Toshiaki Umeda Vidéos
Dernière mise à jour
2024-04-27
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Original Format: 1920 x 1080, 60fps, 7m30s Title: kinesis #1 – screen field Direction: Hiroaki Umeda Sound Design: S20 Image Direction: S20 Image Programming: Yoshito Onishi, Shoya Dozono, Seiji Ando Production: S20 Co-production: Théâtre Louis Aragon, scène conventionnée danse de Tremblay-en-France, Cinéma Jacques Tati Project
Nhk Hall Suzuki Yamamoto Mori Kobayashi Tsuboi Onishi Hasegawa Sato Ikeda Kawaguchi Umeda Ishige Bayon 2019
Listen to the album, ‘Hall Tour 2019 STORY’: (http•••) Subscribe to nyb’s channel: (http•••) Follow nyb: (http•••) (http•••) (http•••) (http•••) Hall Tour ‘STORY’ NHK Hall May 29, 2019 Yuma Abe: vocal/guitar Satoshi Anan: guitar/backing vocal Keigo Tatsumi: bass/backing vocal Kento Suzuki: drums/backing vocal Kanji Yamamoto: guitar Yuta Mori: guitar Tetsuya Hataya: keyboards Utena Kobayashi: marimba/steelpan Meg: backing vocal Stage Director Osamu Oyama Wall Art Kosuke Nishi Hiroshi Tsuboi Lighting Director Ikuko Onishi Tsuyoshi Hasegawa Instruments Ryo Sato Front of House Takashi Itoga Monitors Minamo Yano PA System Keigo Naka Recording Masahiko Sato Mixing Hiroshi Ikeda Audio Suite Tatsuya Osawa Ryo Nomura Video Director Dai Sato Direction of Photography Terutada Murao Camera Jun Kawaguchi Wataru Umeda Daisuke Ohya Rintaro Ishige Ryuichi Taniura Ray Otabe BEA FOB HOT STUFF JAIL HOUSE SMASH WESS SEVEN’S SOFTHOUSE BAYON PRODUCITON SPEEDSTAR RECORDS #nyb #STORY
Copland Kikuchi Shinozaki Kazuki Sawa Toshiaki Umeda Shigeo Genda Béla Bartók Franz Liszt Tokyo Philharmonic Orchestra Japan Philharmonic Orchestra 1990 2013 2014 2015
(http•••) István Kohán - clarinet Akiko Kikuchi - violin Takuto Matsunoki - violin Kei Sakoda - viola Sakura Peatey Tashiro - Cello Kazuki Shinozaki - double bass Kosuke Kikuchi - piano Hungarian clarinetist István KOHÁN is fast becoming one of the most exciting wind instrumental soloist of his generation. Kohán launched his career when he won 1st prize and audience prize at the 11th Tokyo Music Competition, Japan in 2013. In 2015 he won 1st prize and audience prize at Japan’s most prestigious music contest the 84th Japanese Music Competition. The same year he won 1st prize and audience prize at Japan Woodwind Competition, 1st prize and Grand Prix at Akiyoshidai Music competition. He won 24 prizes at 15 competitions. In 2013 he won the Junior Prima Award (Music Division). On his regular recitals in addition to his wide classical repertory he plays his own compositions and improvise as well. Kohán is keenly expand the existing clarinet repertoire by writing new pieces what usually inspired by his musical roots. His father is an outstanding klezmer musician then this genre is like native language for him. The other great inspiration source is Hungarian folk music. Kohán is a Yamaha Artist. This collaboration with the Japanese company let him to reach higher levels in his musicality with the best quality of instruments. He performed with orchestras in Japan as the Tokyo Philharmonic Orchestra, the New Japan Philharmonic Orchestra, the Kioi Sinfonietta with conductors as Antonio Mendez, Kazuki Sawa, Toshiaki Umeda, Masahiko Enkoji, Shigeo Genda. He born in 1990 in Budapest, Hungary. Started to learn the clarinet under his father. Then he admitted to the class of special talents at Béla Bartók Conservatory. He graduated at the Franz Liszt Academy of music Budapest in 2013. From 2014 he started his postgraduate studies at Tokyo College of Music. コハーン・イシュトヴァーン プロフィール ハンガリー出身のコハーン・イシュトヴァーンは世界でも数少ないクラリネットソリストの一人。 1990年ブダペストにて音楽一家のもとに生まれ、弱冠9歳で舞台デビュー、12歳でバルトーク音楽院英才教育コースに入学した。J.リヒテルクラリネットコンクール(ハンガリー)第1位、カルリーノ国際音楽コンクール(イタリア)第1位、アントンエベルスト国際クラリネットコンクール(セルビア)第1位、ICA国際クラリネットコンクール史上最年少第1位など、国内外計16の国際コンクール・18部門で優勝・入賞する快挙を成し遂げる。ハンガリー国立リスト音楽院卒業後の2013年7月に活動拠点を日本に移した。第11回東京音楽コンクール木管部門第1位及び聴衆賞受賞。第4回秋吉台音楽コンクール第1位及び山口県知事賞(グランプリ)を受賞。第26回日本木管コンクール第1位及びコスモス賞(聴衆賞)受賞。第84回日本音楽コンクール第1位及び岩谷賞(聴衆賞)受賞。ハンガリーの若手芸術の分野で最も権威のある賞「ジュニア・プリマ・アワード」2013年度受賞。現在、特別特待奨学生として東京音楽大学大学院において研鑽に励んでいる。ハンガリー・日本で主要オーケストラとコンチェルトを協演、またソロリサイタルや室内楽の活動を展開する他、2014年からは作曲家としても活動の幅を広げる。
Scriabin Jinsang Lee Géza Anda Schumann Mozart Vladimir Ashkenazy Scarlatti Douglas Bostock Brousseau Förster Eivind Gullberg Jensen Jensen Theodor Guschlbauer Antony Hermus Michail Jurowski Jurowski Roman Kofman Jonathan Nott Ola Rudner Muhai Tang Umeda Mario Venzago Christopher Warren Green Nikolaj Znaider Bamberg Bern Reutlingen Busoni Menuhin Knüpfer Bamberg Symphony Orchestra Bern Symphony Orchestra City Chamber Orchestra Hong Kong Nuremberg Symphony Orchestra Shanghai Philharmonic Orchestra Vienna Chamber Orchestra Zurich Chamber Orchestra International Chamber Music Festival International Chamber Music Festival Cervo Lucerne Festival Berliner Philharmonie Konzerthaus Berlin Meistersingerhalle Tonhalle Zurich 2001 2005 2008 2009 2012
Jinsang Lee Recital at Musikdorf Ernen Festival 2012 Winner of Concours Géza Anda "...Jinsang Lee is an intelligent musician with charisma..." (A. Zimmerlin, NZZ) "...We not only found a big talent, but also encountered a mature independent artist..." (T. Meyer, Tagesanzeiger) So enthusiastic were the critics in Zurich, when Jinsang won the First Prize at the Concours Géza Anda in 2009. His unique yet mature interpretations won him the Schumann Prize, Mozart Prize and Audience Prize in addition. Jinsang had earlier made his mark in the international piano world by winning top prizes at a number of international piano competitions including First Prize at the Hong Kong International Piano Competition (2008) chaired by Vladimir Ashkenazy; First Prize, Scarlatti Prize and Orchestra Prize at the International Pianoforte Competition Cologne (2005); and Second Prize at the Sendai International Music Competition (2001) followed by a number of top prizes in Korea earlier. Jinsang has performed concerts with renowned conductors including Vladimir Ashkenazy, Michael Border, Douglas Bostock, Michael Brousseau, David Effron, Heiko Mathias Förster, Eivind Gullberg-Jensen, Peter Gülke, Theodor Guschlbauer, Antony Hermus, Michail Jurowski, Roman Kofman, Mark Laycock, Christian Ludwig, Jonathan Nott, Ola Rudner, Si Yeon Sung, Muhai Tang, Umeda Toshiaki, Mario Venzago, Christopher Warren-Green and Nikolaj Znaider. He has performed with famous orchestras including Argovia Philharmonic, Bamberg Symphony Orchestra, Bern Symphony Orchestra, City Chamber Orchestra of Hong Kong, Graz Philharmonic Orchestra, Konzerthaus Orchestra Berlin, New Philharmonic Westfalen, Nuremberg Symphony Orchestra, Orchestra della Svizzera Italiana, Sendai Philharmonic Orchestra, Shanghai Philharmonic Orchestra, Tonhalle Orchestra Zurich, Vienna Chamber Orchestra, the WDR Radio Orchestra Cologne, Wuerttemberg Philharmonic Reutlingen and Zurich Chamber Orchestra across different continents. He also appeared in a number of world's most prestigious music festivals, including Busoni Festival, International Chamber Music Festival of Cervo, Musikdorf Ernen, Lucerne Festival, Menton Festival, Menuhin Festival Gstaad, Montreux Festival, Murten Classics, Piano Festival Ruhr, Seoul Art Center Orchestra Festival and the Joy of Music Festival Hong Kong, displaying his impressive and profound musical philosophy. Numerous invitations led him on the international concert stages, including the Berliner Philharmonie, Konzerthaus Berlin, Louvre Museum, KKL Lucerne, Meistersingerhalle Nuremberg, Tonhalle Zurich, Konzerthaus Vienna. In addition to his musical talent and flawless technique as a pianist, Jinsang's passion in searching for the perfect sound has led him to the world of piano manufacturing and tuning. He embarked upon this interesting journey by working at Steinway Austria for 2 years under the guidance of master piano technician Stefan Knüpfer (star of the docu-movie "Pianomania"), seeking to better understand the piano as a living instrument. After that, he moved to Steinway Hamburg to learn the piano manufacturing process himself. Jinsang has sought to take part in every step of creating the perfect piano, from selecting and processing the right wood to auditioning the final completed piano, and playing with the very piano that he chose for the audience. With these special insights and experience, he continues a rich concert career across different continents, most actively in Europe and Asia, to share his journey to find the perfect piano sound with the audience.
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