Thomas Täglichsbeck Vidéos
compositeur allemand
- violon
- opéra
- Allemagne
- compositeur ou compositrice
Dernière mise à jour
2024-05-02
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Johannes Brahms Richard Mühlfeld Wolfgang Amadeus Mozart Anton Reicha Giacomo Meyerbeer Sigismund Neukomm Weber Franz Krommer Alexander Glazunov Heinrich Baermann Thomas Täglichsbeck Bülow Fritz Steinbach Meiningen Court Orchestra 1891
Arthur Campbell, clarinet Gregory Maytan, 1st violin Oleg Bezuglov, 2nd violin - www.olegbezuglov.com Paul Swantek, viola Pablo Mahave-Veglia, cello Johannes Brahms's Clarinet Quintet in B minor, Op. 115 was written in 1891 for the clarinettist Richard Mühlfeld. 1. Allegro 2. Adagio 3. Andantino 4. Con moto Recorded live in Cook-Dewitt Center of Grand Valley State University ABOUT THE PIECE: Johannes Brahms's Clarinet Quintet in B minor, Op. 115, was written in 1891 for the clarinettist Richard Mühlfeld. It is scored for a clarinet in A with a string quartet. At the time Brahms started composing his Clarinet Quintet, only a few works had been composed for this type of ensemble. Examples of clarinet quintets include those by Wolfgang Amadeus Mozart, Anton Reicha, Giacomo Meyerbeer, Sigismund von Neukomm, Carl Maria von Weber, Franz Krommer, Alexander Glazunov, Heinrich Baermann, and Thomas Täglichsbeck. Brahms modeled his composition after Mozart's. Brahms had retired from composing prior to listening to Richard Mühlfeld play. Brahms may have met Mühlfeld already when Hans von Bülow was directing the Meiningen Court Orchestra. But it was Fritz Steinbach, von Bülow's successor, who brought Mühlfeld's playing to the attention of Brahms in March 1891. Brahms was very enthusiastic about Mühlfeld. That summer at Bad Ischl, he composed the Clarinet Quintet and his Clarinet Trio Op. 114, both of them for Mühlfeld. He later also composed his two Clarinet Sonatas Op. 120. The quintet received its first private performance on 24 November 1891 in Meiningen, with Richard Mühlfeld and the Joachim Quartet, led by Joseph Joachim who often collaborated with Brahms. The public premiere was on 12 December 1891 in Berlin. It soon received performances across Europe, including London and Vienna both with the original and other ensembles. 1st Movement. Like the quintet by Mozart, the strings begin the piece. Only several bars after the clarinet's entry is it finally made clear that the key of the music is B minor rather than D major (the latter being the key in which the exposition ends, leading smoothly into the repeat of the clarinet's opening). This movement sets an autumnal mood for the rest of the composition. One phrase, towards the middle played by the clarinet, sounds closely related to one in the first movement of Carl Maria von Weber's Clarinet Concerto No. 1 in F minor. This was possibly inserted because when Brahms listened to Richard Mühlfeld at his recital, he was playing this concerto. 2nd Movement The bowed strings are played with mutes (con sordino) throughout the movement. Mainly in B major, the reflective melody is first introduced by the clarinet, and is sometimes chromatic with some shifts to B minor. The middle section is in B minor, its mood recalling the gloomy atmosphere of the first movement. Here, the clarinet performs technical runs playing from all ranges. Via an agitated transition with even more modulations, the music calms down and returns to the beginning theme, and then subsides. 3rd Movement The shortest of all four, the movement begins sweetly being one of the composition's few uplifting passages. In measure 23, the clarinet and violin play as if they were talking in a conversation. It modulates back from its heart-warming D major into the darker B minor. This section is highly influenced by the first part and even ends the same except being in a 2/4 meter. 4th Movement This movement is marked Con moto (with motion) and contains a theme and five variations as do the final movements of Mozart's Clarinet Quintet and Brahms's Clarinet Sonata No. 2. Tempo varies according to the musician. The fourth variation, in B major, has a sweet melody mostly performed by the clarinet, which recalls the mood of the second movement. The fifth (final) variation, beginning with the viola playing the melody over the pizzicato cello, is back in B minor but bears a different metrical sign (6/8) till the end of the movement. The coda brings multiple themes from the first movement, and finally ends with a sudden loud B minor chord which eventually fades away (as opposed to the quiet ending in the first movement).
The Best Classical Music and Instrumental Music by ClassicTube for relaxing, concentration, reading and studying. You can use this music to relax, enjoy, when you are working or you have to rest. Watch more Piano Tutorials: (http•••) Watch more Episodes: (http•••) Listen to beautiful Famous pieces with Scrolling Notes: ♩ ♪ ♫♬ (http•••) ............................................................................... ClassicTube Playlist: 1. Listen to Mozart (http•••) 2. Listen to Beethoven (http•••) 3. Listen to Bach (http•••) 4. Listen to Chopin (http•••) 5. Listen to Vivaldi (http•••) 6. Listen to Liszt (http•••) 7. Listen to Tchaikovsky (http•••) 8. Listen to Handel (http•••) 9. Listen to Rachmaninoff (http•••) 10. Listen to Haydn (http•••) 11. Listen to Saint-Saëns (http•••) 12. Listen to Schubert (http•••) 13. Listen to Brahms (http•••) ............................................................... Thank You so much for Listening, you ARE GREAT Please give this video a like Don't forget to SUBSCRIBE (http•••) Video Description: Johannes Brahms's Clarinet Quintet in B minor, Op. 115 was composed and premiered in 1891. Written for clarinetist Richard Mühlfeld, it is a piece in four movements, scored for a clarinet in A and a string quartet. A standard rendition lasts approximately 35 minutes. At the time Brahms started composing his Clarinet Quintet, only a few works had been composed for this type of ensemble. Examples of clarinet quintets include those by Wolfgang Amadeus Mozart, Anton Reicha, Carl Maria von Weber, Franz Krommer, Alexander Glazunov, Heinrich Baermann, and Thomas Täglichsbeck. Brahms modeled his composition after Mozart's. If you like this content consider giving your support on Patreon (http•••) Follow me on Facebook (http•••) Performance: Chamber Music Society of Lincoln Center Creative Commons
Thomas Täglichsbeck 1799 1863 1867
New edition by Dean Crocker, based on a publication from 1863. [cl, 2 vln, vla, and vlc] To the best of my knowledge the original music is in the public domain in the United States of America. For more information, please see (http•••)
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