Theodossiou (Delizia) Giuseppe Verdi, I Lombardi alla prima crociata: Oronte 00:14:57 Cavatina “La mia letizia infondere” 00:22:38 Duet Act III “Dove sola m'inoltro!” (Oronte, Griselda) Veriano Luchetti (Oronte), Katia Ricciarelli (Griselda), Maurizio Arena (conductor), Arena di Verona, 1984 Giuseppe Verdi, Ernani (1844): Ernani 00:34:45 Act I cavatina “Mercé, diletti amici…Come rugiada al cespite…O tu, che l'alma adora” (Ernani) 00:40:42 Act II Duet “Esci... a te... scegli... seguimi…In arcion, in arcion cavalieri” (Ernani, Silva) 00:45:12 Act IV Grand Scene e Finale “Cessaro i suoni, disparì ogni face….” (Ernani, Silva, Elvira) Amedeo Zambon (Ernani), Antonietta Stella (Elvira), Agostino Ferrin (Silva), Ermanno Wolf-Ferrari (conductor), Lisabon, 1970 Guiesppe Verdi, Attiila (1846): Foresto 00:59:52 Act I Cavatina “Ella in poter del barbaro!... Cara patria, già madre e reina” 01:07:36 Act II Duet “Qual suon di passi!” (Foresto, Elvira) 01:16:19 Act III Romanza “Che non avrebbe il misero” (Foresto) Vasile Moldoveanu (Foresto), Olivia Stapp (Odabella), Nello Santi (conductor) Gaetano Donizetti, Maria di Rohan (1843): Riccardo, Conte di Chalais 01:22:09 Cavatina Act I: “Non seguite la caccia” (Chalais) 01:25:47 Act II Aria e cabaletta “Dorme affannosa!... E tu, se cado esanime” Jose Bros (Chalais), Mark Elder (conductor)
Hofmann Heide Proske Stapp Popp Gounod Loewe 1945
Probentermin des Kirchenchores: Montag um 19:45 Uhr im Pfarrheim Großwelzheim Chorleiter: Martin Hock Sopran: Bormann Sabine Heßberger Maria Heßberger Rita Hofmann Manuela Koshofer Heide Lore Lang Karin Alt: Ehrenhart Jutta Lang Hella Lübke Gabriele Proske Beatrix Trageser Traudl Tenor: Hock Heike Kranz Alfred Link Rita Schuchmann-Fix Jutta Stapp Ulrike Bass: Heßberger Gebhard Hock Josef Popp Karl Reisert Gerhard Stadtmüller Walter Moderation: Heßberger Rita Hock Martin Flöte: Proske Beatrix Alle Übertragungsdaten finden sie unter: (http•••) Falls sie die Übertragung unterstützen möchten, können sie per Überweisung mit dem Betreff Livestream oder Bar im Pfarrbüro spenden. Sparkasse AB - Alz: Betreff: Livestream DE24 7955 0000 0240 2301 69 BIC: BYLADEM1ASA #charles #gounod #pater #noster #paternoster #sanctus #agnusdei #salutaris #hoffnung #aufbruch #carl #loewe #gerd #peter #münden #christian #dreo #jean #baptist #hilber #samuel #jersak #christill #salzeder #zusammenwachsen #himmel #herz #gott #konzert #kirche #gesang #chor #chorgesang #bonifatius #großwelzheim #karlstein #cäcilia #musik
Johann Sebastian Bach Siegel Kaufman Stapp Robert Bloom Farrow Bach Aria Group 1914 1946 1948 1996
A Time for Bach, a film commissioned by William H. Scheide, ((http•••) the founding Artistic Director, resident scholar, and patron of the Bach Aria Group. Written by Marc Siegel and photographed by Boris Kaufman, with Baroque sequences drawn by Philip Stapp, the film was produced, directed, and edited by Paul Falkenberg in 1948. An original is archived at MoMA. (Please have patience with the wobbly beginning of this rare copy.) An excerpt from chapter one of A Time for Bach: The Story of the Bach Aria Group +••.••(...)) is printed below. The entire chapter is available on RobertandSaraLambertBloom.com ((http•••) Just as the war was ending, a young scholar-musician born in Philadelphia on January 6, 1914, raised in his ancestral home in Titusville, Pennsylvania, and who had immersed himself in the study of the music of J.S. Bach since the mid-1930s, had the idea that he could do something to help. The twentieth century has received spiritual shocks that make the tranquil experience of the nineteenth seem ridiculous. No more cataclysmic shattering of a world could be imagined. And yet the protagonists of music, that small minority for whom music has presumably become the serious matter of their lives, continue to propagate this shattered world as though it still existed unimpaired, Mr. Scheide wrote in 1946 in an unpublished article, "The Need for a New Music," that shows both his unwillingness to stand idly by and his faith in the power of a certain kind of music. Nearly simultaneously with the founding the Bach Aria Group, William Scheide commissioned a short film through which he announced the mission and revealed the inner workings of the Group under his direction. A Time for Bach was written by Marc Siegel and photographed by Boris Kaufman, with Baroque sequences drawn by Philip Stapp; it was produced, directed, and edited by Paul Falkenberg, all respected professionals of the day. With the Group's newly gathered musicians making what was probably their first and last acting appearances (in alphabetical order: Julius Baker, flute; Robert Bloom, oboe; Jean Carlton, soprano; Norman Farrow, bass-baritone; Bernard Greenhouse, cello; Robert Harmon, tenor; Sergius Kagen, piano; Margaret Tobias, alto; Maurice Wilk, violin), the twenty-minute film begins with fanciful composites of eighteenth-century engravings animated by Stapp while Bach's great C Major Fugue is heard, performed by the organist Carl Weinrich. Overlaid scrolls the written message: Few periods in history could be more different in mood than the time of Bach and our own. The joy of living of baroque culture and a transcendent religious faith characterize Bach's life and work. It is a far cry from the harshness and furious tempo of the world in which we live. Many creative forces, however, challenge our time, trying to reconcile its contradictory elements. Within this context, the film traces the rehearsal work of the BAG, a unique ensemble of vocalists and instrumentalists, first organized in 1946 by William H. Scheide. In reintroducing the little-known arias from Bach's more than 200 extant cantatas, the Group has offered to radio, record, and concert audiences a new Bach--gay and buoyant yet spiritual and deeply moving. The Group's work represents an attempt to bridge two centuries and to bring to the present day something of the strength, the inspiration, and the peace of mind of Johann Sebastian Bach. Cut to the harshness and furious tempo of postwar America. With a snare drum tapping out a frantic cadence, the audio sharply shifts from the magnificent organ work to a screaming factory whistle while the camera pans down the Empire State Building, the still fresh American icon whose record height stood until the building of the World Trade Center decades later, and then traces up an industrial smoke stack. Ordinary people are shown hurrying amid symbols of both the mundane and the extraordinary events of their daily lives---a telephone, a tornado, an army tank; pipelines and protesters; a wrecking ball, and Babe Ruth running the bases; marathon dancing; trains and apartment buildings and mills; crowded masses during travel, rest, and work. The drum's incessant beating accompanies the text of the film's breathless chant: Run, run, run (to get your bread)...(to get it all)...(or you'll be dead). But then, symbolically, blinds, doors, and windows are opened to the sounds of Bach's serene oboe obbligato from the aria from Cantata 82: "Ich habe genug" ("It is enough"). The camera pans across men and women at work on sculptures and drawings, pursuing academics, the literary and medical arts, the acts of voting and working together as citizens, capturing the sense of enlightenment and renewal for which the country was striving after the war.
Stapp Verdi Neuhold Teatro Carlo Felice 1847 1865 1986
The original version of 1847's Verdi's "Macbeth". Sung by Olivia Stapp. Aria from the second act "Trionfai! securi alfine" (La luce langue was written expressly for the 1865 Paris version of Macbeth Orchestra and Chorus of Teatro Carlo Felice, Genua Conductor : Gunther Neuhold 'Maldito Candelabro' Un blog para hablar de la opera en el Peru y el mundo (http•••) 1986
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- chronologie: Artistes lyriques (Amérique du Nord).
- Index (par ordre alphabétique): S...